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CinemaInternational

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Posts posted by CinemaInternational

  1. On 2/10/2020 at 12:19 PM, UMO1982 said:

    And did anyone notice in the bizarre segment that linked music and films and with all the yap about this being the 92nd Oscars, they only went back as far as THE GRADUATE in their look at music and films ... as if that's as far back as human memory could stretch!

    Well, that leaves off almost half the films I've seen.....

  2. Do I think that some people were turned off by things? Definitely, as can be seen from outrage in certain quarters. But there is another elephant in the room and its bigger and more of a reason why the ratings slid so much. It's a combination of internet and streaming. Internet in that the winners can be found updating after every single award on Wikipedia, and that the clips of the wins turn up within a few days on YouTube. This is what many in my age range have done rather than to sit through a 3 and a half hour ceremony, where over an hour of it is commercials.

    And streaming caught on so much that millions of people cut the cord and got rid of cable, thus lowering the chances of a bigger audience for ABC. Speaking of which, for the people who do still have cable, the major networks have shed quite a bit of their old audience due to all the other channels out there.

    And finally, there was another difference between this year and last. Last year had three movies that took over $200 million up for Picture: Black Panther (the biggest hit of the year), Bohemian Rhapsody, and A Star is Born. All pretty much liked by most of their target audience, and all three picked up awards, two of them in multiples, and one even scoring an acting win. They all lost to Green Book, but Film Twitter aside, many seemed to like that film. There was also the potential draw over Glenn Close looking like she'd finally win (I'm still smarting over that hurtful loss). This year, the only hit of that size was Joker, a film that fiercely divided audiences, and your next biggest were Once upon a Time in Hollywood, Little Women, Ford Vs Ferrari, and 1917, all well loved by thoughtful, mature  audiences, but films that had trouble (unfortunately) in drawing the popcorn crowd, which is obviously what ABC wanted to tap. You could also say that another problem was that all the award shows this year were mimicking each others wins, for acting, technical prizes, and more. It was like an award ceremony for lemmings, one of the most predictable Oscars I've ever seen.

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  3. 4 hours ago, LornaHansonForbes said:

    from 1990 until about 2007 or so, I watched and followed the OSCARS religiously; like football for the straights, OSCAR STATS were my go-to headclearer, i even kept watching when they made dumb decisions that made me mad...every year.

    then i quit watching the show because it was always AAAAAAAAAWFUL, but i still paid attention to the post mortums and the nominations.

    over the years i have paid less and less attention to the nominees and winners and the show, although there was a bump in my interest during the whole LALALAND/MOONLIGHT DEBACLE, because (let's face it) THAT WAS GREAT!!!

    this morning is the first morning i can think of where I have not even checked in to cnn to see who won what, or what did or did not work about the show.

    i mean, i care enough the write out what i just wrote out, but that's about it.

    depressing huh?

    I just kind of cannot help but feel like THE OSCARS are done. I mean, I'm sure they'll keep chugging along after the death knell, but I'm sensing some bad, bad ratings for the telecast this year in particular.

    Parasite won Best picture, the first foreign-language winner in the category. Also the first Cannes winner to win at the Oscars since 1955. I do think though that not as many pay attention to the Oscars as they used to....

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  4. 10 minutes ago, speedracer5 said:

    I know there was a story going around that Liza and Renee had bonded during the filming of the movie and Liza went on record saying that that was definitely not true and she'd never even met Renee.

    I can see why Judy's children wouldn't want to watch the film.  Who'd want to watch a movie where their parent's sad last days were being played out and sensationalized in a film? 

    I did think though that the film was very sympathetic to  Judy though. That said, it was kind of hard for me to watch because it was hard to see such a great star at a precarious point. (And Zellweger was indeed excellent, especially in the final scene)

  5. 3 minutes ago, TomJH said:

    What is disoriented to one viewer is Annie Hall charming to another. I enjoyed Diane Keaton's appearance and wished she could have been on the stage a little longer.

    Lest's face it, there is no such thing as too much Diane Keaton. She's been exceptional for 50 years in films now.

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  6. On 2/9/2020 at 1:28 AM, EricJ said:

    STX (cough, snicker, drink-spray!)...Those who keep up with current movies are already coming up with their own theories for why this project may not be forthcoming.    😂

    As for Cats-phobia, ground may still be irradiated for another few months, but at least conventional wisdom is blaming that one on the Weird Stuff, and not studio chicken-bones voodoo over musicals in general.  As long as superstitious studios still think they can get a Christmas-week Oscar-bait, there will be musicals in the movies.

    And Cats aside, musicals have been doing well at the box office, so they will likely continue for now.

  7. 9 hours ago, LawrenceA said:

    I watched Parasite last Friday night. It was excellent, an 8/10.

    Now, I personally liked Once Upon a Time in Hollywood and The Irishman more, but Parasite was very good, and it's not just the academy and me saying so. It's won prizes all over the world, as well as here, over the past year, including the Palme d'Or at Cannes, and the Best Ensemble Cast at the Screen Actor's Guild awards, as well as literally dozens of others. It's currently sitting at 8.6/10 score on IMDb, and is listed among the site's Top 25 highest rated films. It also has a 99% rating on Rotten Tomatoes, with a 92% audience score.

    But yeah, sure, it's all a PC conspiracy. <_<

    I knew that its fans loved it.  (Have not seen it yet, although I keep wanting to get to the video store to rent it just to see what all the fuss is about) And a few days ago, after reading though some of those anonymous ballots they put out every year, I figured out that it was going to win Best Picture. There were just so many #1 votes for it. it seemed like Once Upon a time in Hollywood was the distant second place finisher, not 1917. When Diane Keaton announced it as the winner for screenplay, it was all over. After all at the end of the night, the loud cheering when the extended clip of it came up cut Jane Fonda off from stating the title for a long time. And on Letterboxd, the film has a higher rating than The Godfather.

  8. 2 hours ago, lydecker said:

    Totally agree with you on "Crash."  I liked it. So there's 2 of us! And since there's been so much vitriol about it over the years I decided to see it again recently.  Thought it was fine.  As for   "Brokeback Mountain"   --  it was ok, but nothing special.  I think a lot of people were caught up in the "Gay Cowboys, How Daring Is That!?"  theme and it clouded their opinion of the film.

    I couldn't stand Crash.... but i didn't see Brokeback, and another nominee Good Night or Good luck ended up being a rather sleepy film. I'd go Capote that year over Munich, but its one of the best Picture lineups I don't care to dwell on so much.

  9. Another death to report, but this one was actually a while ago: this week last year to be exact. The hollywood Reporter just published a long extended article about the search to find out about a missing Oscar nominee of the past, 1969 nominee Catherine Burns, nominated for Last Summer. It was hardly the most seen film, but it left a big impression on those who saw it. Aside from that film though, she only appeared in two other films: Me Natalie (which will be released on DVD/Blu-Ray this summer) and Red Sky at Morning, the latter with her Last Summer costar Richard Thomas.  She also made a handful of guest spots on TV including The Waltons, Love American Style, Emergency, Cannon, Medical Center, Adam-12, The Mod Squad, The bionic Woman, and police Woman. She then completely left the business behind, not impressed with it in the least. Death came quietly on February 2, 2019, the result of a fall, though cirrhosis was also a factor. She was 73.

    https://www.hollywoodreporter.com/features/catherine-burns-inside-50-year-disappearance-an-oscar-nominee-1275646

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  10. Just now, lydecker said:

    I would love to see an episode or 2 of this show.  I have some vague recollection that it was ok, at least in the early days of the show.

    It really was. Even better than Dallas at the start. Wyman was excellent, plus people like David Selby, Margaret Ladd, Ana Alicia, Abby Dalton, and Susan Sullivan turned in strong work. Plus the fireworks whenever Lana Turner showed up in the first two years. They only released the first three years on DVD, although a 4th season was released in a pay-per-season or episode streaming format on Amazon and itunes.

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  11. 2 minutes ago, LornaHansonForbes said:

    That is a HARD FRONT BUS DRIVER WIG.

    I remember my GRANDMOTHER, who was a very classy lady lamenting the fact that "they hardly ever have JANE WYMAN on FALCON CREST anymore!"

    Jane Wyman was always one of the main drawing points of Falcon Crest for me, and although she counldn't appear much toward the end of that show for health reasons, I think her absences killed it, because she was the glue that held it togther, despite how good some of her costars were. My own grandmother loved the show for the first 6 years or so, but she gave up watching it entirely after they killed off Susan Sullivan in that freaky swimming pool scene.

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  12. On 7/9/2018 at 10:25 AM, TopBilled said:

    High concept filmmaking in the 80s. This unusual pairing brought in over $200 million at the box office (1988 dollars):

    Screen Shot 2018-07-09 at 7.23.09 AM.jpg

    Speaking of Ah-nold, the supporting cast on Last Action Hero includes a lot of people who most decidedly would not be associated with action cinema: Mercedes Ruehl, Robert Prosky, Charles Dance, Ian McKellan, Art Carney,  Joan Plowright, F Murray Abraham, and Anthony Quinn! And to top it all off, cameos from Tina Turner, Sharon Stone, Timothy Dalton, Chevy Chase, James Belusci, and Little Richard. Weird.

  13. 13 minutes ago, TopBilled said:

    I was happy to find JESSICA (1962) a very charming rom-com filmed in Italy with Angie Dickinson and Maurice Chevalier. I only remember it airing once on TCM, and I had been eager to see it again. It was as great as I remembered.

    Some of the obscure stuff from the 70s looks interesting, like UNCLE JOE SHANNON and WHERE THE LILIES BLOOM. I plan to look at those films next.

    I added Jessica to my watchlist a few minutes ago. I remember thinking it sounded interesting.

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