Jump to content

 
Search In
  • More options...
Find results that contain...
Find results in...

wjones20

Members
  • Content Count

    2
  • Joined

  • Last visited

About wjones20

  • Rank
    Newbie

Profile Information

  • Gender
    Not Telling

Contact Methods

  • Skype
    wirjones525
  1. Before I started the course I wondered where the term slapstick came from, so I looked it up in Wikipedia and got this definition: "Slapstick is a style of humor involving exaggerated physical activity which exceeds the boundaries of normal physical comedy." I love that--for me it begs the question, what exactly is "normal physical comedy"? That question alone makes me laugh while I'm typing this. It reminds me of a musicologist's description of the The Beatle's innovations as unexpected key changes and male voices singing outside their normal range. That always made me laugh too. (It echoed The Simpsons: "The Beatles, sir, were a British pop quartet from the 1960s." "Yes, I seem to remember their high-pitched caterwauling on the old Ed Sullivan show.") Who, exactly, gets to define the normal range of the male voice or the boundaries of normal physical comedy? I mean, what is "normal physical comedy"? I ask that seriously--couldn't any physical comedy be slapstick? Or is there something different about comedy that incorporates (most of) the five elements of slapstick, things like ritual, exaggeration, and violence? I don't think we have to have to have an ironclad definition (I don't care) but the elements did make me think. For instance, nothing could be more ritualistic than The Three Stooges. There were so many classic repetitive elements of their humor that got worked into every short--poking in the eye, pushing someone over an accomplice huddled behind them, all three Stooges trying to get through a doorway at the same time. When you watch a lot of their shorts it gets to become familiar and comfortable. I think repetition and ritual are an intrinsic part of art, as much as innovation. The epic poem always contained formulaic passages that the bard repeated to give him time to think about what was coming next, just like The Three Stooges shorts contained formulaic gags to keep the pace moving forward to the new gags that were unique to the plot. I even see this in music. I have teen daughters and they have every Taylor Swift album and I've heard them hundreds of times. I think she's a brilliant songwriter, and one of the things that intrigues me is how often she repeats a lot of her musical themes--melodies, chord changes, etc. I normally would have thought of that as a weakness, but then I reflected on how one of my other favorite songwriters, Paul Weller from The Jam, did the same thing. They both wrote a huge catalog of work. If that involved borrowing from themselves and playing with the same musical ideas and seeing what new things they could express through them, then that's part of the art. So I guess that's something I'll be looking for in slapstick--how do the rituals and conventions evolve.
  2. One of the first things that jumps out at me with this short is whether we can divide slapstick into things that are practical jokes as opposed to physically funny things that happen to people. Or more abstractly, things that people do to each other vs. things that happen to people. The first category is intentional--someone thinks to perform an action on another person--and the second category isn't--someone tries to do something with serious purpose and it goes awry. L'Arroseur Arrose is a practical joke--someone doing something mean (or maybe not so mean) to another person. It's the pie in the face, Moe poking Curly in the eyes, Jerry slamming Tom's thumb with a hammer, or Kit 'n' Kaboodle blasting each other to pieces in an **** of bloodlust. So I'll ask, is practical-joke based slapstick the lower art form? The other thing that jumped out at me is what gardening was like in the late 1800s. Oh my gosh--that guy's working outside in summer in wool pants with a long apron on to keep himself clean. How miserable. And his canvas garden hose (with a powered water supply) was a recent invention, wasn't it? Is that part of slapstick? Exploiting the new and unfamiliar for its laugh potential? How many movie scenes were there from the 50s and 60s with someone losing control of a computer with IBM cards flying out of it? So maybe slapstick is our way to work out our discomfort with modernity.
© 2020 Turner Classic Movies Inc. A Time Warner Company. All Rights Reserved Terms of Use | Privacy Policy
×
×
  • Create New...