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kjrwe

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  1. Sometimes I think that the phrase "film noir" was coined by someone who wanted to promote 1940s and 1950s thrillers. If that's the case, sure worked!
  2. I doubt that these qualify as noir, but I'll mention them anyway: Picture Snatcher (1933) The Murder Man (1935) The Torchy Blane films.
  3. Ah, I'm sure that I know about classic mysteries more than my parents do. (I was born in the seventies and they in the forties.) I'm just more into classics than they are. My mom is into reality shows. The few times I've mentioned classics in their presence, they just gave me blank looks. So some young adult has never heard of Bryan Adams. I like Bryan Adams (he's one of the few post-1980 singers I like), but frankly, he's too modern for me. Some of my favourite singers are Bobby Curtola, Jack Scott, Johnny Tillotson, and the Beau-Marks. (Despite the fact that so many Canadian females my
  4. Lots of interesting comments on this thread, about an absolutely terrific film! I just want to address a few points here: 1. Why would "Hortense" have to be shortened? By the way, I'm assuming that she's Fred's stepmother, or much older sister still living with her dad. If the name were to be shortened, I would think that Tess would be the logical choice. But why shorten it? 2. Peggy had a job at the hospital. When Al asks Millie if Millie has talked to Peggy about the facts of life, Millie even says something like, "She's worked two years at the hospital. She knows more than yo
  5. In Charade, Audrey Hepburn's character gets a request from Walter Matthau's character to help find the money which her late husband supposedly left with her... I can't say any more than that about this film without giving away the story.
  6. Remakes: I have no problem with them. Quite often, the original film is based on literature, so in fact, all the versions are just different interpretations of the same original source material. There have been some crappy remakes out there, but also a lot of decent ones (mostly classics). Also, I think that a lot of people might not realize that some of their faves are actually remakes (for example, the 1961 film The Parent Trap is a remake). Sequels: In almost all cases, the sequels aren't nearly as good as the first film. Over the years, I've noticed that, with sequels, the filmmakers
  7. Quicksand is a fun film. Yup, it's amazing just how quickly a little crime can spiral out of control and turn into a big crime. This film captured that idea very well.
  8. It's a terrific film. I also like the 1950s remake, starring David Wayne. Both Peter Lorre and David Wayne were top-notch actors, in my opinion. By the way, there are quite a few terrific foreign language thrillers out there. Following the subtitles isn't tough at all.
  9. Yes, terrific review. Thanks for that! I agree about the great casting and the pacing. I don't think that the film drags at any point.
  10. --- the final moments of Sorry Wrong Number --- the final moments of The Strange Love of Martha Ivers (Thank you, Barbara Stanwyck!) --- Agnes Moorehead in Dark Passage --- the characters played by Alec Guinness in Kind Hearts and Coronets --- the crooks in Charade....very gruesome scenes! --- Hitchcock films with memorable death scenes: Blackmail, Rope, Dial M For Murder, etc. --- the murder victim in the French film The Seventh Juror
  11. Probably an editing error. Or, like you suggested, they had their Code and the film had to wrap up quickly. Still, the film wouldn't have been much longer if the friend had shown up before ANY of the fellows left.
  12. Oh, I think that the cops were onto them before the heist even took place. Remember that the one cop got the license plate of the leader's car when they were in the warehouse. The cop might have seen more than they realized. Therefore, the cops knew that some sort of heist would take place. They didn't know where or when, but they were on their toes. When the heist took place, the cops checked on that license plate right away. The bit about the boy recording license plate numbers was a bit far-fetched, but there was nothing unfair about it. Still, I think it would have been bett
  13. Some great British thrillers came out during this era, such as: The Terror The Ghost Camera The Mystery of Mr. X Death at Broadcasting House Green for Danger ....and I know there are more. I just can't think of them just now! I'm also a very big fan of Kind Hearts and Coronets. I'd give anything to see all the films in which Austin Trevor plays Poirot, such as the 1934 film Lord Edgware Dies.
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