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About snickersnee

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  • Birthday 03/14/1976

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    Monterey, California
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    literature, food, film, nature, art, history

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  1. There are so many musicals I really love and find myself going back to, but the following is a short list of favorites. The Wizard of Oz My Fair Lady Fiddler on the Roof White Christmas Gentlemen Prefer Blondes The Music Man Yentl The Producers Chicago I'd say the infectiousness of the songs from those films is the number one factor that keeps me coming back. However, I also very much like the themes, the colors, and the overall "feeling" that comes over me when I watch them, and so forth.
  2. 1. Do you agree that the clip exhibits a brighter perspective of life than might be realistic? Why or why not? Yes, I would say so. The overall tone is incredibly cheerful and optimistic. Anna is singing a happy, playful song and using her compact to interact mischievously but innocently with an enchanted audience. Ziegfeld's tone when bantering with the doorman is light and carefree. Even in the scene where Anna is presented with a serious decision to mull over, the tone of the scene doesn't become more pensive or serious the way it almost certainly would in real life. I can defin
  3. 1. How does the opening of Frenzy differ from the opening of The Lodger? Feel free to rewatch the clip from The Lodger (Daily Dose #2) for comparison. The intro to Frenzy is more of a slow burn than the opening to The Lodger was. We're taken on a bird's eye journey down the Thames to orient us within our setting before we actually reach the spot where people are standing listening to the speaker. Even then, we're listening to the speech for a few minutes before anyone happens to notice there's a naked corpse floating around in the river. With The Lodger, it's just straight up action right
  4. 1. Based on the opening sequence alone, what do you feel you already know about Marnie as a character? In what ways does Hitchcock visually reveal her character through her interaction with objects. We definitely know she's a career criminal of some kind, probably a thief -- multiple IDs and social security cards, way more cash than any honest person would probably be carrying around with them. This is confirmed by the way she transfers it from her purse to a suitcase -- not what most people would do with that much cash if they'd come by it via honest avenues. She's packing kind of haphaza
  5. 1. In what ways does this opening scene seem more appropriate to a romantic comedy than a “horror of the apocalypse” film? What do we learn about Melanie (Tippi Hedren) and Mitch (Rod Taylor) in this scene? If I were unfamiliar with this film and saw this scene out of context, it's not out of the question that I'd assume I'm about to watch a romantic comedy of some sort for sure. To start with the obvious, the opening scene focuses on the meet-cute between the two main characters and it's flirtatious right from the get-go. Their banter is also lighthearted and really quite humorous. You ge
  6. 1. Psycho opens with title design by Saul Bass and music by Bernard Herrmann. This is their third collaboration for Hitchcock, including Vertigo and North by Northwest. How does the graphic design and the score introduce the main themes of this film? As with the two other opening title sequences we watched, the score and design go together here like peanut butter and jelly or macaroni and cheese. While each is masterful and well worthy of appreciation on its own, they create something special and unique when they come together -- almost a mini-introduction to the underlying themes the film
  7. 1. Even at the level of the dialogue, this film is playing with the idea that two Hollywood stars are flirting with each other (e.g. the line, "I look vaguely familiar.") How does our pre-existing knowledge of these stars function to create meaning in this scene. I feel like I'm going off on a tangent with this first part here, because I don't think this was really what this question was asking for, but let me see if I can get this thought to make sense. The idea that rooted itself in my head after I read this discussion question and considered it as I watched the scene has to do with ho
  8. 1. Describe what you think this film will be about simply from the sounds and images in these opening credits. Even if you have seen the film, try to focus on these sounds and images themselves and “the story” (or if not "the story," the mood and atmosphere they are establishing) that this sequence is communicating to the audience. You definitely have the impression that this film will focus on something to do with psychology and the way the mind works in general. Also possibly the relationship between what the eyes see and what the mind perceives. (Dreamy, subjective, abstract images and
  9. 1. Vertigo 2. The Birds 3. Psycho 4. Rear Window 5. Rebecca Plus enthusiastic honorable mentions for Shadow of a Doubt and Strangers on a Train.
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