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About agebha2

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  1. How does the opening of Frenzy differ from the opening of The Lodger? Feel free to rewatch the clip from The Lodger (Daily Dose #2) for comparison. First, while in both we have the discovery of a dead body, the method of attracting attention to it is different. Because The Lodger was a silent film, Hitchcock had to use visual cues and extradiegetic sound, such as the "To-Night Golden Curls" and the scream. In Frenzy, we have the basic action of the man yelling "Look!" Also, the discovery of the body is right at the beginning of the film in The Lodger, while in Frenzy, it takes three and a h
  2. Based on the opening sequence alone, what do you feel you already know about Marnie as a character? In what ways does Hitchcock visually reveal her character through her interaction with objects. First off, we see that she has two separate suitcases. In one are thrown haphazardly old clothes. Newer clothes, taken from the boxes with the price tags still attached, are laid gently into the second suitcase. As she is unpacking her shopping, she carelessly throws the boxes in a pile. She is obviously someone who is constantly cycling through clothing and insists on it being the best. We al
  3. In what ways does this opening scene seem more appropriate to a romantic comedy than a “horror of the apocalypse” film? What do we learn about Melanie (Tippi Hedren) and Mitch (Rod Taylor) in this scene? One way this opening scene seems more appropriate to a romantic comedy is the fact that it seems more like a "slice of life" than a prelude of things to come. It seems like your classic "boy meets girl" kind of story. Another way is the focus on the love birds in the pet shop. Melanie sees other birds (more ominous ones) as she walks into the pet shop, but there is no lingering on the
  4. Psycho opens with title design by Saul Bass and music by Bernard Herrmann. This is their third collaboration for Hitchcock, including Vertigo and North by Northwest. How does the graphic design and the score introduce the main themes of this film? Immediately the score sets the audience on edge. It is evident from the very beginning that this will be a film that works on people's nerves, as the score continues its intensity throughout the title credits. The movement of the lines for "PSYCHO" intimate (at least to me) the blurring of the line between psychosis and normalcy. The black and wh
  5. Even at the level of the dialogue, this film is playing with the idea that two Hollywood stars are flirting with each other (e.g. the line, "I look vaguely familiar.") How does our pre-existing knowledge of these stars function to create meaning in this scene? Cary Grant is just the consummate debonair, slick gentleman. He tends to play characters that (in my opinion) make you swoon and then before you know it, you're hooked. He is almost too attractive to be trustworthy, and so the comment about honest women and how he's not exactly honest with them strikes a cord. Eva Marie Saint is
  6. Describe what you think this film will be about simply from the sounds and images in these opening credits. Even if you have seen the film, try to focus on these sounds and images themselves and “the story” (or if not "the story," the mood and atmosphere they are establishing) that this sequence is communicating to the audience. My guess would be that the film is about some woman who is under some kind of trance. The spirals immediately make me think of hypnosis or psychoanalysis. Then, based on the track, I would imagine that something terrible happens to her, or at the very least she is
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