1. Do you see the beginnings of the "Hitchcock touch" in this sequence? Please provide specific examples.
Not sure yet!!!
2. Do you agree or disagree with Strauss, Yacowar, and Spoto assessments that this sequence contains elements, themes, or approaches that we will see throughout Hitchcock's 50-year career?
I guess I will have to agree...looking forward to learning all these approaches that are being discussed!
3. Since this is a silent film, do you feel there were any limitations on these opening scenes due to the lack of synchronous spoken dialogue?
No...since movement never lies!!!
