1. Do you see the beginnings of the "Hitchcock touch" in this sequence? Please provide specific examples.
Yep... The man in the public sees the woman's legs the camera shot its similar to the camera shots of Rear Window.
The confusion of the woman when she realized she was robbed... That expression its similar to some movies.
2. Do you agree or disagree with Strauss, Yacowar, and Spoto assessments that this sequence contains elements, themes, or approaches that we will see throughout Hitchcock's 50-year career?
I agree.
3. Since this is a silent film, do you feel there were any limitations on these opening scenes due to the lack of synchronous spoken dialogue?
I don't think so... The corporal language is enough on this kind scenes.