My List:
1. Vertigo, it is after all "Hitchcock's Masterpiece" and I find myself more and more attached every time
2. Dial M for Murder, Ray Milland stands out as an often sympathetic villain we can root for
3. Rope, the dialogue between Brandon and Phillip is fascinating and also highlights ****-eroticism
4. Rear Window, Jimmy Stewart is unable to walk but still delivers one of his most memorable works
5. Suspicion, Joan Fontaine is easy to follow for the audience who also want to trust Cary Grant
Perhaps I will gain a greater appreciation for Lifeboat and The Trouble with Harry i