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hlywdkjk

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Posts posted by hlywdkjk

  1. *Now, Voyager* was on my list of films I would enjoy seeing at the Festival. But the "competition" is too tough.

    It is showing opposite *To Kill A Mockingbird*, *Girl Crazy*, the Peter O'Toole Interview and Leslie Caron's conversation in Club TCM.

     

    If you watch the recording, you will definitely have other interesting options to fill those two hours at the Festival. But it is up to you.

     

    Kyle In Hollywood

  2. *"Kyle, are you going to the San Francisco one?"* - BSG

     

    No. A bit too far for a one-night stand. But a friend and I are going to see *From Here To Eternity* with Ben and Ernest Borgnine on Thursday. (Hopefully we'll get in.)

    After his appropriate footwear for *Rio Bravo*, I wonder if Ben will wear army boots to this screening?

     

    Kyle In Hollywood

  3. dplanet -

     

    I didn't see *Dondi* but are you sure it was replaced with *The More The Merrier* ? Both were scheduled to run in the morning of the 3rd - *Dondi* at 8:00am EDT and *The More The Merrier* at 10:00am EDT. The monthly schedule still displays that as being the line-up that morning -

    http://www.tcm.com/schedule/monthly.html?tz=est&sdate=2011-04-01

    If it had changed, that page would reflect what was shown instead.

     

    I don't know what happened to the cable guide that it gave conflicting information that day. Sorry you missed it.

     

    Kyle In Hollywood

  4. *"Why doesn't someone in the film tell the audience why Charlotte puts up with all that abuse from her mother?"* - FCD

     

    It is there. Charlotte asks her mother why "Father" didn't set up a trust fund for her when he set them up for all her older brothers and sisters. So you learn that all the other children got their money (thus their independence) long ago - but Charlotte, who had no such arrangement, was left to be dependent on her mother (and mother's passing) to receive her share of the family estate. Though it may not have been designed that way, the result was that as Charlotte grew older, she would be bound to her mother as her caretaker/companion. At least that was how her mother used the arrangement. Though I am not sure if that was the very reason for Charlotte's birth. That area is rather "gray."

     

    *"And why doesn't Paul Henreid divorce his wife and marry Charlotte?"*

     

    Because Jerry is "proper and respectable" - or some such description. Maybe the line is "one of those honorable types". It is found in the conversation between Charlotte and the female friend of Jerry's she meets on the liner. Jerry feels obligated to provide for his wife and family. A divorce may have a detrimental on his career as an architect. Plus there was the threat that a divorce may result in his "losing" Tina - who was more important to him than his wife. All in all, he stayed for the sake of the children. A very honorable thing to do.

     

    Kyle In Hollywood

  5. _*Still on the Road To Hollywood - 2011*_

    A Collection of Posters and Still Images

     

    _Silly Symphonies - Part Two_

     

     

    src="http://farm6.static.flickr.com/5268/5567192204_8285953a1e.jpg" width="345" height="500" alt="Copy of

     

    BearsAndBees1932LRG">

     

     

    src="http://farm6.static.flickr.com/5230/5566619381_2b0387f0b2.jpg" width="341" height="500" alt="Copy of JustDogs1932LRG">

     

     

    src="http://farm6.static.flickr.com/5180/5566615915_d35c493efa.jpg" width="346" height="500" alt="Copy of

     

    Disney_BugsInLove1932">

    (All titles representational only. Actual line-up to be announced)

     

    (Click Through On Above Images to Access Larger Versions.)

     

    The 2011 TCM Classic Film Festival celebrates "Disney's Musical Legacy" with a presentation Silly Symphony animated shorts curated and introduced by Special Guest Leonard Maltin.

  6. _*Still on the Road To Hollywood - 2011*_

    A Collection of Posters and Still Images

     

    _Silly Symphonies - Part One_

     

    Disney_MerryDwarfs1929

    (1929)

     

    Copy of Disney_Old-Mill1937

    (1937)

     

    Copy of mother_goose_goes_hollywood1938

    (1938)

     

    (All titles representational. Actual line-up to be announced)

     

    The 2011 TCM Classic Film Festival celebrates "Disney's Musical Legacy" with a presentation of Silly Symphony animated shorts curated and introduced by Special Guest Leonard Maltin.

  7. Wow! What a wonderful evening you had!

    How great that you met a gentleman on line that had such interesting stories to tell AND that he met Greer Garson. Now THAT'S serendipity. (Give your sweetie an elbow in the ribs from me for that "oh brother..." comment, OK?)

     

    A compliment from Angie Dickinson and front row seats for the discussion. Plus a great movie in a great theater. I can't think of a better way to spend a Saturday night.

     

    I am so pleased you got to attend. I hope it was everything that you dreamed it would be. Thanks for the deatils and thanks for the great photos.

     

    Kyle In Hollywood

     

    Edited by: hlywdkjk on Apr 17, 2011 10:58 AM

  8. _*Still on the Road To Hollywood - 2011*_

    A Collection of Posters and Still Images

     

     

    src="http://farm6.static.flickr.com/5222/5600108655_d540dfa681.jpg" width="500" height="393" alt="Copy of Taxi1932LC_LRG">

    Lobby Card

     

     

    src="http://farm6.static.flickr.com/5309/5611629361_d363d8a198.jpg" width="387" height="500" alt="Copy of Still_Cagney01">

     

     

    src="http://farm5.static.flickr.com/4096/5602543303_043e3b54e7.jpg" width="500" height="375" alt="Copy of Still_Taxi01LRG">

     

    (Click Through On Above Images to Access Larger Versions.)

     

    The 2011 TCM Classic Film Festival screens *Taxi!* (1932) with an introduction by Mike Mashon, head of The Library Of Congress' Moving Image Section. Special Added Attraction - Tex Avery's *One Cab's Family* (1952)

    art_onecabsfamily

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