Jump to content
 
Search In
  • More options...
Find results that contain...
Find results in...

Bethluvsfilms

Members
  • Posts

    4,734
  • Joined

  • Last visited

Posts posted by Bethluvsfilms

  1. 3 minutes ago, TopBilled said:

    You must have grown up in the 80s and early 90s like I did! I like your list.

    Another good show from this era is Newhart. Oh and I'd add Trapper John M.D. since Pernell Roberts & Gregory Harrison were an unbeatable team in that one.

    Yep, I was an 80's and 90's girl all right.

    I forgot about NEWHART. Though I stopped watching that one the last couple of seasons it was on the air.

  2. 27 minutes ago, midwestan said:

    Then again, he would have been prosecuted and presumably sentenced to death or at the very least a long prison term.  Since Cody had already served a stretch in the jug, he probably had disdain for the 'been there, done that' aspect of prison life?  Of course, Ma Jarrett wasn't going to be around for visits or lobbying efforts to get her boy an early release either.  Maybe the prison food in 1948 really did suck!  Based on that, his demise at the end would have been sweet, sweet relief...even for a psycho like his character.

    Yes, I've no doubt that Cody probably would prefer death than having to rot away in prison for the rest of his life, or going to the gas chamber. But I still think his choosing his own demise was his way of sticking it to the authorities, maybe particularly to Fallon whom Cody had saw as the brother he never had only to find out he was an undercover cop and had been playing him for a sucker all this time.

  3. I can't think of a Jack Lemmon film  I didn't like.

    He was great in both comedies and dramas. 

    And in addition to which, he was also a very humble and great man in real life. 

    Think my personal favorites of his are THE CHINA SYNDROME and MISSING.  But he never fails to crack me up in MISTER ROBERTS and SOME LIKE IT HOT.

     

    • Like 1
  4. Here are my favs:

    1. THE SIMPSONS (1989 to 2002 anyway).

    2. CHEERS

    3. THE SOPRANOS

    4.  FRASIER

    5. M.A.S.H.

    6.  DALLAS

    7.  NIGHT COURT

    8. THE TWILIGHT ZONE (the original series, though born in the mid 70's, I caught them in reruns).

    9.  THE DUKES OF HAZZARD

    10.  FAMILY TIES

    11.  HOME IMPROVEMENT

    12.  EVERYBODY LOVES RAYMOND

    13.  DARK SHADOWS (I know it was a soap opera, but still a favorite of mine, and again I saw it through reruns since it was cancelled a couple years before I was born).

    14.  LAW AND ORDER

    15.  LAW AND ORDER: SPECIAL VICTIMS UNIT

    • Like 1
  5. (SPOILER ALERT)

    Even though he dies at the end, you could say that Cody Jarrett (James Cagney) in WHITE HEAT got away with his murderous rampage.

    I have said this in the past, but even though he would have preferred to have gotten away free and clear with the robbery at the plant, he went out his own way....and totally  unrepentant of his past crimes (the murders of the train engineers, Big Ed and Parker).

    He stands up, screaming that immortal line "Made it Ma! TOP OF THE WORLD!!!", blowing himself up and destroying any legal victory Fallon and the police force were hoping to achieve by bringing him down (alive that is). Cody's choosing his own method of going out was the ultimate 'screw you' to all the law enforcement witnessing his end.

    • Like 2
  6. I love both GLADIATOR and SPARTACUS....but if push comes to shove, I have to give the edge to SPARTACUS.  But don't ask me to say why.

    But really both movies have a lot going for it....a hero you could root for, Spartacus (Kirk Douglas) and Maximus (Russell Crowe) in GLADIATOR.

    Both movies had despicable villains SPARTACUS had Crassus (Laurence Olivier) and GLADIATOR had Commodus (Joaquin Phoenix).

    Both films had superb supporting casts as well (Olivier, Charles Laughton, Peter Ustinov for Kubrick's epic, Oliver Reed, Richard Harris, and Derek Jacobi in Ridley Scott's classic).

    Both GLADIATOR and SPARTACUS end on a sad but satisfying note.

    (And for the record I also love TITANIC, so sue me!).

  7. I admire the way he's coping with the situation.  Not so sure I would be so restrained. As a matter of fact, I know I wouldn't be.

    So far we only have 2 cases of people who have contacted the coronavirus here in Michigan, but I expect it will probably increase with quite a few more cases within the next few days.

    I'm not going to sweat it, but I do feel sorry for Tom, Rita and all the others who have contacted this disease and have had to be quarantined.

  8. 45 minutes ago, TopBilled said:

    Thursday March 12, 2020

    Screen Shot 2020-03-06 at 6.30.24 AM.png

    Troy Donahue on TCM

    A SUMMER PLACE with Sandra Dee

    PARRISH with Claudette Colbert

    SUSAN SLADE with Connie Stevens

    A DISTANT TRUMPET with Suzanne Pleshette

    MY BLOOD RUNS COLD with Joey Heatherton

    I find I like A SUMMER PLACE a lot more than I used to.

    Looking forward to PARRISH. Love Claudette.

    • Like 1
  9. I always heard that Laughton and Clark Gable didn't like each other much when making MUTINY ON THE BOUNTY back in the 30's either.

    And there's that rumor that he didn't like directing the children in his only directing effort 1955's THE NIGHT OF THE HUNTER.

    According to Peter Ustinov, Laughton and Laurence Olivier hated each other when making SPARTACUS.

    Did every actor dislike working with Laughton? Still a great actor in any case, even if he was near impossible to work with.
     

  10. Haven't seen 941, 942 or 948.

    Love 943 and 944.  Especially love 945 and 946. I love the irony about 946, whereas Clark Gable played an officer leading a mutiny in 1935's MUTINY ON THE BOUNTY, in this film RUN SILENT RUN DEEP, he plays an executive officer inspiring a mutiny.

    Saw 949 once, didn't float my boat. 950 is watchable but not my definition of a classic.

    • Like 1
  11. 20 minutes ago, Dargo said:

    Okay sure, while the following film may not have ever become known as "underrated" nor is even strictly about "religion", but I'd like to give a little shout-out here to director Peter Weir's Witness (1985), and how he expertly interwove the practice of nonviolence in the Amish community within a tale inclusive of crime and romance...

    2-fzj21f.jpg

    WITNESS is one of my favorites among Harrison Ford's films.

    (SPOILER ALERT) Although he did sort of spoil the philosophy of the  Amish and their reputation for non-violence by getting into it with a guy who wouldn't move his car when they were driving back to the Amish village.

© 2022 Turner Classic Movies Inc. All Rights Reserved Terms of Use | Privacy Policy | Cookie Settings
×
×
  • Create New...