Brrrcold

ANN VICKERS (1933) ONE NEW YORK NIGHT (1935) ONE MILLION B.C. (1940) I WANT A DIVORCE (1940) THE MAN WHO UNDERSTOOD WOMEN (1959)

Right.

TARZAN, THE APE MAN (1932) ONE MORE RIVER (1934) MAISIE WAS A LADY (1941) AND THEN THERE WERE NONE (1944) LITTLE WOMEN (1949)

Constance Collier

Right. She has a lot of appearances in very noteworthy films - but mostly without credit.

OUR DAILY BREAD (1934) THEY MADE ME A CRIMINAL (1939) FOREIGN CORRESPONDENT (1940) THUNDERBIRDS (1952) KISS ME, STUPID (1964)

You could've been cagey by listing THE EGG AND I.

Percy Kilbride?

Right. He turns up in a lot of surprising places - and frequently in G. Cukor movies.

THE FIREFLY (1937) FOUR JACKS AND A JILL (1942) WAKE OF THE RED WITCH (1948) THE MAN IN THE GRAY FLANNEL SUIT (1956) THE CHAPMAN REPORT (1962)

Linda Cristal.

Immortalized by Cole Porter: "When Goldwyn can with great conviction Instruct Anna Sten in diction Then Anna shows Anything goes."

Very good.

ROSALIE (1937) TARZAN'S NEW YORK ADVENTURE (1942) THE ROSE TATTOO (1955) BACHELOR IN PARADISE (1961) AIRPORT (1970)

Joan Plowright.

Yes. His resiliency is rather fascinating - from leading man to comic foil to supporting actor to character roles. I think his rather ordinary handsomeness and deep voice helped.

DANCE, GIRL, DANCE (1940) STAR SPANGLED RHYTHM (1942) SO PROUDLY WE HAIL (1943) RAINTREE COUNTY (1957) SILENT NIGHT, BLOODY NIGHT (1971)

It happens that I'm a big fan of Hans Conried.

Right, again.

MEN IN WHITE (1934) A DISPATCH FROM REUTERS (1940) KNICKERBOCKER HOLIDAY (1944) 711 OCEAN DRIVE (1950) SEX AND THE SINGLE GIRL (1964)

Wow ... Jerry Colonna?

Yes. Well done.

THE DAY OF THE JACKAL (1973) changes the balance by putting the viewer on the side of the bad guy. Excellent thriller - should be screened more frequently.

Series television relied so heavily on character actors. ROAD TO ZANZIBAR (1941) IVY (1947) YOUNG BESS (1953) JUPITER'S DARLING (1955) DOCTOR DOLITTLE (1967)

Horace McMahon?