What do you notice about the Lubitsch touch? How do the props, the dialogue, and the staging help you understand the character of Alfred (Maurice Chevalier)? the close ups to the garter, the skirt being lifted, you give for a fact the character is a "player" and in this case on of his lovers is mad at him for being cheated.
Based on this scene, what are some of the things you notice about the scene’s use of sound? Describe a specific sound or line of dialogue you hear and what you think it adds to the scene’s effectiveness. The sound in general of the whole scene is surreal, looks a like a silent film with selective audio, only certain things have sound, there are no sound for most of the effects only sound for the voices, and the most distinguishable effect is the sond of the revolver gun, definitely gives the scene extra impact.
What themes or approaches might you anticipate from this clip in other Depression-era musicals? The lubitsch touch would be a lot less if it was filmed after the code, this makes the movie have a more sexual comical tone than the post code movies.