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FredCDobbs

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Posts posted by FredCDobbs

  1. I saw some of these in an arcade in New York many years ago. There was a rear-screen projector in the large box that looked like a juke box.

     

    I don't know how the machine figured out how to load each specific film, since it had a long list of films it could show.

  2. Most asked-about movies:

     

    ?My Six Loves? (lady finds a bunch of kids)

     

    ?If a Man Answers? (dog training manual)

     

    ?You Never Can Tell? (man dog, lady horse)

     

    ?Bird of Paradise? (lady jumps in volcano)

  3. You played a trick on us.

     

    Howard Joyce READS the letter that Bette Davis wrote:

     

    See:

     

    http://en.wikiquote.org/wiki/The_Letter_(1940_film)

     

    Leslie: You see, I thought none of you would believe me if I admitted that he'd come there at my invitation. You see, I was planning a surprise for Robert's birthday and I'd heard he wanted a new gun, and oh, well I'm so dreadfully stupid about sporty things and, well I thought I'd talk to Geoff about it and ask him to order one for me.

     

    Howard: Perhaps you've forgotten what's in the letter. [reading] Robert will be away for the night. I absolutely must see you. I am desperate, and, if you don't come, I won't answer for the consequences. Don't drive up. Leslie. This letter places an entirely different complexion on the whole case. It'll put the prosecution on the track of - suspicions which have entered nobody's mind. I won't tell you what I personally thought when I read the letter. It's the duty of counsel to defend his client, not to convict her even in his own mind. I don't want you to tell me anything but what is needed to save your neck. They can prove that Hammond came to your house at your urgent invitation. I don't know what else they can prove, but if the jury comes to the conclusion that you didn't kill Hammond in self-defense...

  4. Pepe is the most boring long movie I've ever seen.

     

    I've been trying to watch it over the past several nights but I couldn't stand it anymore.

     

    Scenario:

     

    Oh, my horse, I love my horse,

    Oh, my horse is sold, I love my horse.

    I'm going to get my horse back.

    Ok, here I am in Hollywood, seeing a lot of very old has-been actors, but where is my horse?

    Ok, there is my horse.

    I sure love my horse.

    Sing, dance, sing.

    Oh, I think I'll go see my horse again,

    and see some more old actors.

    Oh, I love my horse and now I have

    a girfriend too.

    Sing, dance.

    Ok, back to my horse, have I told

    you about my horse?

    La, la, la, I got my horse back, la, la, la

     

    A 30 minute TV plot stretched out to 3 hours.

  5. It is my opinion that Orson Welles made his voice sound deeper and more menacing in this film by slightly slowing down the playback of his recorded dialogue. This has the effect of giving him a deeper voice.

     

    I studied several segments in the film and while Joan Fonatine?s dialogue seems to be normal and spoken while she was being filmed and recorded, Welles? dialogue seems to be lip-synched.

     

    Watch it and study it and see if you notice it.

     

    If I?m right, then he recorded his dialogue separately, before the filming of each scene. During the filming of the scenes, his recorded dialogue was played back at a slightly slow speed, and in a way where he could hear it and lip-synch during filming and Joan Fontaine could hear it and respond to it in a timely manner.

     

    I?ve never seen such a thing in any other film, and this seems like one of Welles? famous cinema tricks.

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