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filmlover

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Posts posted by filmlover

  1. Feel sorry for all of those under 60 types who missed out on what was for us kids of the 50's the best part of the week!

     

     

    Actually, I am in my very early fifties, and in the early 1960s I went to a local matinee and they would have two movies, shorts, cartoons, and a chapter of an old serial (usually Columbia-produced). I remember going every week, waiting breathlessly for the chapter of "Batman and Robin."

     

    The admission was 20 cents and if we got there before 1 PM, we got a free Pepsi.

  2. Last month on Saturday morning they showed the complete "Superman VS. The Mole People" serial.

     

    Sorry, vallo, you are thinking of "Atom Man vs. Superman" starring Kirk Alyn. Alyn also starred in the first serial, "Superman."

     

    "Superman and the Mole Men" was a feature film with George Reeves and also a two parter for the TV series.

     

    And I don't know if it is a sign of serials to come or not because Warner Bros. issued the two serials on DVD at the time they were on TCM and there haven't been any others since then or on the schedule for the next two months, so it may have just been a tie-in.

  3. I saw the new DVD release of She, the original b&w on one side, and a colorized version supervised by Ray Harryhausen on the other. I watched both becaue I felt if RH was involved it would at least deseve a look. While there a few moments that looked good, I still see the leaning to the same faults as before when colorization was around a decade or ytwo ago. I'll stick with the original.

  4. Many of the famous composers could be identified as soon as the movie began by their own particular way of writing music. I can probably pick out Steiner most of the time, as well as Korngold, Herrmann, and Rozsa.

  5. I wonder how many are aware that Gordon MacRae also had a couple of radio series, The Gordon MacRae Show (around 1948) and The Railroad Hour (which ran from 1948 through 1954).

     

    The Railroad Hour, which actually was close to an hour in its first dozen or so shows but then became a half-hour program (but still called itself The Railroad Hour), was the more interesting of the two because in it he would play the leads in edited versions of famous musicals or operettas. Particularly interesting was he did a 1/2 hr. radio version of Carousel in 1951, 4 years before the movie was made. Patricia Morrison of Broadway's Kiss Me Kate played Julie. He did it again in 1953, with Nadine Connor of the Metropolitan Opera as Julie. I have 81 of them myself, and it is great to hear him in Naughty Marietta, Brigadoon, State Fair, Rose Marie, and others.

  6. Hey! He did the music for Double Indemnity! That was great music.

     

    lol, okay, sure, nobody look at my post that started this thread in which I identified some of Rozsa's scores:

     

    "Miklos Rozsa (composer of Double Indemnity, A Double Life, Ben-Hur, and many other great films) provides the score. For those of you who have never seen this film before, listen to the opening music where the killers approach the town and see if you recognize the underlying four-note motif from anywhere else. If you can identify it, post here. I'll check back after the film to see who got it." (and if you missed those posts about where the motif was used, it was taken by another composer and used in the Dragnet Theme.)

     

    Rozsa was a great composer. Here is a list of his scores:

     

    Knight Without Armour

    Thunder in the City

    Murder on Diamond Row

    The Divorce Of Lady X

    The Four Feathers

    The Spy in Black

    Ten Days in Paris

    On The Night of the Fire

    Four Dark Hours

    The Thief of Bagdad

    That Hamilton Woman

    Lydia

    New Wine

    Sundown

    Rudyard Kipling's Jungle Book

    Jacar?

    Five Graves to Cairo

    So Proudly We Hail!

    Sahara

    The Woman of the Town

    The Hour Before the Dawn

    Double Indemnity

    Dark Waters

    The Man in Half Moon Street

    Blood on the Sun

    A Song to Remember

    Lady on a Train

    The Lost Weekend

    Spellbound

    Because of Him

    The Killers

    The Strange Love of Martha Ivers

    The Red House

    Song of Scheherazade

    The Macomber Affair

    Time out of Mind

    The Other Love

    Desert Fury

    Brute Force

    Secret Beyond the Door

    A Woman's Vengeance

    A Double Life

    The Naked City

    Kiss the Blood off My Hands

    Criss Cross

    Command Decision

    The Bribe

    Madame Bovary

    East Side, West Side

    The Red Danube

    Adam's Rib

    The Asphalt Jungle

    Crisis

    The Miniver Story

    Quo Vadis

    The Light Touch

    The Story Of Three Loves

    Young Bess

    All the Brothers Were Valiant

    Moonfleet

    The King's Thief

    Diane

    Tribute to a Bad Man

    Bhowani Junction

    Lust for Life

    Something of Value

    The Seventh Sin

    Tip on a Dead Jockey

    A Time to Love and a Time to Die

    The World, the Flesh, and the Devil

    Ben-Hur: A Tale of the Christ

    King Of Kings

    El Cid

    Sodom and Gomorrah

    The V.I.P.s

    The Power

    The Green Berets

    The Private Life of Sherlock Holmes

    The Golden Voyage of Sinbad

    Providence

    The Private Files of J. Edgar Hoover

    Fedora

    Last Embrace

    Time After Time

    Eye of the Needle

    Dead Men Don't Wear Plaid

  7. Yes, I have. There is a trivia section in the IMDB for HWBY:

     

    "Technical advisor for the film was Sgt. Marty Wynn of the Los Angeles Police Dept. During the course of shooting, he fell into conversation with actor Jack Webb, then the star of radio's "Jeff Regan, Private Investigator." Wynn suggested that Webb do a radio series based on actual police files. Thus was born the idea for "Dragnet," which debuted on NBC radio about four months after this film was released."

     

    Dragnet was a big hit on radio in 1949, three years before the TV series, and also continued on radio with Webb until the radio series ended about 1957 (a number of those later shows were repeats). So he was doing both at the same time. Plus the 1954 Dragnet movie.

     

    Message was edited by:

    filmlover

  8. Yes, the music was used as the Dragnet theme, but Rozsa did not work on the series. What you see listed as a Dragnet credit in the imdb Rozsa listing was not really meaning to say he worked on the TV series. He didn't. He was just getting the credit belatedly for originating that "dum-da-dum-dum" theme in The Killers after a lawsuit about it. The composer of the Dragnet theme, Walter Schumann, agreed to pay Rozsa half his royalties from the Dragnet theme.

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