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Found 3 results

  1. Hello fellow film noir fans, Like all of you I love film noir - grew up watching it and even wrote several plays inspired by it (all published and widely produced). I also taught a college course in it. So, I’m the author of a new book with a totally different look at film noir, “Film Noir production: the Whodunit of the Classic American Mystery Film” from Routledge. Focal Press. I know – another book on Film Noir, really? Well, yes. Because as a member of the Mystery Writer’s of America, an award winning screenwriter/playwright and a working professional in the film/TV industry
  2. While looking around on youtube, I found two videos I thought were worth sharing from the same channel. The first is a short 6-7 minute video essay titled "The Basics of Lighting Film Noir" You'll notice a lot of common comments to the 1970s article assigned in last week, but there's more of an industry perspective and pulling back of the curtain about how these classically noir images were generated. The second video is another longer video essay titled and about "The Origins of Film Noir" Although much of this material is a bit repetitive to what's already been covered
  3. It's interesting to recognize the differences in how film sensitivities, lighting and camera movement in early noir films helped create the genre and how those new films, processes and new lighting instruments joined in shaping and refining the look of noir films. Most early films that used artificial light relied on carbon arc lamps, the first commonly used lamps for street illumination before the development of incandescent lights After they were abandoned for common purposes, they continued to be used for specialized needs such as in movie projectors and searchlights. In film, t
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