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  1. If French critics Raymond Borde and Etienne Chaumeton hadn't come up with the concept of Film Noir in their 1955 book Panorama du film noir américain 1941–1953 (A Panorama of American Film Noir) we may have had an alternative catch-all name by 1959. Think about it, what "Noir-ish" anthology TV series of unrelated stories containing drama, crime, psychological thriller, fantasy, science fiction, western, suspense, and horror, often concluded with a macabre or unexpected twist? This is exactly the way Film Noirs played out with drama, crime, psychological thriller, fantasy, science ficti
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