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Found 3 results

  1. The following films are not loading for me: Morning Glory 1933 Hollywood My Hometown 1965 Dr. Mabuse the Gambler 1922 Goodbye, Miss Turlock 1947 The first two show a counter-clockwise arrow (not buffering circle) and won't load. The second two won't load at all. Anyone out in TCM-land experiencing similar issues? Using a laptop, Windows 10 and DISH subscriber.
  2. My theatre is looking to show Spirits of the Dead (1969) http://www.tcm.com/tcmdb/title/91091/Spirits-of-the-Dead/# this October, but we can't find the distributor anywhere. We've contacted Swank, Criterion, Warner Brothers, etc. and all have told us that they don't have it. So, we're at a loss for who to contact. Any suggestions?
  3. I enjoyed the documentary,but, It was disappointing that.cm did not further explore the Wiemar period .the only never before seen film they premiered was Faust .the rest are the same German films they have played over .Not enough choices .They could of premiered a film with Lilian harvey.A film that was screen play by Billy Wilder and Robert Siomak.Fortunately i have been able to see these film without depending on t.cm,but, it would have been nice to have some of these films premiered ,as part of this programs U.c.l.a. archive theater would of had this kind of variety and not just familiar .The problem is that t.c.m. is only serving mainstream classic film fans with this programs .I have an inclination ,that,t.c.m. was using this documentary as a part of re promoting the familiar for repeated big rating .Ratings before history .Those who are new to t.cm. won't under stand what i am saying cause i been viewing this channel since 1998.I am a fan of film history as oppose to a t.c.m fan.The fan of what t.c.m has to offer.I am a fan of variety ,choices and diversity in the film of the 10's 20's 30's 40's 50's and so forth.I am a fan of modern diversity and variety of film art.I am a fan of to the bad side of film history as well as the god side .We variety,but, we too are large,although minority .We not only listen to Robert Osborn and Leonard Maltin,but also academic film journalist too.They are not making a living with film corps so they have non profit views on film and it's history,while your non academic ones are promoting what's in the money only.
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