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Found 2 results

  1. So "Shall We Dance" is on now to be followed by "Swing Time" (my personal favorite of their pairings). Our wonderful instructor keeps alluding to the outsized size of the clubs and apartments, and she isn't kidding. I think this is an essential element of the musical....space. Sets are spectacular and impossible in reality for these films. I adore it all, and I wonder what folks make of the device of impossible spaces in musicals. This goes beyond Astaire and Rodgers straight through to the musical dream sequences in The Big Lebowski. Is it because it's all just a little to fantastic? Wha
  2. Oh, man, I'm in Heaven now as TCM plays Fred & Ginger Movies. I could die happy now! Those 1930s fitted sheath dresses sure make a woman look taller and slinkier! (Ginger was only 5'4" but, of course with 3" t-strap or ankle strap heels, she was 5'7" to Fred's 5'9.") And naturally the full skirts or dresses with bottom flares are simply divine and perfectly suited for doing chaine' turns. Ginger's dresses for their "big numbers" by Irene and other costume designers were constructed of shiny satin, silver (or gold?) lame', sequins or with ostrich feathers, of course, for the fabulous "Cheek
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