spence Posted July 27, 2016 Share Posted July 27, 2016 Apparently TCM doesn't own the rights to broadcast this 1951 *Oscar contender w/*Fredric March Also superbly remade for tv in 1985 w/*D. Hoffman But, whats the entire story & obviously TCM cannot as yet *"The Godfather-epics" either THANK YOU Link to comment Share on other sites More sharing options...
sewhite2000 Posted July 28, 2016 Share Posted July 28, 2016 The Godfather and The Godfather, Part II aired back-to-back on TCM nearly 10 years ago at this time in August, 2006. It's the one and only time either movie has ever aired on TCM. Someone said on a long-ago message board post that TCM showed some skillful maneuvering and leaped on the opportunity to essentially purchase one-day rights to the film during an incredibly short window when one very long-term contract elapsed and another started, Not sure who has the rights to the film now. I know AMC did at one time. And earlier this year HBO showed the mash-up version that runs all the scenes from the two movies in chronological order, The Godfather Saga with additional footage, but that may be a separate rights issue from the actual films. I looked at Movie Collector OH's database, and you're correct. It doesn't appear the Frederic March version of Salesman has ever aired on TCM. It was a Stanley Kramer production and a Columbia release. TCM has seemed to have a good relationship with Sony over the years. Of the studios outside the TCM "library", I would venture a guess we see more from Columbia than any other, so I'm not sure why this one has never shown up. Of course, as we all know, just because Studio X produced a certain film back in the day doesn't mean they still have the rights. See the 20-year chunk of Paramount films now owned by Universal. One poster on imdb suggests Arthur Miller had a vehement dislike for this film version because of the way it presented the flashback scenes the film has been virtually barred from television or official VHS or DVD release out of deference to his wishes. Link to comment Share on other sites More sharing options...
Sepiatone Posted July 28, 2016 Share Posted July 28, 2016 I've only seen the 1949 version with LEE J. COBB. Maybe about an hour of the Hoffman version. Sepiatone Link to comment Share on other sites More sharing options...
TomJH Posted July 28, 2016 Share Posted July 28, 2016 The 1951 version is available free on You Tube. The print is clear, if scratchy, with quite good contrast. 1 Link to comment Share on other sites More sharing options...
Ray Faiola Posted July 28, 2016 Share Posted July 28, 2016 I have a beautiful 16mm print of the 1951 March version and a B&W kinescope of the 1966 Lee J. Cobb broadcast. The latter has been released on tape and disc in color from videotape. The March film is essential because it features Alex North's score. One interesting thing about the 1951 version - the trailer includes Willy's great line "He's crying, why is he crying?" but that line is not in the feature itself. Maybe Harry Cohn squrmed at that point! 1 Link to comment Share on other sites More sharing options...
spence Posted July 29, 2016 Author Share Posted July 29, 2016 Brian Dennehy-(l937-) was also playing Willie Loman when on 9/11 NYC was attacked, somewhat of the debris even hit the theatre he was playing in! Link to comment Share on other sites More sharing options...
CaveGirl Posted July 29, 2016 Share Posted July 29, 2016 I think I've seen every version of this play. It is too bad that TCM cannot show it as it is well worth watching. Though the Dustin Hoffman version is well acted he seemed a bit too young for the part, but did his best. Seeing Lee J. Cobb's version from television, showcased the differences between his characterization and that of the 1951 movie, with Frederic March who did chew up the scenery a bit. It would be great though on a double bill on TCM with the Maysles documentary from Criterion called "Salesman": United States 1968 91 minutes Black and White 1.33:1 English Spine #122 A landmark American documentary, Salesman captures in vivid detail the bygone era of the door-to-door salesman. While laboring to sell a gold-embossed version of the Good Book, Paul Brennan and his colleagues target the beleaguered masses—then face the demands of quotas and the frustrations of life on the road. Following Brennan on his daily rounds, the Maysles discover a real-life Willy Loman, walking the line from hype to despair. Link to comment Share on other sites More sharing options...
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