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"Yes we can can!" said Little Nicola.


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Captain Beyond was a short-lived second (or third) tier "supergroup" made up of

some of the leavings of Deep Purple and Iron Butterfly. They did a sort of mix of

hard rock with a little prog rock thrown in, including enough self-important song

titles to fill a Yes album. Their first album wasn't too bad and it had a cool 3-D

cover. One far out groovy 1970s band. Captain Beyond with Raging River of Fear

in a video of equal pretension to the group itself.

 

 

 

 

 

 

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The video has the feel of the early anarchic 1970s, though many of the images are

more modern. Captain Beyond was all right, though I wouldn't call them one of the

best under-appreciated bands of the 1970s. Someone might be smokin' something.

 

Nice cover by Mr. Alexander. The instrumentation has a slight reggae sound to me.

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Well, you'll notice I did not use a capital "K", which would imply an official designation ( I suppose...I haven't consulted the rules on these matters.) The lower case "k" suggests Mr., Alexander is enjoying the title on an informal basis.

I do feel that the poor guy was very talented, in both his singing and song composition, and that his name is to this day undeservedly obscure. Certainly many of his songs were covered by other more well-known musicians.

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It may have been a misnomer for me to refer to Arthur Alexander as a "soul" singer, especially when compared to someone like, say, Bobby Womack. He was more just a singer, a good one, who wrote sad and soulful songs. If we had to label him, I'd say he was a "rocknroll/pop/blues/ chanteur." (But then, I don't like labels - I understand their usefulness, but they never tell the whole story.)

 

So, yeah, those are some heavy soul tunes you posted there, finance. I've never heard of The Trampps, but I'm a little familiar with Bobby Womack - although not that obscure number you found. Looks like you're having fun, rediscovering all this great old soul stuff on youtube.

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This was one of the first releases of the Trammps, who turned out to be pretty well-known ("Disco Inferno", "Where the Happy People Go", etc.). Womack may have been the real king of the underrated soul singers. He had a number of great songs other than this one (e.g., "Daylight")

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Speaking of labels, I've always thought the Red Hot Chili Peppers' tag was elusive; they changed their sound a bit over the years ( as many creative bands do), so it's not the easiest task to pin them down, labelically -speaking (yes, I know that word doesn't exist.) They often have kind of a funky vibe, especially their earlier stuff. That was pretty good, pretty typical RHCP fare, although I can't say I liked the giant bug.

 

A word I have always disliked and never use myself except in quotation marks is "****". I won't go all political and feminist here, but it's undeniably misogynistic. There's a new post-feminist movement to "reclaim" the word, but I have my doubts.

Having said all that, I'm going to post the great Todd Rundgren anthem to the above. If the song is good enough, I toss all poe-faced political/sociological considerations aside. Here we go, with ****

 

http://www.youtube.com/watch?v=Os6DO2NuPy8

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Apparently Mr. Alexander was sometimes called a country soul artist. Whatever.

As long as it's a good song, who cares.

 

The RHCP were more funkier when they first started out. George Clinton produced one

of their early albums. Lately they've been more into a pop/metal/funk/arena/kitchen

sink vibe. Their last three or four albums just sound fantastic to me. The last thing I want

to see while listening to the Chili Peppers is a blown-up stomach virus traveling through

deep space. Yuck. But the only other decent live video was with Flea in that skeleton

costume, so it was an easy call.

 

I guess if one makes the word up, one can spell it whatever way one wants. Labelically,

have to be careful about that one. **** is really non-PC, but it's hard to resist. I still

remember the chorus, though it's been a while since I've listened to it. Sounds good to me.

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When I lived in Chicago, many moons ago, I went to see Bobby Womack at the Lincoln Park venue across from the original Chicago Playboy Club--talk about Sexist--

 

I went because the song he wrote for The Stones was my favorite--

 

"I used to love her, but it's all over now".

 

I ended up that night at the Playboy Club with Chuck Mangione--of all people--he'd just hit it big with some song. And I can testify that a pro-feminist woman can have a very nice time at the Playboy Club--it's bar and food were superb. I don't know if they have them anymore.

 

PS--Where I come from we call a questionable girl "Fast".--You can guess why.

 

Edited by: cujas on May 11, 2011 7:47 PM

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You hung out with Chuck Mangione at the Playboy Club? cujas, based on that and on other tidbits of incidents in your life which you've revealed here from time to time, I think you should write your autobiography. Hey, I'd buy it !

 

finance, I do remember "Jane, you ignorant **** !", and I never thought it was funny. I suppose if there was anything funny about it, it was Jane Curtain's deadpan ( or should I say "poe-faced" ) non-response to the epithet.

 

Edited by: misswonderly on May 12, 2011 10:37 AM

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I love that song, Dear Mr. Fantasy. If there had to be one song that represented the group Traffic, that would be it. You may remember, many months ago, I posted the studio version of this iconic song- the video that accompanied it was some strange and ancient little film from about 1910, with a kid in a toyshop.

Steve Winwood has a medieval look in that performance, like something out of a Botticelli painting.

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Martha Wainwright is a Canadian singer, sister of Rufus Wainwright and daughter of Loudon Wainwright III and Kate McGarrigle. She has a swooningly lovely voice which is used to maximum effect in this dreamy song, Factory. The song itself is an exquisitely beautiful melody, one of those tunes that evokes emotions of yearning and restlessness, and one doesn't even know why. Another "yearning" song.

 

 

 

This is what she looks like (to make up for no visual on the youtube link) :

 

 

1231385549marthawainwright.jpg

 

Edited by: misswonderly on May 12, 2011 10:06 AM

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And the ironic part was that it was Laraine who was really the ignorant ****.

(Just kiddin' Lainey).

 

I used to get a kick out of that one. Jane's look was comical, but Dan's delivery

was funny too. Say, isn't Danny a Canadian? Nttawwt.

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The best yearning is unspoken yearning. The yearning that dare not speak its

name. It is a sweet song, and she has a lovely voice, partly little girl and a bit

of Marianne Faithfull.

 

I do remember that interesting video now that you mention it. I missed Traffic for

the most part the first time around, but I've gone back and now have most of their

albums. Very impressive. That stage looked a little cramped to me, but maybe

that's the way they liked it.

 

Chuck was never very subtle when it came to pick-up lines: Hey babe, want to see

my far out PVC pipe? We can groove, honey.

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