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"Straw Dogs" (1971) Remake!??! Why!???!


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*James Woods and Dominic Purcell Join Rod Lurie?s Straw Dogs Remake*



Saturday, August 15th, 2009

By Russ Fischer



We?ve known the main names in Rod Lurie?s remake of Sam Peckinpah?s shattering film Straw Dogs. James Marsden, Kate Bosworth and Alexander Skarsgard are toplining the film, which is in production in Louisiana right now. But yesterday Lurie mentioned two more names on Facebook: James Woods and Dominic Purcell. (Who needs the trades when directors can throw out their own casting news?) Does the presence of a great actor like James Woods change your mind about this odd remake?


It certainly raises a bit of interest for me, though we don?t know what roles Woods and Purcell have. Lurie?s status said only ?Beginning stunt rehearsals today with James Woods and Dominic Purcell.? That suggests that both are taking place in the siege on Marsden and Bosworth?s home that will be the film?s latter section. For that matter, we don?t know how extensively Lurie has re-written the story, which was originally scripted by Peckinpah and David Goodman, based on the novel The Siege of Trencher?s Farm by Gordon Williams.



Peckinpah?s film told the story of David Sumner (Dustin Hoffman), a withdrawn mathematician, who moves with his young wife Amy (Susan George) to her childhood village of Cornwall. Trouble ensues when Amy flirts with the locals, one of whom violently rapes her. After other trouble, a group of local men besiege the Sumner home. The new version will differ significantly in several ways. Variety provided the following synopsis:


Marsden plays a Hollywood screenwriter who relocates with his wife to her hometown in Mississippi. Bosworth plays the wife, who left the South for LA. to become an actress and returns home so her husband can finish his script in quiet. Skarsgard plays her high school boyfriend, an ex-football hero who sees the return of his former girlfriend as a way to reclaim glory.


Casting the central character as a screenwriter rather than a mathematician could imply serious differences, though both could be seen as geeky/intellectual, reclusive, potentially elitist characters. But the deeper nature of the character is more important. Peckinpah?s original version is one of the more widely misread films out there; the director considered Dustin Hoffman?s character, ostensibly the hero, to be in reality the film?s antagonist. He?s a guy whose repressed humanity causes the explosion of violence that is the film?s climax; without his inability to directly engage the men intimidating him as the story begins, most of the film?s events would not take place. Peckinpah?s film was a brutal meditation on violence that has been mistaken for an endorsement of same. Will Lurie?s film be along similar lines, or does it have totally different concerns?







Bloody Disgusting





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> {quote:title=CelluloidKid wrote:}{quote}

> Casting the central character as a screenwriter rather than a mathematician could imply serious differences, though both could be seen as geeky/intellectual, reclusive, potentially elitist characters.


Most mathematicians I know (including me) are pretty hilarious, outgoing, and not elitist in the least. The author of this article must be confusing us with English professors.

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Never heard of the "Orginial" ... WOW!!! (LOL!) The film plays on teh Encore channels every other rmonth!



*_Per Wikipedia_:*



Straw Dogs is a 1971 film directed by Sam Peckinpah which stars Dustin Hoffman and Susan George. A dark, domestic psychological thriller, the screenplay by Peckinpah and David Zelag Goodman is based on the novel, The Siege of Trencher's Farm by Gordon Williams.


Controversial to this day, the film is noted for its violent concluding sequences and a complicated rape scene that critics point to as an example of Peckinpah's (and Hollywood's) debasement of women.


Released theatrically the same year as _A Clockwork Orange_, _The French Connection_, and _Dirty Harry_, the film sparked heated controversy over the perceived escalation of violence in cinema. Nevertheless, it is considered one of Peckinpah's greatest films.

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