RAMBLES Part II

[JackFavell]

> {quote:title=CineMaven wrote:}{quote}As a New Yorker, I shall meet Irene bravely, with an umbrella in one hand...and Haagen-Dazs in the other.

>

> + +I hope she likes Rum Raisin.

 

Who doesn't?

 

Stock up on Twizzlers.

 

 

[CineMaven]

I think I will stock up...on good solid movies to go with those Twizzlers.

 

Now one that I just caught (pre-IRENE) came on during TCM's Summer Under the Stars' foray into the career of Joan Blondell. The movie was "STAND-IN." It was a movie I knew I wouldn't like, and had never watched it. This has got to be one of the funniest movies I've ever seen!

 

Here is a sample of the dialogue spoken by Humphrey Bogart to Marla Shelton. He's lost his job at the studio and is dumping Marla:

 

BOGART: "You hocked your soul?! Look, I'm the guy that dragged you out from behind a cigarette tray and put you up on a billboard. The chump that shoved you down an unsuspecting public's throat. Made you the biggest star in the business until they got wise to the fact that your hips were doing the acting and not your face. Then when you thought you were slipping, you got yourself engaged to that termite Koslovski 'cuz you figured he could do more for you than I could. Even that didn't cure me. Koslovski was a bust so you came crawling back to me...promising you'd air him if I gave you another chance. And I fell for it. The whole thing's so rotten it makes me wretch. Aww but it's not your fault, girlie. That's mine. Yeah mine for putting a dumb little small-town dame in a spot where a million fans treated her like royalty. I made you an applause addict. I had no right to expect you to kick over a habit like that!?

 

SHELTON: "What about me?"

 

BOGART: "Next time rattle before you strike.?

 

There are only a handful in Hollywood who could breathlessly handle a huge chunk of dialogue with the skill and mastery of a surgeon. I would put on a very short list with Bogart: Lucille Ball...Gable...Rosalind Russell...Lee Tracy...Bette Davis...Pat O?Brien...Harlow...Cagney and Joan Blondell.

 

LESLIE HOWARD, FUNNY?!!!! WOW! WHO KNEW...

 

I've been watching "STAND-IN" and I've got to tell you, it was marvelous. It took my breath away and literally had me saying "WOW!" throughout. This movie is like a combination "Meet John Doe"-"Ball of Fire"-"The Bad and the Beautiful"-"You Can't Take It With You" and "Bombshell" [/i] all rolled up into one. To be honest I must confess I marvelled at Leslie Howard's comic timing and willingness to be silly and the brunt of the joke and light and breezy and pratfall-y and loose-y goose-y. No stuck up, petrified, intermezzo-playing Romeo was he. He was wonderful. I'm wondering if Gary Cooper channeled Leslie Howard's performance in this movie for his role as one of the professors in his and Stanwyck's "BALL OF FIRE." Leslie Howard is such a fish out of water. And he's so charmingly good. I'm surprised at myself b'cuz Leslie Howard is not on my "A" list of faves.

 

Joan Blondell is just as sparkling. Pretty (those eyes), vulnerable, tough and knows her way around a line. By 1937 she made...what...5,000 movies? Pure and simple...the gal is a pro.

 

"Stand-In" has just enough screwball slapstick comedy to not get me nervous. (Over the top screwball is not my cup o' tea...but I will be doing the Marx Bros. before the year is out). Bogie's diction was a reminder to me that he was to the manor born on the Upper West Side (of Manhattan). I believe him as a producer, and found him quite attractive here in 1937. I loved the poking fun at the movie industry. I loved Howard learning to dance with diagrams on the floor ( and I love dissolves). Jack Carson...big lug; Alan Mowbray playing the foreign film director wanting real Edelweiss. The fact that Howard's character never heard of Shirley Temple or Clark Gable (who he would work with in that big movie of 1939) made me chuckle; how she chucks him over her shoulder ju-jitsu style (or Howard's double). And he tosses her back. Awmigawd. And that faux movie: "Sex and Satan." Hilarious. There's so many touches and moments in this movie that just kill me; and it's so fast and furious. This was a movie I wouldn't have ordinarily chosen to see.

 

But the most surprising thing for me was the pairing of Leslie Howard with Joan Blondell. They're such an odd pairing that I wouldn't have thought of casting these two together. He's so British, high-tone, stiff upper lip; Blondell is brassy...and urban, a round-the-way girl. They mesh and match perfectly. They fit sooo nicely together. Howard looks very boyish when he's near Blondell with his little elfin ears, and spectacles on. She teaches him how to do EV'RY thang. Everyone has their moments in this film. Marla Shelton as the Diva-ish Actress, was very very good. She allowed herself to be the (somewhat) villainness in this romp. There's a scene where Leslie Howard takes Shelton's character out for drinks at every nite spot in Hollywood, to get her drunk. When she finally falls out...fuhgeddabout it. Everyone in the cast is very good.

 

To see Howard running and jumping and tripping and falling is worth the price of admission. I could easily re-visit my LIST of comedies and put "Stand-In" in the top five.

 

If you haven't seen it...I really urge you to run, skip, hop don't walk to "STAND-IN."

 

NOTE TO SELF: Don't dislike a movie unless I've seen the movie.

[MissGoddess]

T-Mave, though it's been a long time since I saw it, I agree with you about STAND-IN, it's a VERY underrated comic gem and I never, ever would have thought the pairing of Howard and Blondell would be so cute or that Bogie could be so perfect in such a movie, too! I wish I had recorded it. Loved your post.

[molo14]

I almost missed *Stand-In*. Ben was wrapping up his intro when I got to the tv. No time to record a DVD so I stuck an old tape in the VCR and quickly pressed record. I might have missed a few seconds of the credits.

 

I will probably watch it tonight. This was one that I definitely wanted to catch and reading that you liked it has got my hopes up. I recorded a lot of the early films on Joan's day as well.

 

I watched *Traveling Saleslady* and it was fairly good. I like watching Blondell and Farrell work together but they really didn't have much interaction in that one.

[CineMaven]

Thanx, Miss G.

 

Molo, I hope you enjoy it as much as I did. It was such an unexpected surprise to me.

 

Let me add Adolphe Menjou's name to the list of 'fast-talking-three-pages-of-dialogue-reciting' actors in Hollywood.

 

Again, Bogie with Shelton:

 

"Nice going, girlie. You've got a picture to finish or maybe it slipped your mind. From the start, this picture smelled from herring. First it was writers, dozens of 'em. Then your cameraman. You shoot five weeks with a guy that's been photographing you since 1898 and just because he can't squirt an elixir of youth out of his lens, you start from scratch with a new boy."

 

Seeing Bogart in this makes his roles in "In A Lonely Place" and "The Barefoot Contessa" more meaningful to me somehow.

 

And Leslie Howard? Why, he is a veritable Alice In Wonderland.

[MissGoddess]

I liked *Claire's Knee* for the setting and a kind of "mood" about it. But I don't remember much about it specifically. Have you seen the "Manon" films? I think I already asked you that once before (forgive my pea brain memory).

[Bronxgirl48]

Didn't Rohmer say he preferred thoughts to action on film? I have no problem with that (because one of my all-time favorite movies is Malle's MY DINNER WITH ANDRE, ha!) so I think I'll watch CLAIRE'S KNEE again and see if I can feel the mood.

 

Haven't seen MANON, isn't that Clouzot? He scares me! I'm still recovering from DIABOLIQUE, which I first saw about 30 years ago. LOL, he and Hitch -- they made me NOT want to go into my bathroom.

[MissGoddess]

I don't even know who directed the "Manon of the Spring" films...I just love the setting (Provence) which is really more than just a setting, it's what the movies are made of. The stories only did so much for me. How many versions of the story of an older man lusting for a faun-like young girl can the French make, for goodness sake!

 

And as for *Contempt*, you can tell me what it was about because I have no idea! (this is my usual reaction to French films, though) I just felt it was sort of a satirical look at filmaking and its crowd. Frankly, I like it just for Fritz, who is a doll. So charming and urbane, so unlike how he reportedly acted on set!

 

And if you can figure out the Greek (?) statues with their eyes painted out, I'd like to know.

 

I'm not sure if I'd feel the "mood" of *Claire's Knee* today, ha. This was back when I appreciated just about every French movie I saw, indiscriminately. I even liked *Pauline at the Beach*.

[molo14]

I watched *Stand-In* and really enjoyed it. CineMaven, everything you wrote was on target.

 

Leslie Howard, as the wonderfully named Atterbury Dodd, really surprised me and it may be my favorite performance by him. I too thought the pairing with Blondell was quirky but they really meshed here. She feeds humanity into his number crunching (by the) bookish soul.

 

His single mindedness to his mission despite the fact that he is oblivious to how Hollywood and filmmaking work was a lot of fun to watch and he just seemed more fresh in this film then in a lot of the heavy dramas that I've seen where he can come off a bit stale.

 

The whole cast was great. Carson was playing one of his early unlikable lugs, Shelton was great playing the washed up star and Mowbray was perfectly cast as the director of Sex and Satan. Tay Garnett keeps it all moving along nicely.

 

I thought Blondell was her typical enjoyable self in the film. Bogie was something of a pleasant surprise here too. He was completely on target as the producer. The dialogue you quoted was great and it's really nice to discover a new film and find more reasons why I like him as an actor and a personality. I think the biggest surprise of all was never having even heard of this film even though it delivers wonderful performances by Howard, Blondell and Bogart.

 

I generally seek out these types of films anyway, always hoping to discover something new that I can add to my "comfort film" list. This one is a keeper.

 

SPOILERS!

 

The one weird thing about the film though is how it ends. Maybe it's just me but I thought there was more story to tell. Howard's Dodd had laid out this big plan and we are just left to assume it all works out like he wants it too. I thought that was a little odd.

[Bronxgirl48]

Oops, my last post to you went mistakenly to Chris. (on A CHILD IS WAITING and Richard Boone)

 

I want to see French movies about older women lusting after faun-like young men. I'll probably check out PAULINE AT THE BEACH and MY NIGHT AT MAUD'S. I couldn't get enough of that setting in CLAIRE'S KNEE. Almost glad the leading man was so unappealing, I could just look at the lake and put myself there, like Ida Lupino in that Twilight Zone episode.

 

I think I'm confusing the 1949 MANON, directed by Clouzot, with MANON OF THE SPRING, directed by Claude Berri.

 

The most frustrating thing watching CONTEMPT was trying to concentrate on the philosophical concepts and cryptic sayings when all I really wanted to do was gaze into the azure sea and sky of Capri. As for the Meaning Of It All, I'll get back to you in about a year or so, lol. That's about the time I might finally "get" everything.

I find Godard's movie references pretentious and downright annoying. French New Wave, eh!

[CineMaven]

Yes, I have it on good authority that hurricanes love Rum Raisin. I can't reveal to you my source for this.

 

It wasn't Tex Antoine, was it? Don't believe anything that guy tells you.

 

Although I don't think Irene will bother Gotham (too much) But you might want to protect your Valentino poster.

 

I shall throw my body on top of Rudy's picture again. Uhmm...this time, to protect it, of course. I have gone to the store and spent $19.48 worth of provisions which include:

 

* Ocean Spray Cran-Strawberry

* Poland Spring Water 1 Pt.

* Lean Cuisine Sesame Chicken (I'll put it in the oven as I don't own a microwave)

* Fresh Attitude Melange Printanier Spring Mix Salad (in a container...just slap it on a plate and add Ranch Dressing)

* Haagen-Dazs Cherry Vanilla 14 Fl. oz. (Is that the same as a pint 'cuz I can eat it in one sitting)

* Bumble Bee Sardines in water

I don't have anything (soda, o.j.) to mix my alcohol with, but I guess I drank enuf last nite preparing for the storm. (My bartender makes an absolutely delicious coma-inducing lemon drop martini! :x )

 

And the male protoganist looked like the one guy I hate almost as much as George Clooney -- Rob Reiner...I couldn't stand looking at him. This ruined whatever enjoyment I might have gotten out of this story.

 

My word. Well, well...I see you Hate ( :-( ) as equally as you Love (Rudy :x ).

 

I'm still recovering from "DIABOLIQUE," which I first saw about 30 years ago. LOL, he and Hitch -- they made me NOT want to go into my bathroom.

 

So are you saying filmmakers created the "Great Unwashed"?

 

Jack Lord has always given me the willies.

 

Remind me to do a List of my favorite male actors' hairstyles.

 

Cine-Lays...Cine-Wise...Cine-Utz...CineMaven!

 

Edited by: CineMaven on Aug 27, 2011 10:49 AM: I know, I know...how have I survived without a microwave.

[CineMaven]

I will probably watch it tonight. This was one that I definitely wanted to catch and reading that you liked it has got my hopes up...

 

Hello Molo. :-)

 

I watched Stand-In and really enjoyed it. CineMaven, everything you wrote was on target.

 

Thank you Molo. So you did watch it. Good! I'm glad you enjoyed it. There's nothing worse (or embarassing) than praising and recommending a movie that makes folks say: "Meh!"

 

His single mindedness to his mission despite the fact that he is oblivious to how Hollywood and filmmaking work was a lot of fun to watch and he just seemed more fresh in this film then in a lot of the heavy dramas that I've seen where he can come off a bit stale.

 

I've always found Leslie Howard to be a bit stiff, wooden...and not great shakes to look at. Now, I can (shallowly) take woodenness from the tall, dark and handsome George Brent, but from very few others. But after seeing Howard's performance in "STAND-IN" I feel gypped by him for not showing that zany side of himself more often in his short career. Ha! I laugh at myself for probably still not learning my (pre-judgmental) lesson and not looking at Howard in other films that are s'posed to be amusing. Guess I'd better seek out "It's Love I'm After" quick, fast and in a hurry, huh.

 

When Atterbury first sees the sights of (old) Hollywood and the camera zooms in to close-ups of these sights with brassy instrumental music, Tay Garnett lets us know that the assault on this bookworm begins NOW!!!

 

The whole cast was great. Carson was playing one of his early unlikable lugs, Shelton was great playing the washed up star and Mowbray was perfectly cast as the director of "Sex and Satan." Tay Garnett keeps it all moving along nicely.

 

Boy, I am sooooooo with you there Molo!!

 

Jack Carson: Remember when he knew producer Bogie was coming into the office and how he skedaddled out of the room? That cracked me up. Have you ever seen Jack in "ROUGHLY SPEAKING"? He and Rosalind Russell are as perfectly paired to great effect as Gable & Harlow...Tracy & Hepburn or Powell & Loy.

 

Alan Mowbray: I was very impressed with his broad comedic talent here with his mugging for the camera...and how he jumps in his director's chair when he's awakened from his catnap when the man next to him yells: "CUT!!"

 

Marla Shelton: What a find. She hammed it up when she had to, and played it straight too, which highlighted her contrasting performances. Nine times out of ten, very pretty actresses rarely submit to looking foolish. She did. And did a good job too! Where'd she disappear to????

 

I agree Tay Garnett kept things moving along forward...forward...ever fast and furiously forward.

 

I thought Blondell was her typical enjoyable self in the film. Bogie was something of a pleasant surprise here too. He was completely on target as the producer. The dialogue you quoted was great and it's really nice to discover a new film and find more reasons why I like him as an actor and a personality. I think the biggest surprise of all was never having even heard of this film even though it delivers wonderful performances by Howard, Blondell and Bogart.

 

The only way I knew this film existed was from the first "movie star" book I ever got. For my 16th birthday, my father bought me: "The Films of Humphrey Bogart." I vaguely remember a still from "Stand-In" with Bogie and Howard.

 

I generally seek out these types of films anyway, always hoping to discover something new that I can add to my "comfort film" list. This one is a keeper.

 

It pains me to admit I am woefully remiss in seeking out different types of films. I've read our Western gals' talk of westerns. Jack Favell has spoken of "Quality Street" but I think that film would make me head for the heeeeeeeeeels. But I recently tried a different type of Bette Davis fare ( "PAYMENT ON DEMAND" ) and came away loving it, and really finally appreciating Barry Sullivan.

 

SPOILERS!

 

The one weird thing about the film though is how it ends. Maybe it's just me but I thought there was more story to tell. Howard's Dodd had laid out this big plan and we are just left to assume it all works out like he wants it too. I thought that was a little odd.

 

REALLY SPOILED "STAND-IN" - I know what you mean here, but I came away with a different take on that ending.

 

When the studio workers take back the --country-- studio from the --Wall Street speculator/traders-- businessman Ivor Nassau I felt that all would be well. A really good C. Henry Gordon played Ivor Nassau and Gordon made Adolphe Menjou and all mustachioed men proud! OMG when he got the heave-ho over the studio wall, well, that finished me. I didn't quite feel the need to see "Sex and Satan's" success with glowing and congratulatory reviews. (The movie still looked kind of like a dud to me). But I felt that since the folks took back the studio...that all would be well. That the number crunching optimistic Atta-Boy Dodd would save the day.

 

For me Molo, there were these tiny touches to the film that lends to the tone of the ending:

 

* Old man Pettypacker (geeeez, what names) plops down and deflates his whoopee cushion. He tosses it on the table and tells his grandson to vulcanize it and the scene fades out. Wow!

* Howard and (a drunk) Bogie in the car with Bogie's little dog. Bogie sics the dog on Howard, and I loved how Howard kept inching his finger towards the dog to see if it would bite.

* A tearful Blondell reading screaming headlines of Howard and Shelton, as she dunks her donut in her coffee and keeps reading. (The dunk).

* I loved how Leslie Howard played with his glasses.

* That kid doing the pratfall over the staircase bannister and lamenting that with his luck he wouldn't have broken his neck if he'd have done this on the set.

* After Howard turns around the public opinion of the studio workers, he goes to bring out the evil business mogul to the mob turned crowd. When Howard tries to open the bungalow door to get the mogul, but doesn't quite get it opened, he turns and looks at the crowd and smiles..he looked so adorable there I wanted to hug him. (You're a guy and probably didn't notice it, but I ran that back a few times and found Leslie Howard so attractive there). It was just a moment...and I love moments.

* And the ending - instead of ending the movie with the typical clinch between Joan Blondell and Leslie Howard, Garnett ends with them tentatively reaching out towards each other. It felt like their relationship would evolve nicely...slowly, instead of putting the (.) period to the obvious conclusion of boy meets girl. Somehow it felt right to me. It made me hold my breath.

 

I showed "STAND-IN" to my father and he said he didn't like it. (He's kind of a meat and potatoes guy, not a whimsy guy. I had to hit him with "G-Men" quick)! But me...his daughter??? I've watched the movie twice already and want to share it with others.

[Bronxgirl48]

Saw clips of STAND-IN on YouTube. Bogie was so good-looking in it I barely recognized him.

[CineMaven]

You've got to see "STAND-IN" Bronxie. Ya just gotta!!

 

Yes, I found Bogart very attractive.

[MissGoddess]

> I have gone to the store and spent $19.48 worth of provisions which include:

>

>

>

>

> * Ocean Spray Cran-Strawberry

> * Poland Spring Water 1 Pt.

> * Lean Cuisine Sesame Chicken (I'll put it in the oven as I don't own a microwave)

> * Fresh Attitude Melange Printanier Spring Mix Salad (in a container...just slap it on a plate and add Ranch Dressing)

> * Haagen-Dazs Cherry Vanilla 14 Fl. oz. (Is that the same as a pint 'cuz I can eat it in one sitting)

> * Bumble Bee Sardines in water

> I don't have anything (soda, o.j.) to mix my alcohol with, but I guess I drank enuf last nite preparing for the storm. (My bartender makes an absolutely delicious coma-inducing lemon drop martini! :x )

>

 

You're a real girl scout, CinemAva. I have Haagen-Dazs chocolate ice cream and vanilla frozen yogurt. They USED to be pints (16 oz) until they decided their buyers were too dumb to notice if they shaved off 2 ounces and charged the same price. I also have granola bars, and figure I'll cook something tonight in case I have no operating stove later.

 

It's just beginning to rain lightly. I heard from molo that the storm is a bit more severe than he expected, and he's inland. So everyone, batten down dem hatches!

 

p.s. I don't have a microwave either. We're pioneers!

[lzcutter]

> I don't have anything (soda, o.j.) to mix my alcohol with, but I guess I drank enuf last nite preparing for the storm.

 

Depending on the alcohol, if it's vodka, gin or rum, you might try mixing a bit with the Ocean Spray.

 

Not sure if it will work but might be worth a small tasting!

 

[CineMaven]

lzcutter: Depending on the alcohol, if it's vodka, gin or rum, you might try mixing a bit with the Ocean Spray. Not sure if it will work but might be worth a small tasting! :-)

 

Darn it. All I have here in my new apartment is Jack Daniels, Southern Comfort, Bacardi and Meyers Rum. :-( Yikes! If Ray Milland could hear me now.

 

***********

 

Pioneer Goddess: You're a real girl scout, CinemAva. ;-) I have Haagen-Dazs chocolate ice cream and vanilla frozen yogurt. They USED to be pints (16 oz) until they decided their buyers were too dumb to notice if they shaved off 2 ounces and charged the same price. I also have granola bars, and figure I'll cook something tonight in case I have no operating stove later.

 

p.s. I don't have a microwave either. We're pioneers!

 

Holy Smokes, Miss G. You're right!! I just looked at the size of the ice cream and it says: 14 Fl. oz. Does this mean I'll gain less weight when I start wolfing it down??

[MissGoddess]

CinemAva, after 28 ounces, stop or you'll regret it in the morning.

 

oh! You meant the ice cream?!

 

Jackie...the rain actually has tapered off for the moment to a light shower. It was very steady and I thought "oh oh, if it rains this hard straight through we're sure to lose power". If it remains intermittent we might skim through this.

[JackFavell]

[JackFavell]

[JackFavell]

[JackFavell]

Who would you pick to wait out the storm with?

 

 

or

 

 

[JackFavell]

There are others to choose from. I think I know which one I would pick.

 

 

 

 

 

For me? Definitely Bogie.

[JackFavell]

I think Ty looks great in a moustache!

[movieman1957]

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!