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What Are You Watching Now?


FredCDobbs
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Speedracer.."I read somewhere that Anne Baxter was in this film, but she doesn't seem to be here? Maybe she was in the film in the preliminary stages?"

 

The first draft script originally was "a letter to 4 wives", and Baxter was number 4, but both writer Joseph Mankiewicz and Darryl Zanuck thought it was too long, and this character was the weakest.

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The first draft script originally was "a letter to 4 wives", and Baxter was number 4, but both writer Joseph Mankiewicz and Darryl Zanuck thought it was too long, and this character was the weakest.

 

I believe the original source material (can't remember if it was a novel or short story) had five wives.

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I believe the original source material (can't remember if it was a novel or short story) had five wives.

You're right..I double checked my memory, and in the book "Memo From Darryl F. Zanuck" there's a copy of his note to Mankiewicz referring to the script with 4, so evidently one already had been taken out of the novel by John Klempner. He described the 4th couple (who were Martha and Roger) as "second rate 'Little Foxes'" and dull.

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You're right..I double checked my memory, and in the book "Memo From Darryl F. Zanuck" there's a copy of his note to Mankiewicz referring to the script with 4, so evidently one already had been taken out of the novel by John Klempner. He described the 4th couple (who were Martha and Roger) as "second rate 'Little Foxes'" and dull.

 

The role Celeste Holm did as a voice-over was supposed to be seen on-screen, at least in the early drafts. Interestingly, Holm was fighting with Zanuck and left the studio a short time later. Mankiewicz insisted on using her for ALL ABOUT EVE, so Zanuck let her come back. But after EVE, she went five years until her next film. Neither Bette Davis nor Jane Wyman liked her (Davis wanted her kicked off EVE; and Wyman succeeded in firing her from Falcon Crest in the 80s).

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The snow and ice this week have made for particularly trying times, combined with work being so busy and unpredictable.  Now, I'm facing the possibility of having to cancel my weekend plans due to the conditions of the roads.  I'm very frustrated as I've been working hard for months and have been looking forward to my plans for over a month or so.  Anyway, I came home so frustrated and just so over it that I needed to watch something happy and fun to make me feel better.

 

I'm watching Meet Me in St. Louis and it is making me feel better.  I also had a glass of wine and then a chocolate Russian (White Russian made with chocolate milk instead of cream) and I am definitely feeling better.  Not looking forward to another bus ride tomorrow (my car is living in my work's parking lot until the roads are thawed).  

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The original British version of ​The Man who Knew Too Much​ starring Peter Lorre as a treacherous criminal. It's quite different plot wise from the Hollywood production starring James Stewart and Doris Day. The film is good so far, having seen the remake.

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TCM had a delightful afternoon of programming this afternoon.  I rarely watch TCM live, I'm always watching DVR recordings.  So far, I've watched: In the Good Old Summertime, Swing Time and The Adventures of Robin Hood.  Now, I'm watching The Philadelphia Story.  I always find it interesting how in older films, there's always the leading actor or actress who is one of the "children" of the home (even though the actor is probably well into their 20s) and they're the sibling to a bunch of little kids who are probably at least 10-15 years younger.  

 

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   I always find it interesting how in older films, there's always the leading actor or actress who is one of the "children" of the home (even though the actor is probably well into their 20s) and they're the sibling to a bunch of little kids who are probably at least 10-15 years younger.  

"Little Women" (1949) and "Daddy Long Legs" (1955) are two perfect examples that pop into my mind. June Allyson was 32 when she played Jo March, making her the oldest one among the "young people" and Leslie Caron was 24 years old, truly making her the "oldest orphan in the John Grier home." But of course Ginger Rogers was kind of able to pull it off in "The Major and the Minor" even though she was in her early 30's during the filming of the picture. 

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"Little Women" (1949) and "Daddy Long Legs" (1955) are two perfect examples that pop into my mind. June Allyson was 32 when she played Jo March, making her the oldest one among the "young people" and Leslie Caron was 24 years old, truly making her the "oldest orphan in the John Grier home." But of course Ginger Rogers was kind of able to pull it off in "The Major and the Minor" even though she was in her early 30's during the filming of the picture. 

 

Ginger plays a teenage orphan four years later in HEARTBEAT (1946).

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"Little Women" (1949) and "Daddy Long Legs" (1955) are two perfect examples that pop into my mind. June Allyson was 32 when she played Jo March, making her the oldest one among the "young people" and Leslie Caron was 24 years old, truly making her the "oldest orphan in the John Grier home." But of course Ginger Rogers was kind of able to pull it off in "The Major and the Minor" even though she was in her early 30's during the filming of the picture.

 

I think part of what makes The Major and the Minor so funny is that it is obvious that Ginger is not "11, twelve next week." However since Ray Milland's character can't see out of one eye, her features blur together and to him, she looks young.

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I think part of what makes The Major and the Minor so funny is that it is obvious that Ginger is not "11, twelve next week." However since Ray Milland's character can't see out of one eye, her features blur together and to him, she looks young.

The Major and the Minor, Billy Wilder's first movie, was one of the original classic movies that I grew up with.

 

I always got the biggest kick seeing Ginger Rogers' real mother playing her mother and then Ginger Rogers played Susu's mother--all the while acting like her own mother, Lela.

 

10 years later when Rogers tried to do the kiddie act in Howard Hawks' Monkey Business, it doesn't quite go over as well.

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I think part of what makes The Major and the Minor so funny is that it is obvious that Ginger is not "11, twelve next week." However since Ray Milland's character can't see out of one eye, her features blur together and to him, she looks young.

 

What about all the other folks?   E.g. her fellow students?   Did they all have vision problems?     :lol:

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"Saul Bass: Famous Title Sequences from Preminger to Scorsese"

 

A YouTube member put together 23 opening sequences by Saul Bass and uploaded the video to YouTube.  There's no commentary or interviews--the art work speaks for itself.  Two of my favorite openings are included, the credits from 1962's "Walk On The Wild Side" and 1956's "Around The World In Eighty Days".  An interesting watch.

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