Barton_Keyes Posted November 7, 2014 Share Posted November 7, 2014 December 5 GOOD NEWS (1947)...June Allyson and Peter Lawford EASTER PARADE (1948)...Fred Astaire and Judy Garland THE BARKLEYS OF BROADWAY (1949)...Fred Astaire and Ginger Rogers THE BELLE OF NEW YORK (1952)...Fred Astaire and Vera-Ellen THREE GUYS NAMED MIKE (1951)...Jane Wyman and Van Johnson DU BARRY WAS A LADY (1943)...Red Skelton and Lucille Ball December 12 SUMMER STOCK (1950)...Gene Kelly and Judy Garland LILI (1953)...Leslie Caron and Mel Ferrer DANGEROUS WHEN WET (1953)...Esther Williams and Fernando Lamas TORCH SONG (1953)..Joan Crawford and Gig Young TEXAS CARNIVAL (1951)...Esther Williams and Red Skelton GIRL CRAZY (1943)...Mickey Rooney and Judy Garland December 19 HIGH SOCIETY (1956)...Bing Crosby and Grace Kelly THE GLASS SLIPPER (1955)...Leslie Caron and Michael Wilding THE TENDER TRAP (1955)...Frank Sinatra and Debbie Reynolds EASY TO LOVE (1953)...Esther Williams and Van Johnson DON'T GO NEAR THE WATER (1957)...Glenn Ford and Gia Scala BEST FOOT FORWARD (1943)...Lucille Ball and Virginia Weidler December 26 BILLY ROSE'S JUMBO (1962)...Doris Day and Jimmy Durante THE UNSINKABLE MOLLY BROWN (1964)...Debbie Reynolds and Ed Begley PLEASE DON'T EAT THE DAISIES (1960)...Doris Day and David Niven TWO LOVES (1961)...Shirley MacLaine and Laurence Harvey SUMMER HOLIDAY (1948)...Mickey Rooney and Gloria De Haven Link to comment Share on other sites More sharing options...
mr6666 Posted December 1, 2014 Share Posted December 1, 2014 Friday Night Spotlight - Charles Walters Director/Choreographer Charles "Chuck" Walters, one of the least heralded but most accomplished of the behind-the-scenes talents responsible for the great MGM musicals, is the focus of this month's installment of the popular TCM franchise Friday Night Spotlight. This Spotlight is programmed and hosted by Brent Phillips, author of the biography Charles Walters: The Director Who Made Hollywood Dance, published this month. Phillips currently serves as the media archivist at New York University. ARTICLE: http://www.tcm.com/this-month/article/1048210|0/Friday-Night-Spotlight-Charles-Walters.html Link to comment Share on other sites More sharing options...
mr6666 Posted December 15, 2014 Share Posted December 15, 2014 the films aren't new to me, but Charles Walters is. Link to comment Share on other sites More sharing options...
JamesJazGuitar Posted December 15, 2014 Share Posted December 15, 2014 the films aren't new to me, but Charles Walters is. So true. When I saw the TCM post about Charles Walters I said to myself 'who is this guy? . I saw the list of films and I have seen many of them and yea, I really didn't pay attention to who the director of those films were. Link to comment Share on other sites More sharing options...
AndrewSchone Posted December 21, 2014 Share Posted December 21, 2014 I have been aware of the many well made and highly enjoyable movies that Charles Walters directed. One of the things he seemed to be great at was staging and directing small scale musical scenes between two or three people. I first thought about this watching a cut song from "Dangerous When Wet" that's supplimental material on it's DVD. Delightful interplay between the two actors. Same with "Why Can't I?" from Jumbo, "I Remember It Well" and "The Night They Invented Champagne" which were directed by Walters on Gigi. Link to comment Share on other sites More sharing options...
AndrewSchone Posted December 21, 2014 Share Posted December 21, 2014 Hey, I'm not really a "Newbee"; just had to re-register, due to kinks in TCM's message boards. Anyway, back to TCM's salute to Charles Walters. The guest expert on Walters made a misleading answer when Robert Osborn asked him why "The Tender Trap" wasn't made into a musical. He said "they" just weren't making original musicals at the time other than one's based on sucessful Broadway musicals. This is a simplification at best. It's true that musicals had started to lose the popularity they'd enjoyed previously by 1955. But original musicals were still being made--for example in 1955 and 1956 "It's Always Fair Weather" "Meet Me In Las Vegas", "Funny Face" and "Two for the Show". What I believe was true is that MGM was in financial trouble, musicals were comparitively expensive to make, and studio head Dory Sherry (spelling?) didn't care for musicals. So MGM was cutting way back on their production of musicals; that is definitely true. Link to comment Share on other sites More sharing options...
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