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Your Favourite Performances from 1929 to present are...


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Sweden’s Guldbagge Awards of 70/71 for 1970 were …

 

Best Actor

Carl-Gustaf Lindstedt, Harry Munter (69)

 

Best Actress

Anika Ekstrom, The Yankee

 

and there were no acting honours given in Sweden’s Guldbagge Awards of 1971.

 

——————————————————————————————

 

The Canadian Etrog Film Awards for 1970 were …

 

Best Actor

Doug McGrath, Goin’ Down the Road

 

Best Actress

Genevieve Bujold, Act of the Heart

 
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Let me take a moment to discuss one of my Best Actor nominees that I was the only one to nominate: Robert Redford in Little Fauss and Big Halsy. This movie is largely forgotten today, and was out of circulation for a long time. It's not a great movie, but it has its moments. Robert Redford stars as off-road motorbike racer who partners with a naive but brilliant mechanic played by Michael J. Pollard as they seek fame and fortune on the racing circuit.

 

Redford shows a different side to himself in this film. He's charming one minute, but calculating and even vicious the next. It's a truly flawed character that he plays, and it would one of the last of its type in his career. I read a biography on Redford a couple of years ago, and it discussed how after this movie, he became worried about "tarnishing" his screen image, and only wanted to play largely sympathetic or heroic roles. That's a real shame, because this film showed that he could play much darker when he wanted to, and one wonders what he could have done had he pursued those roles more. He seems to have done okay for himself, regardless.

 

This movie has been back on TV and on disc in the last few years, and has already started to gain more of a reputation. Some of it may seem like a retread of Downhill Racer with a different setting, although I think that would be selling the film short. It has enough to say about its characters and what drives them that it should be regarded on its own. If you haven't seen it, and have any interest in Robert Redford as an actor, this will be worth your while.

 

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Japan’s Mainichi Awards for 1970 were …

 

Best Actor

Hisashi Igawa, Where Spring Comes Late

 

Best Actress

Chieko Baisho, Where Spring Comes Late and Tora-San’s Runaway

 

Best Supporting Actor

Chishu Ryu, Where Spring Comes Late

 

Best Supporting Actress

Tomoko Naraoka, Apart From Life and Does’ka-den

 
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Here are the films from 1970 that I have not yet seen:

 

Act of the Heart

The Anonymous Venetian 

Apart from Life

Bed and Board

The Birch Wood

The Boys In the Band

Brancaleone at the Crusades

Claire's Knee

Come Have Coffee with Us

The Confession****

Darling Lili

Days and Nights in the Forest

Deep End

Donkey Skin

A Drama of Jealousy (and Other Things)

The Garden of the Finzi-Continis

Goin' Down the Road

The Hawaiians 

Husbands

Investigation of a Citizen Above Suspicion 

Lady Caliph

Le Boucher/The Butcher

Le Cercle Rouge/The Red Circle

Le Gendarme en balade

Les Stances a Sophie

Let It Be

The Little Theatre of Jean Renoir

Metello

Myra Breckenridge 

Nini Tirabuscio la Donna Che Invento la Mossa

The Owl and the Pussycat

Promise at Dawn

Puzzle of a Downfall Child

Quackser Fortune Has a Cousin in the Bronx****

The Railway Children

Something for Everyone

The Spider's Stratagem 

Sunflower

Tchaikovsky

Three Sisters

Tora-San's Runaway

Trip Around My Cranium

Ucho/The Ear****

Where Spring Comes Late

Where's Poppa?

The Wild Child

WUSA

The Yankee/Janken

 

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Here are the films from 1970 that I have not yet seen:

 

Act of the Heart

Bed and Board

Claire's Knee

The Confession****

Darling Lili

Days and Nights in the Forest

A Drama of Jealousy (and Other Things)

The Garden of the Finzi-Continis

Goin' Down the Road

The Hawaiians 

Husbands

Investigation of a Citizen Above Suspicion 

Le Boucher/The Butcher

Myra Breckenridge 

The Owl and the Pussycat

Quackser Fortune Has a Cousin in the Bronx****

The Railway Children

The Spider's Stratagem 

Three Sisters

Ucho/The Ear****

Where's Poppa?

 

I've seen the above and you have some little gems to look forward to.  

Shebib1.jpg

Goin' Down the Road is regarded as one of the first dramatic features to come out of English Canada.  It is low budget, kitchen-sink Canuck style and tells the tale of two buddies venturing to the big city of Toronto from Nova Scotia (eh) in search of work.  Paul Bradley (on the right) made my best actor runner-up list while it was Doug McGrath (on the left) who won Canada's Etrog award.  The film was spoofed on SCTV with Flaherty and Candy playing the parts.  Flaherty was always saying "let's go to Yonge Street!" which is Toronto's main drag.  It is worth a look if only to get a true picture of Canada's lower classes in those days.  Doug McGrath became a bit part actor in quite a few Clint Eastwood films.

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Quackser Fortune Has a Cousin in the Bronx used to play the art house circuit in Toronto in the 1970's.  Gene Wilder, in one of his best roles plays an odd chap who follows the milk delivery horses around town to gather and sell their dung.  He faces a crisis when automobiles begin to replace the horses.  Because of his charm Quakser is also quite the ladies man and attracts young Margot Kidder.  Kidder made my list of best actresses.

WheresPoppa19.jpg

Where's Poppa? is a black comedy starring George Segal and Ruth Gordon.  Segal has grown tired of looking after his mother and plots her demise.  Ron Leibman in one of his very best roles plays his brother who is called upon to run across gang infested Manhattan to answer emergency calls.  Rae Allen is also quite good as Liebman's wife.  If you are a fan of black comedy and I mean black then 'The Horse Is Dead' by Where's Poppa? author, Robert Klane may tickle you.  My copy has a quote from Jack Benny on its jacket touting it as the funniest book ever written.  Somehow I thought this may be a put-on as "The Horse is Dead" is completely un-PC.

BTW, another George Segal film, The Owl and the Pussycat is worth catching.  Barbra Streisand doesn't click that often but is quite good in this one.

Days and Nights in the Forest is one of Satyajit Ray's best.

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Here are the films from 1970 that were mentioned that I have not seen as yet. 

 

The Anonymous Venetian with Florinda Bolkan

Apart From Life with Tomoko Naraoka

Come Have Coffee With Us with Francesca Romana Coluzzi

Deep End with John Moulder Brown

Donkey Skin with Catherine Deneuve

Lady Caliph with Ugo Tognazzi

Le Cercle Rouge with Alain Delon, Andre Bourvil, Yes Montand and Gian Maria Volonte

Le Gendarme en Balade with Claude Gensac

Little Fauss and Big Halsy with Robert Redford

The Little Theatre of Jean Renoir with Fernand Sardou and Jeanne Moreau

Metello with Ottavia Piccolo

Nini Tirabuscio la Donna Che Invento la Mossa with Monica Vitti

Promise at Dawn with Melina Mercouri

Puzzle of a Downfall Child with Faye Dunaway

Something For Everyone with Angela Lansbury

Sunflower with Sophia Loren

Tchaikovsky with Innokently Smoktunovskiy

There’s a Girl In My Soup with Goldie Hawn

tick… tick… tick with Janet MacLachlan

Trip Around My Cranium with Zoltan Latinovits

Wanda with Barbara Loden

Watermelon Man with Estelle Parsons

Where Spring Comes Late with Hisashi Igawa, Chieko Baisho and Chishu Ryu

The Wild Child with Francois Truffaut and Jean-Pierre Cargot

WUSA with Anthony Perkins

 

And I would like to see these again …

 

A Drama of Jealousy (and Other Things) for Marcello Mastroianni

The Confession for Yves Montand, Gabrielle Ferzetti, Michel Vitold and Simone Signoret.

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Here are the films from 1970 that were mentioned that I have not seen as yet. 

 

 

Little Fauss and Big Halsy with Robert Redford

There’s a Girl In My Soup with Goldie Hawn

tick… tick… tick with Janet MacLachlan

Wanda with Barbara Loden

Watermelon Man with Estelle Parsons

 

 

I haven't seen many on your list this time, Bogie. I already talked about ​Little Fauss and Big Halsy.

 

There's a Girl In My Soup is a typical comedy of the era, though the pairing of Goldie Hawn and Peter Sellers is unique. Hawn is her usual adorable, charming self. 

 

tick...tick...tick is a racially-charged Southern law enforcement drama. If that sounds like In the Heat of the Night, you're not too far off. Jim Brown is good as the newly-elected black sheriff of a small town. Hostilities run high, and when things take a turn towards a High Noon showdown, he asks the former sheriff (George Kennedy) for help. The excellent supporting cast includes Fredric March, Lynn Carlin, Don Stroud, Bernie Casey, Clifton James and Dub Taylor. Janet MacLachlan plays Brown's wife.

 

Watermelon Man is another movie about race, but much sillier. Godfrey Cambridge stars as bigoted white guy that wakes up one morning to find that he's turned black. This will be dated by now, I'm sure, but I recall some good gags at the time. Melvin Van Peebles directed.

 

My pick would be Wanda. Barbara Loden stars as a bored, aimless, lonely woman who has abandoned her husband and child and taken to drinking her days away. She meets a new fella (Michael Higgins) who ends up being a petty criminal. They both spiral toward self-destruction. As you may have guessed from the description, this isn't a laugh riot. But it is an excellent character study, and both leads are good (in fact, I should have nominated them both myself). It's very low-budget and rough around the edges, but that only adds to the film's atmosphere of dissolution and despair.

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Before we hit 1971 I would like to mention that I am going with 1971 for The Emigrants.  It competed in the 1972 Oscars but was released in March 1971 in the Sweden.

And I am also going to include mention of Steven Spielberg’s Duel which I saw in theatrical release in Canada.

 
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deep_end_005.jpg

 
Deep End by Polish director Jerzy Skolimowski was largely shot in Munich, but it shows Swinging London in the late sixties. John Moulder Brown plays an adolescent who becomes obsessed with a red-headed swimming instructor (Jane Asher). Strong points are the tension, manipulations and power games between the two main characters, the use of bright contrasting colours, the symbolism and a small comeback role by Diana Dors. It's quite experimental and contains explicit scenes.
 
Le Cercle rouge ("The Red Circle") is a French heist film with the classic three parts: planning of the robbery, execution and complications afterwards. Bourvil, for once in a serious role, plays the police detective. Alain Delon, Gian Maria Volonté and Yves Montand play the three criminals, each with his own specialization. The robbery has no dialogue or background music, only the sound of the environment.
 
Le Boucher ("The Butcher") by Claude Chabrol shows a teacher (Stéphane Audran) in a village who meets the local butcher Popaul (Jean Yanne). At the same time a series of murders takes place. There's a mixture of attraction and suspicion between the two. The title refers to a fake Buddhist expression saying that people can be destined to meet each other again, in this case a policeman and a criminal.
 
The Wild Child (L'Enfant sauvage) by François Truffaut tells the story of a child that lived like a forest animal until it was twelve. It's based on a true event in 1798. After the child is captured, a physician (played by Truffaut himself) tries to teach it language and civilisation. It's a daring subject and a remarkable juvenile performance, although the scenes without intelligible language are demanding to sit through.
 
The Railway Children is an adaptation of the popular 1905 children's novel by Edith Nesbit. Three children have to move to a small house in Yorkshire when their father. They play games near the railway station of their new village, have small adventures and try to prove that their father was innocent. Jenny Agutter plays Roberta, a role she reprises from the BBC series two years earlier. 
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After we have done our best of all time posts which should be in about a year's time I would like to invite anyone to mention if they have seen a film after they had posted that may have changed their lists in any way.  I really only have one such film and performance since we started this thread that is a new addition.  But I am picking up a lot of films that have been mentioned for future viewing.

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I am sorry but I can not contribute much to the year of 1970. My favorite release (in Italy, not the United States until the following year) is The Garden Of The Fintzi-Continis and Lino Capolicchio does a nice, consistent lead performance reminding me of Sam Waterson. Both actors have a soft, understanding facial expression on their face at all times. If that counts as a great performance is debatable though since I think they are simply being themselves in front of the camera as off. The film itself is better as a whole than the actual performances within it.

 

Lovers And Other Strangers, on the other hand, is less great of a film as a whole but a bunch of often unrelated dramatic and comedy sketches. Insert Diane Keaton here as the wife who needs reunited with her in-laws' son, much like a multitude of characters in seventies and eighties TV sitcoms and "dramedies" who can resolve their problems in the required half hour time slot. Of course, I have always had a soft spot for Beau Arthur and she is wonderful in every scene, even if I sometimes feel I am watching some kind of stage performance with her.

 

I think the problem with even the most critically acclaimed performances of the year is that there was too much repeating of formula at this time. Patton was just another overblown sixties war epic and, yes, George C. Scott is great in that one just as Ben Kingsley would be in Gandhi later. I have mixed opinions about M*A*S*H because none of the cast is all that likeable to me, except that I sometimes feel a little sorry for Sally Kellerman's treatment just because she is overly disciplined and militarily "square". I recently re-watched 1999's American Beauty with Annette Bening resembling her "type". Even though that is a flawed film, it at least didn't portray her as a piece of card board and viewers do sympathize and understand her instead of just expect viewers to see her as a b***h.

 

I will add that the best performances are in foreign films, often in supporting roles. Another Italian import that was previewed in its country late in 1970 but technically a '71 wide-release is Pier Pasolini's soft-porn Decameron. The actress playing Elizabeth retrieving her dead lover is mostly silent, but does a great job with her facial expressions. I forget her name.

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Deep End

 
Le Cercle rouge ("The Red Circle") 
 
Le Boucher ("The Butcher") 

 

Deep End and Le Boucher are both included in the 1001 Movies to See Before You Die, so they were on my radar from that. But Le Cercle rouge sounds like my kind of movie, and it has a great cast. That one will definitely move up on my "To See" list!

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Best Actor: Jack Nicholson –Five Easy Pieces

Best Actress: Liv Ullmann –The Passion of Anna /

/ Stephane Audran -The Butcher if Anna doesn't count as 1970 here

Best Supporting Actor: Romolo Valli –The Garden of The Finzi-Continis

Best Supporting Actress: Karen Black -Five Easy Pieces

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 I have mixed opinions about M*A*S*H because none of the cast is all that likeable to me, except that I sometimes feel a little sorry for Sally Kellerman's treatment just because she is overly disciplined and militarily "square".

Amen to this. M*A*S*H has not worn well, in my opinion, despite the talented cast.

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1970 - Only a small number of favorites this year among the few films I've seen.

 

Actor
 
Jean-Pierre Cargol - The Wild Child***** (juvenile)
Fernando Rey - Tristana
Dustin Hoffman - Little Big Man
Yves Montand - The Confession
Peter Boyle - Joe
Ron Moody - The Twelve Chairs
 
Actress

Catherine Deneuve - Tristana***
Shelley Winters - Bloody Mama
 
Supporting Actor

Dom DeLuise - The Twelve Chairs***
Richard Mulligan - Little Big Man
Chief Dan George - Little Big Man
Martin Balsam - Little Big Man
Hugh Griffith - Start the Revolution Without Me
Robert De Niro - Bloody Mama
Gabriele Ferzetti - The Confession
 
Supporting Actress
 
Judith Anderson - A Man Called Horse*** [i like her more than I like the film]
Mary Jane Higby - The Honeymoon Killers (moved from '69)

Delphine Seyrig - The Donkey Skin 
Susan Sarandon - Joe

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Leading vs. Supporting Categories in 1971 …

As was discussed in the Lead vs. Supporting thread, Timothy Bottoms is the only lead in The Last Picture Show.

Vanessa Redgrave and Glenda Jackson are co-leads in Mary, Queen of Scots.

Diana Rigg is supporting in The Hospital.

Henry Fonda is supporting in Sometimes a Great Notion.

Karen Black is supporting in Born to Win.

Eddie Axberg and Max von Sydow are both male leads in The Emigrants.

IMO Warren Oates is a co-lead in Two-Lane Blacktop.

Sian Phillips is supporting in Murphy’s War.

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It’s time for 1971.  We will be on 1971 for one week so plenty of time for everyone to respond.

 

Here are Oscar’s choices for 1971.  Winners in bold. 

 

Best Actor

 

Gene Hackman, The French Connection*

Peter Finch, Sunday, Bloody Sunday

Walter Matthau, Kotch

George C. Scott, The Hospital

Haim Topol, Fiddler on the Roof

 

Best Actress

 

Jane Fonda, Klute*

Julie Christie, McCabe and Mrs. Miller

Glenda Jackson, Sunday, Bloody Sunday

Vanessa Redgrave, Mary, Queen of Scots

Janet Suzman, Nicholas and Alexandra

 

Best Supporting Actor

 

Ben Johnson, The Last Picture Show*

Jeff Bridges, The Last Picture Show

Leonard Frey, Fiddler on the Roof

Richard Jaeckel, Sometimes a Great Notion

Roy Scheider, The French Connection 

 

Best Supporting Actress

 

Cloris Leachman, The Last Picture Show*  

Ann-Margret, Carnal Knowledge

Ellen Burstyn, The Last Picture Show

Barbara Harris, Who Is Harry Kellerman and Why Is He Saying Those Terrible Things About Me?

Margaret Leighton, The Go-Between

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1971

 

Although I didn't think this was a particularly spectacular year, I managed to find a lot of performances to nominate. Thanks to a last minute change in category, 3 of my 5 winners are Brits.

 

BEST ACTOR

Malcolm McDowell  A Clockwork Orange****

Michael Caine  Get Carter

Gene Hackman  The French Connection

Warren Oates  Two-Lane Blacktop

Oliver Reed  The Devils

Richard Attenborough  10 Rillington Place

George C. Scott  The Hospital

Peter Finch  Sunday Bloody Sunday

Gene Wilder Willy Wonka & the Chocolate Factory

Jack Nicholson  Carnal Knowledge

Chaim Topol  Fiddler On the Roof

Dustin Hoffman  Straw Dogs

Warren Beatty  McCabe & Mrs. Miller

Max Von Sydow  The Emigrants

 

BEST ACTRESS

Vanessa Redgrave  The Devils****

Liv Ullmann  The Emigrants

Jane Fonda  Klute

Francesca Annis  MacBeth

Vanessa Redgrave  Mary, Queen of Scots

Jessica Walter  Play Misty for Me

Julie Christie  McCabe & Mrs. Miller

Ruth Gordon  Harold & Maude

Kitty Winn The Panic in Needle Park

Glenda Jackson  Sunday Bloody Sunday

Elizabeth Hartman  The Beguiled

Geraldine Page  The Beguiled

Ingrid Pitt  Countess Dracula

 

BEST SUPPORTING ACTOR

Tom Baker  Nicholas & Alexandra****

Fernando Rey  The French Connection

Ben Johnson  The Last Picture Show

Warren Clarke  A Clockwork Orange

Roy Scheider  The French Connection

John Hurt  10 Rillington Place

Andrew Robinson  Dirty Harry

Jason Robards  Johnny Got His Gun

Aubrey Morris  A Clockwork Orange

Ian Hendry  Get Carter

 

BEST SUPPORTING ACTRESS

Cloris Leachman  The Last Picture Show****

Laurie Bird  Two-Lane Blacktop

Ann Margret  Carnal Knowledge

Kate Reid  The Andromeda Strain

Ellen Burstyn  The Last Picture Show

Jo Ann Harris  The Beguiled

Margaret Leighton  The Go-Between

 

BEST JUVENILE PERFORMANCE

Benoit Ferreux  Murmur of the Heart****

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Here are my choices of the 138 films I've seen from 1971 for…

 

Best Supporting Actress of 1971

 

1.  CLORIS LEACHMAN (Ruth Popper), The Last Picture Show

2.  CYBILL SHEPHERD (Jacy Farrow), The Last Picture Show

3.  ELLEN BURSTYN (Lois Farrow), The Last Picture Show

4.  KATE REID (Dr. Ruth Leavitt), The Andromeda Strain

5.  ROSALIND HARRIS (Tzeitel), Fiddler on the Roof

 

6.  ANN-MARGRET (Bobbie), Carnal Knowledge

7.  KAREN BLACK (Parm), Born to Win

8.  FRANCESCA ANNIS (Lady MacBeth), MacBeth

9.  BARBARA HARRIS (Allison Densmore/"Linda Kaiser"), Who Is Harry Kellerman and Why Is He                        Saying Those Terrible Things About Me?

10. AUDRA LINDLEY (Ann Lockston), Taking Off

 

and ...

 

GEORGIA ENGEL (Margot), Taking Off

JUDY GEESON (Beryl Evans), 10 Rillington Place

MARCIA JEAN KURTZ (Marcie), The Panic In Needle Park

SHEILA RAYNOR (Mrs. DeLarge/”M”/"Mum"), A Clockwork Orange

SIAN PHILLIPS (Dr. Hayden), Murphy's War

MICHELE MARSH (Hodel), Fiddler on the Roof

MONICA ZETTERLUND (Ulrika), The Emigrants

MIRIAM KARLIN (Miss Weathers/”Catlady”), A Clockwork Orange

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Here are my choices of the 138 films I've seen from 1971 for…

 

Best Supporting Actor of 1971

 

1.  WARREN CLARKE (Dim), A Clockwork Orange

2.  BEN JOHNSON (Sam "the lion"), The Last Picture Show

3.  ROY SCHEIDER (Detective Buddy “Cloudy” Russo), The French Connection

4.  JEFF BRIDGES (Duane Jackson), The Last Picture Show

5.  HENRY FONDA (Henry Stamper), Sometimes a Great Notion

 

6.  ALAN WEBB (Gloucester, the elder), King Lear {UK version}

7.  TIMOTHY DALTON (Lord Henry "Harry" Darnley), Mary, Queen of Scots

8.  JOHN HURT (John Timothy Evans), 10 Rillington Place

9.  PIERRE LINSTEDT (Arvid), The Emigrants

10. MICHAEL BATES (Chief Prison Guard Barnes), A Clockwork Orange

 

and...

 

RICHARD JAECKEL (Joe Ben Stamper), Sometimes a Great Notion

JACK GILFORD (Wilbur Peabody), They Might Be Giants

OLIVER CLARK (Mr. Small/"Rudolph Valentino"), They Might Be Giants

IAN HOLM (David "Davie" Riccio), Mary, Queen of Scots

GODFREY QUIGLEY (Prison Chaplain), A Clockwork Orange

TERENCE BAYLER (MacDuff), MacBeth

AUBREY MORRIS (Mr. Deltoid, P.R.), A Clockwork Orange

LEONARD FREY (Motel), Fiddler on the Roof

MARTIN BALSAM (Tommy Haskins), The Anderson Tapes

ANTHONY SHARP (Frederick, the Minister of Interior), A Clockwork Orange

PHILIP STONE (Mr. DeLarge/”P”/”Dad’), A Clockwork Orange

REGIMANTAS ADOMAITIS (Edmund), King Lear {Russian version}

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1971 Favorites

 
Best Actor
 
Ralph Bates (Dr. Jekyll and Sister Hyde)
Thommy Berggren (Joe Hill)
Dirk Bogarde (Death in Venice)
Bud Cort (Harold and Maude)
Malcolm McDowell (A Clockwork Orange)
 
Best Actress
 
Jane Fonda (Klute)
Ruth Gordon (Harold and Maude)
Katharine Hepburn (The Trojan Women)
Glenda Jackson (Sunday, Bloody Sunday)
Shirley MacLaine (Desperate Characters)
Vanessa Redgrave (The Devils)
 
Best Supporting Actor
 
Max Adrian (The Boy Friend)
Warren Clarke (A Clockwork Orange)
Ben Johnson (The Last Picture Show)
Patrick Magee (A Clockwork Orange)
Patrick Wymark (The Blood on Satan’s Claw)
 
Best Supporting Actress
 
Ellen Burstyn (The Last Picture Show)
Cloris Leachman (The Last Picture Show)
Margaret Leighton (The Go-Between)
Ann Margret (Carnal Knowledge)
Vivian Pickles (Harold and Maude)
 
Best Juvenile Performance
 
Mark Lester (Whoever Slew Auntie Roo?)
 
Best Music Scenes
 
“Pie in the Sky” (Sung by Thommy Berggren, Joe Hill)
"If You Want to Sing Out, Sing Out" (Sung by Ruth Gordon and Bud Cort, Harold and Maude)
 
Best Lines
 
“Harold! That was your last date!” (Vivian Pickles, Harold and Maude)
“You mustn’t interrupt the cook when she’s making something delicious!” (Shelly Winters, Whoever Slew Auntie Roo)
 
Image from one of the most disturbing scenes of 1971 or any other year (Blood on Satan's Claw):
 
bosc2.jpg
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