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Leading vs. Supporting Categories in 1977 …

Oscar had Peter Firth in the supporting category for Equus.  My bet is this was because he was a young newcomer acting opposite established, Richard Burton.  IMO Peter Firth is a co-lead in Equus with Burton.  Jenny Agutter is supporting.

John Gielgud, Dirk Bogarde and Ellen Burstyn are all leads in Providence.

 
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It’s time for 1977.  We will be on 1977 for one week so plenty of time for everyone to respond.

 

Here are Oscar’s choices for 1977.  Winners in bold. 

 

Best Actor

 

Richard Dreyfuss, The Goodbye Girl*

Woody Allen, Annie Hall

Richard Burton, Equus

Marcello Mastroianni, A Special Day

John Travolta, Saturday Night Fever

 

Best Actress

 

Diane Keaton, Annie Hall*

Ann Bancroft, The Turning Point

Jane Fonda, Julia

Shirley MacLaine, The Turning Point

Marsha Mason, The Goodbye Girl

 

Best Supporting Actor

 

Jason Robards, Julia*

Mikhail Baryshnikov, The Turning Point

Peter Firth, Equus

Alec Guinness, Star Wars

Maximilian Schell, Julia

 

Best Supporting Actress

 

Vanessa Redgrave, Julia*  

Leslie Browne, The Turning Point

Quinn Cummings, The Goodbye Girl

Melinda Dillon, Close Encounters of the Third Kind

Tuesday Weld, Looking For Mr. Goodbar

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1977

 

Despite the presence of 3 of my favorite films, 1977 is one of the weaker years overall, in my opinion. 4 of my nominated films are titles that I saw for the first time just in the last year, so perhaps there are more gems waiting to be discovered.

 

 

BEST ACTOR

Woody Allen  Annie Hall****

Richard Dreyfuss  Close Encounters of the Third Kind

Bruno Ganz  The American Friend

John Gielgud  Providence

Marcello Mastroianni  A Special Day

Dennis Hooper  The American Friend

Richard Burton  Equus

Art Carney  The Late Show

Richard Dreyfuss  The Goodbye Girl

 

BEST ACTRESS

Diane Keaton  Looking for Mr. Goodbar****

Diane Keaton  Annie Hall

Sophia Loren  A Special Day

Carrie Fisher  Star Wars

Krystyna Janda  Man of Marble

Jane Fonda  Julia

Lily Tomlin  The Late Show

Anne Bancroft  The Turning Point

 

BEST SUPPORTING ACTOR

Tony Roberts  Annie Hall****

Harrison Ford  Star Wars

Francois Truffaut  Close Encounters of the Third Kind

Jason Robards  Julia

Francisco Rabal  Sorcerer

Alec Guinness  Star Wars

Evan Kim  The Kentucky Fried Movie

Christopher Walken  Annie Hall

 

BEST SUPPORTING ACTRESS

Tuesday Weld  Looking for Mr. Goodbar****

Vanessa Redgrave  Julia

Melinda Dillon  Close Encounters of the Third Kind

Jenny Agutter  Equus

Cloris Leachman  High Anxiety

 

BEST JUVENILE PERFORMANCE

Quinn Cummings  The Goodbye Girl****

Cary Guffey  Close Encounters of the Third Kind

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Here are my choices of the 74 films I've seen from 1977 for…

 

Best Supporting Actress of 1977

 

1.  VANESSA REDGRAVE (Julia), Julia

2.  ELAINE STRICH (Helen Weiner/Molly Langham), Providence

3.  KAORI MOMOI (Akemi Ogawa), The Yellow Handkerchief

4.  JOAN PLOWRIGHT (Dora Strang), Equus

5.  TUESDAY WELD (Katherine Dunn), Looking For Mr. Goodbar

 

6.  QUINN CUMMINGS (Lucy McFadden), The Goodbye Girl

7.  MELINDA DILLON (Jillian Guiler), Close Encounters of the Third Kind

8.  LESLIE BROWNE (Emilia Rodgers), The Turning Point

9.  JENNY AGUTTER (Jill Mason), Equus

10. CHIEKO BAISHO (Mitsue Shima), The Yellow Handkerchief

 

and ...

 

RUTH NELSON (Mrs. Schmidt), The Late Show

JOAN BLONDELL (Sarah Goode), Opening Night

SARA VENABLE (“Housewife Victim”), Martin

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Here are my choices of the 74 films I've seen from 1977 for…

 

Best Supporting Actor of 1977

 

1.  JOSE FERRER (“the Ben”), Who Has Seen the Wind

2.  DAVID HEMMINGS (Eddy), Islands In the Stream

3.  JASON ROBARDS, JR. (Dashiell Hammett), Julia

4.  MAXIMILIAN SCHELL (Johann), Julia

5.  TETSUYA TAKEDA (Kinya Hanada), The Yellow Handkerchief

 

6.  BILL MACY (Charlie Hatter), The Late Show

7.  COLIN BLAKELY (Frank Strang), Equus

8.  MIKHAIL BARYSHNIKOV (Yuri Kopeikine), The Turning Point

9.  JOHN EWART (Freddie), The Picture Show Man

10. EUGENE ROCHE (Ronnie Birdwell), The Late Show

 

and..

 

CLEMENS SCHEITZ (Scheitz), Stroszek

LIONEL STANDER (Tony Harwell), New York, New York

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1974 was probably the best year of this decade for Hollywood produced and semi-produced features shown in theaters, although the entire decade produced some outstanding made-for-TV "movies" and mini-series (ROOTS being aired on ABC in January 1977, out-doing the audience viewership that watched NBC's airing of GONE WITH THE WIND two months earlier), theatrical short subjects (with Will Vinton's claymation hitting its stride and imports from the National Film Board of Canada like THE SAND CASTLE pushing the creativity of home-grown live-action and animated shorts in general) and 16mm educational work (which I will get to below).

 

A typical theatrical release of April 1977 that often gets overlooked, simply because of its short length, is THE ABSENT MINDED WAITER featuring Steve Martin (mostly a supporting actor getting little attention in earlier features until his appearances on SATURDAY NIGHT LIVE). Surprisingly this was backed by a major studio (Paramount) long after the majors left short subjects to independent producers. Steve Martin was not a new actor, but it was this theatrical SHORT (and a popular comedy LP at the time) that made him a viable box office draw and Universal was quick to sign him on.

 

 

 

What I like about the seventies was the "anything goes" mentality that exploded after the decline of the Production Code (1966-68 period), then escalated when "New Hollywood" took over with the successes of EASY RIDER, M*A*S*H and other 1969-70 releases that proved that the Baby Boom generation was the demographic to cater too. It was also the Golden Age of Porn with censorship being pushed in the name of "freedom of expression". All of this ended rather abruptly with HEAVEN'S GATE in 1980 issuing the conservative don't-take-any-more-risks era that continues today except in modest independent productions first shown at Sundance.

 

Those of us in Generation X don't realize that we were growing up in a Golden Age of cinema right in our own classrooms. Betamax and VHS tentatively arrived in 1975-76, but didn't go mainstream until the early eighties. There were probably only *thousands* of these in schools and households at the time Reagan entered the White House in 1981. Until then, the 16mm film shown on the school projector with the blinds pulled was king.

 

THE PORTABLE PHONOGRAPH was released in August 1977 for Encyclopædia Britannica Films by a master director named John Barnes (mostly in England even though the studio was based in Chicago). It features very subtle performances by Michael Gwynn, William Squire, Philip Locke and David Buck with an emphasis on facial expressions and limited dialogue. This was not a film that was tooted at Oscar time since only a few theaters showed it. Schools and libraries were the market it was intended for.

 

https://www.britannica.com/topic/The-Portable-Phonograph/images-videos/In-this-1977-dramatization-of-Walter-van-Tilburg-Clarks-short/128654

 

https://archive.org/details/PortablePhonograph

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1977 Favorites

Tough year for me to find favorites. I didn't like many of the Hollywood films, particularly The Goodbye Girl.

 
Best Actor
 
Woody Allen (Annie Hall)
Richard Burton (Equus)
Richard Chamberlain (The Last Wave)
Peter Firth (Equus)
John Gielgud (Providence)
 
Best Actress
 
Diane Keaton (Annie Hall)
Carrie Fisher (Star Wars)
Jane Fonda (Julia)
Simone Signoret (Madame Rosa)
 
Best Supporting Actor
 
Richard Attenborough (The Chess Players)
Dirk Bogarde (Providence)
Edward Fox (A Bridge too Far)
Alec Guinness (Star Wars)
David Gulpilil (The Last Wave)
 
Best Supporting Actress
 
Vanessa Redgrave (Julia)
Tuesday Weld (Looking for Mr. Goodbar)
 
Best Lines
 
“What is this, a game show? What do I win, a Pinto?” (Mel Brooks, High Anxiety)
 

 

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1977 was the year when Rex Reed (remember him?) decreed that if Diane Keaton didn't win the Oscar for Looking for Mr. Goodbar, there was no God. I'm not sure of the theological implications of her winning for another film.

 

I'd bet that just about every Hollywood actress under the age of forty (or over forty, for that matter) wanted to play the lead in Looking for Mr. Goodbar. It was obviously one of the best parts of the year.

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Actor

 

Woody Allen, Annie Hall

Henry G. Sanders, Killer of Sheep
Vladimir Gostyukhin, The Ascent
Fernando Rey, That Obscure Object of Desire
Richard Dreyfuss, Close Encounters of the Third Kind

Runner-ups:  Boris Plotnikov (The Ascent), Robert De Niro (New York, New York), Bob Newhart (The Rescuers), Bud Cort (Why Shoot the Teacher?), John Gielgud (Providence), Dennis Hopper (The American Friend), Marty Feldman (The Last Remake of Beau Geste), Rutger Hauer (Soldier of Orange), Bruno S. (Stroszek), Jack Nance (Eraserhead), Gordon Pinsent (Who Has Seen the Wind), Harvey Keitel (The Duellists), Art Carney (The Late Show), John Travolta (Saturday Night Fever), Mark Lester (Crossed Swords/The Prince and the Pauper), Ben Gazzara (Opening Night)

Actress

Diane Keaton, Annie Hall
Kaycee Moore, Killer of Sheep
Tabata Ndiaye, Ceddo
Jane Fonda, Julia
Liza Minnelli, New York, New York

Runner-ups:  Gena Rowlands (Opening Night), Kimiko Ikegami (House), Shelly Duvall (3 Women), Sissy Spacek (3 Women), Lily Tomlin (The Late Show), Jodie Foster (Candleshoe)

Supporting Actor

Dirk Bogarde, Providence
James Earl Jones, Star Wars
Francois Truffaut, Close Encounters of the Third Kind
Jason Robards, Julia
Anatoli Solonitsyn, The Ascent

Runner-ups:  Tony Roberts (Annie Hall), Peter Cushing (Star Wars), David Warner (Providence), Curt Jurgens (The Spy that Loved Me), David Niven (Candleshoe), Peter Firth (Equus), Peter Ustinov (The Last Remake of Beau Geste)

Supporting Actress

Vanessa Redgrave, Julia
Melinda Dillon, Close Encounters of the Third Kind
Ellen Burstyn, Providence
Lyudmila Polyakova, The Ascent
Miki Jinbo, House

Runner-ups:  Teri Garr (Close Encounters of the Third Kind), Carole Bouquet (That Obscure Object of Desire), Angela Molina (That Obscure Object of Desire), Ai Matubara (House), Kumiko Oba (House), Helen Hayes (Candleshoe)

Not seen:  The Goodbye Girl, The Turning Point, A Special Day, Looking for Mr. Goodbar

 

--------There are three movies that have won the top five oscars (Picture, Director, Actor, Actress and Screenplay):  It Happened One Night, One Flew over the Cuckoo's Nest, and The Silence of the Lambs.  And there are three movies that have won my top five alternate oscars:  Annie Hall is the third, after Children of Paradise and Vertigo.

 

--------For the first time since 1958, all four acting oscars are won by English language movies, though Providence has a French director.

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Best Actor

Woody Allen, Annie Hall

Robert DeNiro, New York, New York

Richard Dreyfuss, Close Encounters of the Third Kind

Harrison Ford, Star Wars

Richard Gere, Looking for Mr. Goodbar

John Travolta, Saturday Night Fever

 

Best Actress

Julie Christie, Demon Seed

Jane Fonda, Julia

Liza Minnelli, New York, New York

Diane Keaton, Looking for Mr. Goodbar

Marsha Mason, The Goodbye Girl

 

Best Supporting Actor

Peter Cushing, Star Wars

Alec Guinness, Star Wars

James Earl Jones, Star Wars

Strother Martin, Slap Shot

Tony Roberts, Annie Hall

Paul Sorvino, Oh God!

 

Best Supporting Actress

Melinda Dillon, Close Encounters of the Third Kind

Teri Garr, Close Encounters of the Third Kind

Carol Kane, Annie Hall

Vanessa Redgrave, Julia

Tuesday Weld, Looking for Mr. Goodbar

 

Best Original Song

Eastbound and Down-Jerry Reed

Goodbye Girl-David Gates

Night Fever-The Bee Gees

 

​Best Juvenile Performance

Quinn Cummings, The Goodbye Girl

Carey Guffey, Close Encounters of the Third Kind

 

Best Unnerving Performance by a Bit-Player

Christopher Walken as Annie's brother Duane in Annie Hall

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The New York Film Critics Circle Awards for 1977 were …

 

Best Actor

John Gielgud, Providence*

Fernando Rey, That Obscure Object fo Desire

John Travolta, Saturday Night Fever

 

Best Actress

Diane Keaton, Annie Hall* 

Shelley Duvall, 3 Women

Diane Keaton, Looking For Mr. Goodbar

 

Best Supporting Actor

Maximilian Schell, Julia*

Bill Macy, The Late Show

Dvid Hemmings, Islands In the Stream

 

Best Supporting Actress

Sissy Spacek, 3 Women*

Vanessa Redgrave, Julia

Donna Prescow, Saturday Night Fever

 

—————————————————————————————————

 

The Los Angeles Film Critics Association Awards for 1977 were …

 

Best Actor

Richard Dreyfuss, The Goodbye Girl*

 

Best Actress

Shelley Duvall, 3 Women*

 

Best Supporting Actor

Jason Robards, Julia*

 

Best Supporting Actress

Vanessa Redgrave, Julia*

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Happy New Year, everybody. Here are my votes for forty years ago:

 

ACTOR:

1. Woody Allen - Annie Hall
2. John Travolta - Saturday Night Fever
3. Anthony Hopkins - Audrey Rose
4. Marcello Mastroianni - A Special Day
5. Roger Moore - The Spy Who Loved Me
6. Burt Reynolds - Smokey and the Bandit
7. Robert De Niro - New York, New York
8. Rutger Hauer - Soldier of Orange
9. Richard Dreyfuss - Close Encounters of the Third Kind
10. Mel Brooks - High Anxiety

ACTRESS:
1. Diane Keaton - Annie Hall
2. Gena Rowlands - Opening Night
3. Sophia Loren - A Special Day
4. Susan Swift - Audrey Rose
5. Liza Minnelli - New York, New York
6. Shelley Duvall - 3 Women
7. Jane Fonda - Fun with Dick and Jane
8. Marsha Mason - Audrey Rose
9. Carole Bouquet - That Obscure Object of Desire
10. Sissy Spacek - 3 Women
 
SUPPORTING ACTOR
1. Tony Roberts - Annie Hall
2. John Cassavetes - Opening Night
3. Richard Kiel - The Spy Who Loved Me
4. David Gulpilil - The Last Wave
5. Martin Shakar - Saturday Night Fever
6. Paul Simon - Annie Hall
7. Robert Walden - Capricorn One
8. Sean Connery - A Bridge Too Far

SUPPORTING ACTRESS:
1. Barbara Bach - The Spy Who Loved Me
2. Joan Blondell - Opening Night
3. Shelley Duvall - Annie Hall
4. Donna Pescow - Saturday Night Fever
5. Janet Margolin - Annie Hall
6. Teri Garr - Close Encounters of the Third Kind
7. Françoise Berd - A Special Day
8. Karen Black - Capricorn One

BEST JUVENILE PERFORMANCE: 
1. Susan Swift - Audrey Rose
2. Lars Söderdahl - The Brothers Lionheart
 
BEST EXTRA: Truman Capote as Truman Capote lookalike in Annie Hall
BEST BIT PART: Jeff "I forgot my mantra" Goldblum - Annie Hall 
BEST PERFORMANCE BY A FELON: O. J. Simpson - Capricorn One
BEST PERFORMANCE BY A DICTATOR'S GRANDDAUGHTER: Alessandra Mussolini - A Special Day
BEST ORIGINAL SCORE: John Williams - Close Encounters of the Third Kind
BEST ORIGINAL SONG: 
1. Theme from New York, New York (Liza Minnelli in New York, New York)
2. Stayin' Alive (Bee Gees in Saturday Night Fever)
3. Nobody Does It Better (Carly Simon in The Spy Who Loved Me)
BEST NON-ORIGINAL SONG: 
You Brought a New Kind of Love to Me (Liza Minnelli in New York, New York)
BEST QUOTE: 
1. "That was the most fun I ever had without laughing." (Annie Hall)
2. "All you have to do is say the lines clearly and with a degree of feeling." (Opening Night)
3. "I love being reduced to a cultural stereotype!" (Annie Hall)

 

 
 
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Here are my choices of the 75 films I've seen from 1977 for…

 

Best Actress of 1977

 

1.  JANE FONDA (Lillian Hellman), Julia

2.  DIANE KEATON (Annie Hall), Annie Hall

3.  LIZA MINNELLI (Francine Evans), New York, New York

4.  DIANE KEATON (Theresa Dunn), Looking For Mr. Goodbar

5.  ANNE BANCROFT (Emma Jacklin), The Turning Point

 

6.  SHIRLEY MACLAINE (Deedee Rodgers), The Turning Point

7.  MARSHA MASON (Paula McFadden), The Goodbye Girl

8.  SHELLEY DUVALL (Mildred ‘Millie’ Lammoreaux), 3 Women

9.  SOPHIA LOREN (Antonietta), A Special Day

10. JULIE CHRISTIE (Susan Harris), Demon Seed

 

and...

 

ELLEN BURSTYN (Sonia Langham), Providence

HOLLIS MCCLAREN (Liza Connor), Outrageous!

MONIQUE MERCURE (Rose-Aimee Martin), J.A. Martin, Photographe

SISSY SPACEK (Mildred “Pinky” Rose), 3 Women

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Here are my choices of the 75 films I've seen from 1977 for…

 

Best Actor of 1977

 

1.  JOHN GIELGUD (Clive Langham), Providence

2.  ROBERT DE NIRO (Jimmy Doyle/”Mr. M. Powell”), New York, New York

3.  WOODY ALLEN (Alvy Singer), Annie Hall

4.  RICHARD DREYFUSS (Elliott Garfield), The Goodbye Girl

5.  JOHN TRAVOLTA (Tony Manero), Saturday Night Fever

 

6.  BRUNO S. (Bruno Stroszek), Stroszek

7.  JOHN MEILLON (Maurice Pym), The Picture Show Man

8.  CRAIG RUSSELL (Robin Turner), Outrageous!

9.  GEORGE C. SCOTT (Thomas Hudson), Islands In the Stream

10. RICHARD DREYFUSS (Roy Neary), Close Encounters of the Third Kind

 

and...

 

ART CARNEY (Ira Wells), The Late Show

MARCELLO MASTROIANNI (Gabriele), A Special Day

RICHARD BURTON (Dr. Martin Dysart), Equus

SANJEEV KUMAR (Mirza Sajjad Ali), The Chess Players

SAEED JAFFREY (Mir Roshan Ali), The Chess Players

GREGORY PECK (General Douglas MacArthur), MacArthur

MICHAEL YORK (Andrew Braddock), The Island of Dr. Moreau

PAUL NEWMAN (Reggie ‘Reg’ Dunlop), Slap Shot

DIRK BOGARDE (Claude Langham), Providence

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The National Board of Review Awards for 1977 were…

 

Best Actor

John Travolta, Saturday Night Fever*

 

Best Actress

Anne Bancroft, The Turning Point*

 

Best Supporting Actor

Tom Skerritt, The Turning Point*

 

Best Supporting Actress

Diane Keaton, Annie Hall*

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The National Society of Film Critics Awards for 1977 were …

 

Best Actor

Art Carney, The Late Show*

John Gielgud, Providence

Fernando Rey, That Obscure Object of Desire

John Travolta, Saturday Night Fever

 

Best Actress

Diane Keaton, Annie Hall*

Shelley Duvall, 3 Women

Jane Fonda, Julia

 

Best Supporting Actor

Edward Fox, A Bridge Too Far*

Bill Macy, The Late Show

Maximilian Schell, Julia

David Hemmings, Islands In the Stream

 

Best Supporting Actresses

Ann Wedgeworth, Handle With Care*

Marcia Rodd, Handle With Care

Sissy Spacek, 3 Women

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One of the biggest stars of the 1970s, but one perhaps not so familiar to younger moviegoers, was Burt Reynolds. From 1972's Deliverance on into the mid-80s, Reynolds was a fixture on the movie screen and also on the talk show circuit, which provided a major boost to his career. Indeed, Pauline Kael opined that Reynolds was the first film actor to become a star based on his talk-show persona.

 

It's worth considering Reynolds' talk-show persona in a little more detail. The period of Reynolds' stardom was the era in which America was beginning, if only a little, to become more open to the subject of homosexuality. Reynolds had traditional tall, dark, and handsome looks, he dated famous women, and he had played college football, so he had the necessary resume of masculinity credentials, yet the lively sense of humor he displayed on television and sometimes in his films was surprisingly campy, even downright queeny at times. I have no idea what his private life was like, but I'm sure most gay men assumed that he was also gay.

 

Instead of being an actual macho man, like Lee Marvin, Burt Reynolds was more like the Village People's "Macho Man." Reynolds comes across as much gayer than such gay stars as Rock Hudson. Whether intentionally or not, Reynolds found a way of incorporating a campy sensibility into an ostensibly straight masculine persona that was acceptable to mainstream audiences. He was perceived as one of the most likable stars of the time.

 

If Reynolds is not so well known today, that is probably because he didn't often work with top directors or on prestige projects. Deliverance is the major exception, and so is Starting Over, in which Reynolds plays a journalist turned college professor. Deliverance belongs, however, more to John Boorman and Jon Voight (and even Ned Beatty and Ronny Cox) than to Reynolds, and Starting Over perhaps belongs more to Jill Clayburgh and Candice Bergen.

 

Reynolds was especially popular in the South, where many of his films were set, including 1977's megahit Smokey and the Bandit.

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Burt Reynolds was the king of the good ole boys. He was handsome and usually well-groomed enough that the ladies liked him, but he was macho enough to appeal to the guys, as well. There was a big Southern culture wave during the 1970's, on TV shows like The Dukes of Hazzarda major upswing in country music and country rock, and lots of backwoods films that dominated the drive-ins and eventually mainstream theaters. Burt Reynolds was the biggest star of this wave, starting back with Deliverance, White Lightning and Gator, and eventually going superstar with Smokey and the Bandit.

 

Reynolds was a bit of a local legend around here, having played football at Florida State University, and he eventually bought a large amount of land in my home county. I never saw him in town, and most people around here weren't the gawking fan types. He sold the land and large house on it sometime in the late 1990's when he started hitting his severe financial problems, issues that plague him still, along with seriously deteriorating health. 

 

Reynolds biggest enemy was always himself. His affected egotism that he used for comic effect on many of his TV appearances wasn't that far from the truth. Reynolds never loved anyone more than the man in the mirror. This made him harder and harder to work with, as he started exerting more and more control over his projects, while at the same time getting lazier about their productions. As long as the checks cleared and he got to hang out with friends that he would inevitably insist be hired behind or in front of the camera, he was happy. After a string of flops in the 1980's, he found some redemption back on TV, with the show Evening Shade, although that eventually ran its course. 

 

He made a splashy "comeback" with 1997's Boogie Nights, and got an Oscar nod, but that didn't lead to anything substantial, and he was back in direct-to-video garbage very quickly. Around this time his money troubles started, as his lavish lifestyle and tabloid-fodder divorces were outspending his much-diminished earnings. His health also started to decline, and recent appearances have seen him extremely gaunt and unable to walk.

 

widd-burt-reynolds-inline2-photo-667520-635896919710817858-Barrett-Jackson-47.jp

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1976

 

BEST PICTURE

 

The Bad News Bears

Burnt Offerings

Carrie

Freaky Friday

Murder By Death

Network

Rocky

The Shootist

That's Entertainment II

 

BEST ACTOR

 

Walter Matthau, The Bad News Bears

Oliver Reed, Burnt Offerings

Peter Finch, Network

William Holden, Network

Sylvester Stallone, Rocky

John Wayne, The Shootist

 

BEST ACTRESS

 

Tatum O'Neil, The Bad News Bears

Karen Black, Burnt Offerings

Sissy Spacek, Carrie

Jodie Foster, Freaky Friday

Barbara Harris, Freaky Friday

Faye Dunaway, Network

Lauren Bacall, The Shootist

 

BEST SUPPORTING ACTOR

 

David Niven, Murder By Death

Robert Duvall, Network

Carl Weathers, Rocky

Burgess Meredith, Rocky

Ron Howard, The Shootist

 

BEST SUPPORTING ACTRESS

 

Bette Davis, Burnt Offerings

Piper Laurie, Carrie

Nancy Allen, Carrie

Maggie Smith, Murder By Death

Elsa Lanchester, Murder By Death

Beatrice Straight, Network

Talia Shire, Rocky

 

UNINTENTIONALLY HILARIOUS MOVIE

 

Burnt Offerings.  I love that Karen Black slowly transforms into a Victorian Era woman. 

 

CREEPIEST SIBLINGS

 

Burgess Meredith and Eileen Heckart in Burnt Offerings

 

BEST LINE

 

"I'm mad as hell and I'm not going to take it anymore!" Peter Finch, Network

 

BEST SCORE

 

Rocky

 

GROSSEST SCENE

 

Tie between the pig blood scene in Carrie; and Karen Black tossing Oliver Reed out the window and him landing face down on the windshield in Burnt Offerings

 

THE "SANE" AWARD GOES TO:

 

William Holden in Network.  He seems to be the only character in Network who isn't completely bonkers. 

 

MOST BORING FILM

 

Logan's Run.  It's way too long and dull.  It seems like Michael York and Jenny Agutter spend hours running and running and running and running some more.

 

MOST JARRING MOMENT

 

I find it weird sometimes to see Golden Era stars appearing in post-studio era films with very non-studio era content, such as Network.  While I don't doubt that William Holden swore in his personal life, hearing him using vulgarity made me do a double take when I heard it first.  He also has a sex scene in this film which was also interesting. 

 

SPEEDRACER'S TAKEAWAY FROM "LOGAN'S RUN"

 

When I saw the movie a few years ago before hitting the deadly "Carousel" age of 30, I thought,  "If I lived in Logan's Run, my name would be Kayla 4!" 

 

 

1977

 

BEST PICTURE

 

Looking for Mr. Goodbar

The Rescuers

Saturday Night Fever

Smokey and the Bandit

Star Wars

 

BEST ACTOR

 

Bob Newhart, The Rescuers

John Travolta, Saturday Night Fever

Burt Reynolds, Smokey and the Bandit

Mark Hamill, Star Wars

 

BEST ACTRESS

 

Diane Keaton, Looking for Mr. Goodbar

Eva Gabor, The Rescuers 

Sally Field, Smokey and the Bandit

Carrie Fisher, Star Wars

 

BEST SUPPORTING ACTOR

 

Richard Gere, Looking for Mr. Goodbar

LeVar Burton, Looking for Mr. Goodbar

Tom Berenger, Looking for Mr. Goodbar

Jackie Gleason, Smokey and the Bandit

Jerry Reed, Smokey and the Bandit

Fred the dog, Smokey and the Bandit

Harrison Ford, Star Wars

James Earl Jones' voice, Star Wars

Alec Guinness, Star Wars

Kenny Baker, Star Wars

Anthony Daniels, Star Wars

 

BEST SUPPORTING ACTRESS

 

Tuesday Weld, Looking for Mr. Goodbar

 

BEST OPENING

 

Hands down, the iconic scroll prologue in Star Wars

 

BEST SCORE

 

Star Wars, by far.  Probably one of the most famous (if not the most famous) film scores of all time.

 

BEST LINE

 

"I've got a bad feeling about this," Star Wars

 

And pretty much all of Jackie Gleason's dialogue in Smokey and the Bandit.  "When we get home, I'm gonna punch your mama in the mouth." 

 

MOST ANNOYING CHARACTER

 

Junior in Smokey and the Bandit.  Why did Sally Field even agree to marry him? 

 

CREEPIEST CHARACTER

 

Richard Gere in Looking for Mr. Goodbar.  

 

SCARIEST ENDING

 

The ending of Looking for Mr. Goodbar.  Poor Diane Keaton. 

 

BEST SCENE

 

John Travolta's solo dance on the light-up floor in Saturday Night Fever

 

FUNNIEST DROID

 

R2-D2 in Star Wars.  Beep Beep Beep! 

 

BIGGEST FUSSBUDGET

 

C-3PO in Star Wars.  Calm down dude! Stop being such a worry wart! 

 

BEST HAIRSTYLE

 

Princess Leia's iconic cinnamon roll hairstyle in Star Wars.  

 

SPEEDRACER'S TAKEAWAY FROM "STAR WARS"

 

Chewy got screwed! Han Solo and Luke Skywalker got medals from Princess Leia, but Chewy was there the whole time doing just as much work! 

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The BAFTA winners for 1977 were ….

 

Best Actor

Peter Finch, Network* (76)

Woody Allen, Annie Hall

William Holden, Network (76)

Sylvester Stallone, Rocky (76)

 

Best Actress

Diane Keaton, Annie Hall*

Lily Tomlin, The Late Show

Faye Dunaway, Network (76)

Shelley Duvall, 3 Women

 

Best Supporting Actor

Edward Fox, A Bridge Too Far* 

Colin Blakely, Equus

Zero Mostel, The Front (76)

Robert Duvall, Network (76)

 

Best Supporting Actress

Jenny Agutter, Equus* 

Joan Plowright, Equus

Shelley Winters, Next Stop Greenwich Village (76)

Geraldine Chaplin, Welcome to L.A. (76)

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2.  DAVID HEMMINGS (Eddy), Islands In the Stream

792full-islands-in-the-stream-screenshot

I'd like to pay a small tribute to David Hemmings (1941-2003) who played Eddy in Islands of the Stream (1977).  Walter Brennan basically played the same character in To Have and Have Not (1944).  He's a sweaty, booze soaked deck hand who is tragic, heroic and loyal.  Hemmings pulls off this character balancing act admirably and it is a pity he didn't undertake similar challenging roles.  Instead, Hemmings concentrated a good part of his later career on directing television dramas.  It was not long ago that I discovered that he also had a career as a teen actor.  I look forward to seeing him in some of those films in the future.

Hemmings.jpg

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