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Your Favourite Performances from 1929 to present are...


Bogie56
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Italy’s 80/81 Nastro d’Argento Film Awards for 1981 were …

 

Best Actor

Vittorio Mezzogiorno, Three Brothers

 

Best Actress

Mariangela Melato, Help Me to Dream

 

Best Supporting Actor

Massimo Girotti, Passion of Love

 

and Italy’s 81/82 Nastro d’Argento Film Awards for 1981 were …

 

Best Actor

Ugo Tognazzi, Tragedy of a Ridiculous Man

 

Best Actress

Eleanora Giorgi, Talcum Powder (82)

 

Best Supporting Actor

Paolo Stoppa, The Marquis of Grillo

 

Best Supporting Actresses

Claudia Cardinale, The Skin

 

——————————————————————————————

 

Italy’s 80/81 David di Donatello Awards for 1981 were …

 

Best Actor

Massimo Troisi, I’m Starting From Three

 

Best Actresses

Valeria D’Obici, Passion of Love

Mariangela Melato, Help Me to Dream

 

Best Supporting Actor

Charles Vanel, Three Brothers

 

Best Supporting Actresses

Laura Antonelli, Passion of Love

 

and Italy’s 81/82 David di Donatello Awards for 1981 were …

 

Best Actor

Carlo Verdone, Talcum Powder (82)

 

Best Foreign Actor

Klaus Maria Brandeur, Mephisto

 

Best Actress

Eleanora Giorgi, Talcum Powder (82)

 

Best Foreign Actress

Diane Keaton, Reds 

 

Best Supporting Actor

Angelo Infanti, Talcum Powder (82)

 

Best Supporting Actresses

Alida Valli, La Caduta Degli Angeli Ribelli

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The Canadian Genie Awards for 1981 were …

 

Best Actor

Nick Mancuso, Ticket to Heaven

 

Best Foreign Actor

Alan Arkin, Improper Channels

 

Best Actress

Margot Kidder, Heartaches

 

Best Foreign Actress

Annie Potts, Heartaches

 

Best Supporting Actor

Saul Rubinek, Ticket to Heaven

 

Best Supporting Actress

Denise Filiatrault, Les Plouffe

 

——————————————————————————————

 

The Australian Film Institute Awards for 1980 included this 1981 film …

 

Best Supporting Actresses

Jill Perryman, …Maybe This Time

 

The Australian Film Institute Awards for 1981 were …

 

Best Actor

Mel Gibson, Gallipoli

 

Best Actress

Judy Davis, Winter of Our Dreams

 

Best Supporting Actor

Bill Hunter, Gallipoli

 

Best Supporting Actresses

Judy Davis, Hoodwink

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The Canadian Genie Awards for 1981 were …

 

Best Actress

Margot Kidder, Heartaches

 

Best Foreign Actress

Annie Potts, Heartaches

 

I had forgotten about Heartaches, so much so that I didn't have it in my notebook as having seen it. I know I did, though, a few times. Back in the early 1980's, HBO had a series of movies that they called "HBO Sleepers" where they highlighted films that they felt had merit but for one reason or another had failed to make much dent at the box-office. Heartaches was one title I recall, and it was the first time that I remember paying attention to Annie Potts. I've liked her ever since.

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I had forgotten about Heartaches, so much so that I didn't have it in my notebook as having seen it. I know I did, though, a few times. Back in the early 1980's, HBO had a series of movies that they called "HBO Sleepers" where they highlighted films that they felt had merit but for one reason or another had failed to make much dent at the box-office. Heartaches was one title I recall, and it was the first time that I remember paying attention to Annie Potts. I've liked her ever since.

 

Both Margot and Annie Potts were on my list.  Heartaches was directed by Don Shebib who also did Goin' Down the Road (1970).  Heartaches has never made it to dvd but it is out there on vhs.

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The Japanese Academy Awards for 1981 were …

 

Best Actor

Ken Takatura, Station

 

Best Actress

Keiko Matsuzaka, The Gate of Youth and Tora San’s Love In Osaka

 

Best Supporting Actor

Katsuo Nakamura, Heat Haze Theatre, Love Letter and Shikae-nin Baian and Buriki no Kunsho

 

Best Supporting Actress

Yuko Tanaka, Edo Porn and Why Not?/Eijanaka

 

—————————————————————————————

 

Japan’s Blue Ribbon Awards for 1981 were …

 

Best Actor

Toshiyuki Nagashima, Distant Thunder

 

Best Actress

Keiko Matsuzaka, The Gate of Youth and Tora San’s Love In Osaka

 

Best Supporting Actor

Masahiko Tsugawa, Manon

 

Best Supporting Actress

Yuko Tanaka, Edo Porn and Why Not?/Eijanaka

 

—————————————————————————————

 

Japan’s Mainichi Awards for 1981 were …

 

Best Actor

Takahiro Tamura, Muddy River

 

Best Actress

Chieko Baisho, Eki

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From 1981 I have not seen:

 

Blind Chance

Burgschaft Fur ein Jahr

Buriki no Kunsho

Butterfly (which has a 1982 release day on IMDb)

The Chosen

Coup de Torchon

Der Bockerer

Derevo Dzhamal

Distant Thunder

Diva

Edo Porn

Eki

Fact/Faktas

The Fan

Fever/Goraczka

First Monday in October

Garde a Vue

The Gate of Youth

Gregory's Girl

Guardafronteras

Heat Haze Theatre

Help Me to Dream

Hoodwink

I'm Starting From Three

Improper Channels

La Caduta Degli Angeli Ribelli

La Soupe aux choux

Les Beaux Souvenirs

Les Plouffe

Lili Marleen

Lion of the Desert

Little Ida

Lola

Love Letter

Manon

Marianne and Juliane

The Marquis of Grillo

...Maybe This Time

Mephisto

Modern Romance

Montenegro

Muddy River

My Dinner with Andre

Passion of Love

Pixote

Prince of the City

Quartet

Raggedy Man

Rich and Famous

Rollover

Sally and Freedom

Shikae-nin Baian

Silence of the North

The Skin

Station

Strange Affair

Taxi zum Klo

36 Chowinghee Lane

Three Brothers

Threshold

Ticket to Heaven

Tora San's Love in Osaka

Tragedy of a Ridiculous Man

Twenty Six Days From the Life of Dostoyevsky

Why Not?/Eijanka

Winter of Our Dreams

The Witch Hunt

The Woman Next Door

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I don't think anyone mentioned Body Heat​.  Lawrence Kasdan's directorial debut, Kathleen Turner's film debut. 

 

I had Kathleen Turner as my choice for Best Actress, and also had William Hurt among my nominees. Other people had Ted Danson and Mickey Rourke among their nominees.

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Comments about a couple of films:

 

Taxi zum Klo (Taxi to the Toilet) is a German film about a rather engaging but quite promiscuous gay man, played by the director himself. He does begin a serious relationship with another young man as the story develops. Some critics and viewers thought this was a much better film than Hollywood's Making Love (which did, of course, have Harry Hamlin, Michael Ontkean, and Kate Jackson), certainly grittier and more honest. I liked Taxi zum Klo quite a bit when it was first released, but haven't seen it since.

 

Prince of the City is in the mode of Serpico, but much more downbeat. It was not a financial success, and thus Treat Williams did not get the Oscar nomination that was originally expected. Williams' career really suffered as a result of the financial shortcomings of this film; some had expected this role to catapult him to stardom. Prince of the City is a long movie, capably directed by Sidney Lumet, about corruption in the New York City Police Department, based on actual incidents. The strength and weakness of the movie are the same, that there is really no one to root for. I think it's worth a look.

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Here are the films from 1981 that were mentioned that I have not seen as yet. 

 

Burgschaft Fur ein Jahr with Katrin Sah

Buriki no Kunsho with Katsuo Nakamura

Butterfly with Orson Wlles and Pia Zadora

The Chosen with Maximilian Schell and Rod Steiger

Christiane F. with Natja Brunckhorst

Continental Divide with Blair Brown

Der Bockerer with Karl Merkatz

Derevo Dzhamai with Maya-Gozel Almedova

Distant Thunder with Toshiyuki Nagahima

Eki with Chieko Baisho

Fact/Faktas with Elena Solovey

Fever/Goraczka with Barbara Grabowska

Four Friends with Craig Wasson, Jodi Thelen and Julia Murray

The Gate of Youth with Keiko Matsuzaka

The Great Muppet Caper with Diana Rigg, John Cleese and Charles Grodin

Guard a Vue with Michel Serrault and Guy Marchand

Guardafronteras with Tito Junco

Heat Haze Theatre with Katsuo Nakamura

Help Me to Dream with Mariangela Melato

The History of the World Part I with Madeleine Kahn and Pamela Stephenson

Hoodwink with Judy Davis

I’m Starting From Three with Massimo Troisi

La Caduta Degli Angeli Ribelli with Alida Valli

La Soupe aux Choux with Christine Dejoux

Lili Marleen with Hanna Schygulla

Little Ida with Sunniva Lindekleiv, Lise Fieldstad and Ronnaug Alten

Lola with Barbara Sukowa, Armin Mueller-Stahl, Mario Adorf, Helga Feddersen and Ulrike Vigo

Love Letter with Katsuo Nakamura

Manon with Masahiko Tsugawa

Marianne and Juliane with Barbara Sukowa and Jutte Lampe

…Maybe This Time with Jill Perryman

Muddy River with Takahiro Tamur

Passion of Love with Massimo Girotti, Laura Antonelli and Valeria D’Obici

Possession with Isabelle Adjani and Sam Neill

Quartet with Maggie Smith and Isabelle Adjani

Rollover with Kris Kristofferson and Hume Cronyn

Sally and Freedom with Gunn Wallgren

Shikake-nin Baian with Katsuo Nakamura

The Skin with Claudia Cardinale

Southern Comfort with Powers Boothe

Station with Ken Takatura

Strange Affair with Nathalie Baye and Michel Piccoli

36 Chowinghee Lane with Jennifer Kendall

Taxi Zum Klo/Taxi to the Toilet with Frank Ripploh [premiere was in 1980]

Three Brothers with Vittorio Mezzogiorno and Charles Vanel

Tora San’s Love In Osaka with Keiko Matsuzaka

Tragedy of a Ridiculous Man with Ugo Tognazzi

Twenty Six Days From the Life of Dostoyevsky with Anatolly Solonitsyn

Why Not?/Eijanaka with Yuko Tanaka

Winter of Our Dreams with Judy Davis

The Witch Hunt with Lil Tersulius

Zorro: The Gay Blade with George Hamilton

 

And I would like to see these again …

 

Les Plouffe for Denise Filiatrault

Mephisto for Rolf Hoppe and Karin Boyd

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Here are the films from 1981 that were mentioned that I have not seen as yet. 

 

Christiane F. with Natja Brunckhorst

Continental Divide with Blair Brown

Four Friends with Craig Wasson, Jodi Thelen and Julia Murray

The Great Muppet Caper with Diana Rigg, John Cleese and Charles Grodin

The History of the World Part I with Madeleine Kahn and Pamela Stephenson

Possession with Isabelle Adjani and Sam Neill

Southern Comfort with Powers Boothe

Zorro: The Gay Blade with George Hamilton

 

Four Friends is a movie that I saw but have little to no recall of. The same goes for Continental Divide. The Muppet movie is self explanatory. 

 

History of the World Part 1 I rewatched fairly recently, and it's hit-and-miss. There are some genuinely funny bits, but some really awful bits, too. 

 

I recall enjoying Zorro: The Gay Blade but it's been 25+ years since I've seen it last. I recall George Hamilton being amusing.

 

Possession is a bizarre horror/psychological drama/allegory that is hard to describe. I would recommend it, but some viewers have been left stunned and disgusted, others confused, others bored and/or irritated. 

 

Christiane F. is a harrowing, ugly look at heroin addiction among German teens. It was heavily promoted as being a David Bowie movie, although he only appears in concert footage. The young girl in the starring role was very good. I still think it's the best movie depiction of heroin addiction, although the later Trainspotting was more fun. This movie is anything but.

 

My chief recommendation would be Southern Comfort. It's one of the few really solid films from director Walter Hill. A group of National Guardsmen go out on training maneuvers in the Louisiana bayou country, where they run afoul of the backwoods Cajun natives. It's a Vietnam allegory, but it's also a solidly acted action drama, with stand out performances from Keith Carradine, Fred Ward, Lewis Smith, TK Carter, Franklyn Seales and Brion James, along with the aforementioned Powers Boothe. It's also one of the best slow build action films of the decade, as the tension ratchets up throughout the film leading to a terrific final act staged during a Cajun gathering with great local music.

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From 1981 I have not seen:

 

Blind Chance

Coup de Torchon

Diva

Gregory's Girl

Improper Channels

Les Beaux Souvenirs

Les Plouffe

Mephisto

Modern Romance

Montenegro

My Dinner with Andre

Pixote

Prince of the City

Raggedy Man

Rich and Famous

Silence of the North

Threshold

Ticket to Heaven

The Woman Next Door

 

The great news is that you have some very good films to look forward to, Lawrence.  Coup de Torchon and Mephisto are both top notch.  I've seen Modern Romance six times.  Some of its scenes are indelible now.

vlcsnap-2015-09-04-16h11m05s203.png?w=10

Sidney Lumet's Prince of the City offers many great performances.  Jerry Orbach, Ron Karabatsos and Richard Foronjy were three actors I was not at all familiar with when I first saw the film.  As we know Orbach and Foronjy went on to well deserved acclaimed television careers.  I had the occasion to speak with the film editor Jack Fitzstephens shortly after the film came out.  He thought the film was too long.

image.jpgLes Plouffe is a Quebecois film by Gilles Carle.  It is based on a popular French-Canadian radio then televisions series about the Plouffe Family.  The equivalent in England would be the long running radio show called The Archers.  I caught this film in the theatre with English subtitles which was fortunate because the dvd version has none.  

o_silence-of-the-north-1981-widescreen-d

Ellen Burstyn was one of my choices for best actress in Silence of the North.  it was directed by Allan King who had made a name for himself in documentaries.  It is basically a woman against nature film.  As with lots of these Canadian films they did play on the now defunct MoviePix channel which was devoted to films from the 60's to the 80's but I didn't record any of them at the time.  i have since picked up a dvd copy from Australia.

donald-sutherland-jeff-goldblum-mare-winThreshold is a good Canadian film by American director Richard Pearce about the two doctors, Sutherland and Goldblum who team to create the first artificial heart.  Mare Winningham plays the transplant recipient.  It offers an interesting clinical approach to a very dramatic subject.  I obtained a dvd copy of this from the Netherlands.

0083201.jpg

Ticket to Heaven is a good Canadian film by R.L. (Ralph) Thomas.  He really should have made more.  It is about a young man played by Nick Mancuso who gets caught up in a cult.  Saul Rubinek and Robert Joy are also good.  My voice is in there somewhere.  I obtained a dvd copy of this one from Germany.  You can see the running theme here.  Canadian distribution companies come and go all too often and their films then get lost in limbo.

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Two great West German films are from 1981:

 

Mephisto is István Szábo's adaptation of a novel by Klaus Mann. It's based on real events in Germany during the 1930s. Klaus Maria Brandauer plays an impressive leading role as Hendrik Hoefgen, a stage actor whose favorite role is Mephisto in Goethe's Faust. He's constantly playing a role, whether it's on or off stage. When the Nazi Party comes into power in 1933 his friends are accused of cultural Bolshevism and leave the country, but he decides to stay. To further his career he develops a f'riendship with the prime minister of Prussia - based on Hermann Göhring. Can someone remain apolitical in an era of political conflict, or is he the one selling his soul?
 
mephisto_large.jpg
 
Lola is chronologically the third part of R. W. Fassbinder's BRD Trilogy, although is was released second. In 1957 Von Bohm (Armin Mueller-Stahl) becomes the new building commissioner in a West German town Coburg. He's a Mr. Clean in a city that thrives on corruption. Schukert (Mario Adorf) is in the habit of bribing officials for building permits. He uses nightclub singer Lola (Barbara Sukowa) in the hope to bring Von Bohm down. Lola reminded me of Marlene Dietrich in The Blue Angel. Fassbinder used coloured light to paint the characters: Green for the dollar-grabbing Schukert, blue for the rational Von Bohm and red for the seductive Lola.
 
350px-Lola_1981_Fassbinder_film_ekran_g%
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Best Actor: Fernando Ramos da Silva –Pixote

Best Actress: Isabelle Adjani –Possession

Best Supporting Actor: John Lithgow –Blow Out

Best Supporting Actress: Stephane Audran –Coup de Torchon

 

It's possible I undervalue Stapleton and Nicholson's work because I don't care much for Reds, a film that should have been radical but is ultimately just a sweeping historical very Hollywood romance.

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Comparing the Oscar winners with the poll, seventies version

 

Supporting Actress

 

Hayes, defeated 3-1  four way tie for 2nd

Leachman, winner 4-2

Heckart, no votes

O'Neal, defeated 2-1 for best Actress and Supporting Actress, five way tie for 2nd

Bergman, no votes

Grant, no votes

Straight, no votes

Redgrave, Tied 2-2

Smith, at best 1/2 a vote, for sixth place

Streep, Tied 2-2

 

Supporting Actor

 

Mills, 1, eight way tie for 1st

Johnson, 1, nine way tie for 1st

Grey, no votes

Houseman, no votes

De Niro, winner 4-2

Burns, no votes

Robards (1), defeated 2-1, five way tie for 2nd

Robards (2), no votes

Walker, winner 4-1

Douglas, no votes

 

Actress

 

Jackson (1), no votes

Fonda (1), 1, eight way tie for 1st

Minnelli, winner 5-1

Jackson (2), no votes

Brennan, 1, six way tie for 1st

Fletcher, defeated 4-3

Dunaway, tied 2-2

Keaton, tied 2-2

Fonda (2), defeated 2-1, four way tie for 2nd

Field, 1, six way for 1st

 

Actor

 

Scott, tied 2-2-2

Hackman, no votes

Brando, defeated 3-2-1, two way tie for 4th, winner Supporting 4-2

Lemmon, no votes

Carney, no votes

Nicholson, defeated 3-2, two way tied for 2nd

Finch, no votes, defeated 2-1. five way tied for 2nd

Dreyfuss, no votes

Voight, no votes

Hoffman, defeated 2-1, four way tie for 2nd

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You don't think the Hollywood Foreign Press would give Pia Zadora an acting award before seeing the actual movie, would you?

Do you suppose it was either/or? Either give Pia Zadora this award, or you have to see the movie!

 

I remember that when Kathleen Turner won a GG for Romancing the Stone, she mentioned in her acceptance that the first time she was nominated for a GG, she lost to Pia Zadora.

 

Best Actor: Fernando Ramos da Silva –Pixote

Best Actress: Isabelle Adjani –Possession

Best Supporting Actor: John Lithgow –Blow Out

Best Supporting Actress: Stephane Audran –Coup de Torchon

 

It's possible I undervalue Stapleton and Nicholson's work because I don't care much for Reds, a film that should have been radical but is ultimately just a sweeping historical very Hollywood romance.

Agreed, Kilgore. Until seeing Reds, I never knew that the Russian Revolution was only a plot device to bring Warren Beatty and Diane Keaton back together again. Maureen Stapleton's Emma Goldman seems to come from a much more interesting movie, however.

 

I actually wish that Reds had been made in the 1940s with John Garfield and Ida Lupino directed by, say, Jules Dassin.

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Do you suppose it was either/or? Either give Pia Zadora this award, or you have to see the movie!

 

 

The story goes that Pia Zadora's multi-millionaire husband lavished gifts upon the voting members of the Hollywood Foreign Press and that is how she won the newcomer of the year Golden Globe.   Becoming a member of the HFP was a bit dodgy to begin with.  There was no real checks to see if people were actually film critics for real publications.  The Golden Globes began with some interesting choices in the 1940's.  If you go back and look you will see some worthy performances here and there that Oscar just missed.  But by the 60's through the 80's it just became this bloated show biz extravaganza.  All of its members were on the take.  But I still find it interesting to look at the Globe's choices bearing in mind the scamming that lays underneath it all.

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One thing most screenwriters want to avoid is a film with nothing but talking heads. My Dinner with Andre violates this principle. Almost the whole film consists of two men talking at a table. Andre Gregory and Wallace Shawn play themselves having a discussion in a restaurant about experimental theatre. Andre has been leading a company abroad. According to him there should be no difference between life and art. Reality becomes theatre and theatre becomes reality. It's very static, but the dialogue still makes it worth watching... or listening to.

 

mydinnerwithandre-01.jpg

 

The Aviator's Wife (La Femme de l'Aviateur) is the first of a group of six films by Éric Rohmer, collectively known as Comedies & Proverbs. This one opens with the proverb, "It's impossible to think about nothing." It takes place in an everyday environment: a residential era and a park in Paris. François (Philippe Marlaud) creates his own little adventure by shadowing his fiancee's ex - a pilot. A girl he meets on a bus (Anne-Laure Meury) starts following him out of curiosity, so the watcher becomes the watched. A small scale film with well-written characters can be more intriguing than an epic full of special effects.

 

18435326.jpg

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Before we hit 1982 I would like to mention that I am going with 1982 for Martin Scorsese’’s The King of Comedy.  For the longest time it was considered a 1983 film then it was revealed that is was released in December 1982 in Iceland which is a country the last time I checked. 

I am also going with 1982 for Ryszard Bugajski’s Interrogation.  This is another Polish film that was banned for many years.  It was completed in 1982 but did not have a real release until 1990.  As I said last week when a film’s release is delayed by many years because of a political ban I prefer to use its completion date for the purposes of comparison with other films.

Also 1982 for The Year of Living Dangerously.  It was released in Australia in December.

Edited by Bogie56
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I am surprised Bo Derek hasn't made this thread for the revised Tarzan the Ape Man.

 

All joking aside, should Harrison Ford be considered for Raiders of the Lost Ark? He was rather wooden in his talk, but he did have to do SOME of his own stunts. Maybe not all.

 

Also John Cleese had the best guest appearance in The Great Muppet Caper.

 

 

 

 

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All joking aside, should Harrison Ford be considered for Raiders of the Lost Ark? He was rather wooden in his talk, but he did have to do SOME of his own stunts. Maybe not all.

 

 

He was my 1st runner-up for Best Actor. I didn't think he was wooden at all, in fact I thought he did a great job of balancing old-fashioned movie heroics with tongue firmly in cheek and a nice comedic flair. But to each his own.

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Before we hit 1982 I would like to mention that I am going with 1982 for Martin Scorsese’’s The King of Comedy.  For the longest time it was considered a 1983 film then it was revealed that is was released in December 1982 in Iceland which is a country the last time I checked. 

 

 

I still think the Icelandic release date for KOC is an example of Wikipedia fake news.  I still don't see why the movie would be released in a market as small as Iceland, given that it is an offsetting black comedy whose virtues were not appreciated at the time.  Nor does the source Wikipedia cites look like a proper movie ad.

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He was my 1st runner-up for Best Actor. I didn't think he was wooden at all, in fact I thought he did a great job of balancing old-fashioned movie heroics with tongue firmly in cheek and a nice comedic flair. But to each his own.

Burt Lancaster, a nominee that year for Atlantic City, praised Harrison Ford in Raiders of the Lost Ark. When Harrison was nominated for Witness, Burt said "...too bad he had to go serious."

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