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The Boston Society of Film Critics Awards for 1987 were…

 

Best Actor

Albert Brooks, Broadcast News*

 

Best Actress

Holly Hunter, Broadcast News*

 

Best Supporting Actor

R. Lee Ermey, Full Metal Jacket*

 

Best Supporting Actress

Kathy Baker, Street Smart*

 

——————————————————————————————

 

The National Board of Review Awards for 1987 were…

 

Best Actor

Michael Douglas, Wall Street*

 

Best Actresses

Lillian Gish, The Whales of August*

Holly Hunter, Broadcast News*

 

Best Supporting Actor

Sean Connery, The Untouchables*

 

Best Supporting Actress

Olympia Dukakis, Moonstruck*

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The Boston Society of Film Critics Awards for 1987 were…

 

Best Actor

Albert Brooks, Broadcast News*

 

Best Actress

Holly Hunter, Broadcast News*

 

Best Supporting Actor

R. Lee Ermey, Full Metal Jacket*

 

Best Supporting Actress

Kathy Baker, Street Smart*

 

——————————————————————————————

 

The National Board of Review Awards for 1987 were…

 

Best Actor

Michael Douglas, Wall Street*

 

Best Actresses

Lillian Gish, The Whales of August*

Holly Hunter, Broadcast News*

 

Best Supporting Actor

Sean Connery, The Untouchables*

 

Best Supporting Actress

Olympia Dukakis, Moonlight*

 

I think you mean Moonstruck. Unless you were sending up the Oscars.

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The National Society of Film Critics Awards for 1987 were …

 

Best Actor

Steve Martin, Roxanne*

Albert Brooks, Broadcast News

Terry O’Quinn, The Stepfather

 

Best Actress

Emily Lloyd, Wish You Were Here*

Diane Keaton, Baby Boom

Holly Hunter, Broadcast News and Raising Arizona

 

Best Supporting Actor

Morgan Freeman, Street Smart*

Sean Connery, The Untouchables

Albert Brooks, Broadcast News

 

Best Supporting Actresses

Kathy Baker, Street Smart*

Vanessa Redgrave, Prick Up Your Ears

Anjelica Huston, The Dead

 

Here we see the National Society of Film Critics are split on whether Albert Brooks’ performance in Broadcast News was a lead or supporting.

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The BAFTA Awards for 1987 were ….

 

Best Actor

Sean Connery, The Name of the Rose* (86)

Gerard Depardieu, Jean de Florette (86)

Gary Oldman, Prick Up Your Ears

 

Best Actress

Anne Bancroft, 84 Charing Cross Road*

Sarah Miles, Hope and Glory

Julie Walters, Personal Services

Emily Lloyd, Wish You Were Here

 

Best Supporting Actor

Daniel Auteuil, Jeanne de Florette* (86)

John Thaw, Cry Freedom

Ian Bannen, Hope and Glory

Sean Connery, The Untouchables

 

Best Supporting Actress

Susan Wooldrige, Hope and Glory*

Judi Dench, 84 Charing Cross Road

Vanessa Redgrave, Prick Up Your Ears

Dianne Wiest, Radio Days

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Best Actor of 1987

 

1.  MICKEY ROURKE (Henry Chinaski), Barfly

 

1243092616948_f.jpg

"To all my friends!"

A friend of mine who worked on the shoot of Barfly attributed a great deal of the characterizations of Mickey Rourke and Faye Dunaway to the director, Barbet Schroeder.  Many characters start with the look.  Apparently Rourke's initial take on the character was hawaiian shirts and funky sunglasses.  Schroeder's vision was quite different and he insisted that Dunaway's hair be unwashed and unkempt.  I'm sure that once the look was achieved it was much easier for the actors to find the character.

primary_EB19870210PEOPLE812229998AR.jpg

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The Independent Spirit Awards for 1987 were …

 

Best Actor

Dennis Quaid, The Big Easy*  

Spalding Gray, Swimming to Cambodia

Terry O’Quinn, The Stepfather

Mickey Rourke, Barfly

James Woods, Best Seller

 

Best Actress

Sally Kirkland, Anna*

Lillian Gish, The Whales of August

Louise Smith, Working Girls (86)

Debra Stipe, Tough Guys Don’t Dance

Joanne Woodward, The Glass Menagerie

 

Best Supporting Actor

Morgan Freeman, Street Smart*

David Strathairn, Matewan

Wings Hauser, Tough Guys Don’t Dance

James Earl Jones, Matewan

Vincent Price, The Whales of August

 

Best Supporting Actress

Anjelica Huston, The Dead*

Karen Allen, The Glass Menagerie

Kathy Baker, Street Smart

Martha Plimpton, Shy People

Ann Sothern, The Whales of August

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Here are Danny Peary’s Alternate Oscar choices for 1987.  Winners in bold.  

 

Best Actor

Joe Mantegna, House of Games*

Christian Bale, Empire of the Sun

Nicolas Cage, Raising Arizona

Danny DeVito, Tin Men

Michael Douglas, Wall Street

Jack Nicholson, Ironweed

Terry O’Quinn, The Stepfather

Lou Diamond Phillips, La Bamba

Donald Sutherland, Wolf at the Door (86)

 

Best Actress

Meryl Streep, Ironweed*

Glenn Close, Fatal Attraction

Lindsay Crouse, House of Games

Holly Hunter, Broadcast News

Holly Hunter, Raising Arizona

Anjelica Huston, The Dead

Sally Kirkland, Anna

Christine Lahti, Housekeeping

Emily Lloyd, Wish You Were Here

 

 

And here are Michael Gerbert’s Golden Armchair choices for 1987:

 

Best Actor

Michael Douglas Wall Street*

 

Best Actress

Anjelica Huston, The Dead*

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The Golden Globe Awards for 1987 were …

 

Best Actor in a Drama

Michael Douglas, Wall Street*

John Lone, The Last Emperor

Jack Nicholson, Ironweed

Nick Nolte, Weeds

Denzel Washington, Cry Freedom

 

Best Actress in a Drama

Sally Kirkland, Anna* 

Glenn Close, Fatal Attraction

Faye Dunaway, Barfly

Rachel Chagall, Gaby: A True Story

Barbra Streisand, Nuts

 

Best Actor in a Comedy or Musical

Robin Williams, Good Morning, Vietnam*

Nicolas Cage, Moonstruck

Danny DeVito, Throw Momma From the Train

William Hurt, Broadcast News

Steve Martin, Roxanne

Patrick Swayze, Dirty Dancing

 

Best Actresses in a Comedy or Musical

Cher, Moonstruck*

Jennifer Gray, Dirty Dancing

Holly Hunter, Broadcast News

Diane Keaton, Baby Boom

Bette Midler, Outrageous Fortune

 

Best Supporting Actor

Sean Connery, The Untouchables*

Richard Dreyfuss, Nuts

R. Lee Ermey, Full Metal Jacket

Morgan Freeman, Street Smart

Rob Lowe, Square Dance

 

Best Supporting Actress

Olympia Dukakis, Moonstruck*

Norma Aleandro, Gaby: A True Story

Anne Archer, Fatal Attraction

Anne Ramsay, Throw Momma From the Train

Vanessa Redgrave, Prick Up Your Ears

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The Princess Bride is extraordinarily quotable:

 

Vizzini: You only think I guessed wrong! That's what's so funny! I switched glasses when your back was turned! Ha ha, you fool! You fell victim to one of the classic blunders! The most famous of which is "never get involved in a land war in Asia," but only slightly less well-known is this: "Never go in against a Sicilian when DEATH is on the line!"  

 

Vizzini: He didn't fall?! Inconceivable!

Inigo: You keep using that word. I do not think it means what you think it means.  

 

Inigo: HELLO! MY NAME IS INIGO MONTOYA! YOU KILLED MY FATHER! PREPARE TO DIE! [corners Count Rugen, knocks his sword aside, and slashes his cheek, giving him a scar identical to Inigo's] Offer me money. Count Rugen: Yes!

Inigo: Power, too, promise me that. [He slashes his other cheek]

Count Rugen: All that I have and more. Please.

Inigo: Offer me everything I ask for.

Count Rugen: Anything you want... [Rugen knocks Inigo's sword aside and lunges, but gets his arm caught by Inigo, who stabs his sword into Rugen's stomach]

Inigo: [coldly] I want my father back, you son of a ****.      

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Inner Space

 

I'm possessed!

 

Much of Full Metal Jacket isn't quotable.  But there is this:

 

 

Private Joker: How can you shoot women or children?

 

Door Gunner: Easy! Ya just don't lead 'em so much!

 

Angel Heart

 

They say there's just enough religion in the world to make men hate one another, but not enough to make them love.

 

I know who I am!

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City on Fire, not to be confused with the dreadful 1979 disaster movie, is a Hong Kong crime drama directed by Ringo Lam that stars Chow Yun-fat as a police officer who goes undercover to infiltrate a gang of violent jewel thieves led by Danny Lee. As in many undercover cop movies, Chow's character starts to sympathize and understand the thieves and begins to feel a sense of remorse over betraying them, although you know he will, because they are really bad guys. Chow is as charismatic a screen presence as he was in the previous year's A Better Tomorrow, and this further cemented his status as one of the biggest stars in Asia.

 

The film has gone on to notoriety for other reasons, though, as it's the film that Quentin Tarantino has been accused of plagiarizing for his film debut Reservoir Dogs. There are similarities, with both featuring undercover policemen trying to stop a gang of thieves, a jewel heist gone violently wrong, a lot of screaming at each other from the gang members, and scenes with the cast pointing guns at each other. But they are really two distinct films. I think it's possible that Tarantino watched City on Fire and liked one section of it, wondered what an entire film based on that one part could be, and wrote Reservoir Dogs. But there's more to City on Fire than just the stand-off, and I hope others interested in the genre will check it out. 

 

 

OB-WT473_LAU032_H_20130320041514.jpg

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The 1987 Berlin International Film Festival winners were…

 

Best Actor

Gian Maria Volonte, The Moro Affair* (86)

 

Best Actress

Anna Beatriz, Vera* (86)

 

——————————————————————————————

 

The 1987 Cannes Film Festival winners were…

 

Best Actor

Marcello Mastroianni, Dark Eyes*

 

Best Actress

Barbara Hershey, Shy People*

 
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Best Supporting Actor of 1987

 

7.  RICHARD GRIFFITHS (Montague “Monty” H. Withnail), Withnail and I

 

27890.jpg

"I mean to have you even if it must be burglary"

Richard Griffiths' (1947-2013) Uncle Monty in Withnail and I has achieved cult status - at least in Great Britain.  People would stop Richard in the street and recite passages of dialogue from the film to him.  Monty is an overtly gay establishment queen who takes great interest in his nephew's friend, Paul McGann.  He is the perfect foil for the two self-destructive reprobates.   On the BBC Radio show, Desert Island Discs, Richard mentioned that as scripted he was supposed to appear nude in one scene where he was making advances to McGann.  He told the director that with his body that would be asking too much of the audience so instead he came up with the idea of wearing a dressing gown then back to the camera would flash McGann who's horrified look would tell the audience everything that they needed to know.

When I watched a few clips on youtube I noticed that Richard may have been channeling a bit of Terry-Thomas with some of his elastic mouth movements.

I met with Richard a few months before he passed away and told him how much I enjoyed his Uncle Monty.  He said, "Ah Monty ... a man of great integrity."  I was too shy to press him on that to explain what he meant.

TCM is showing Withnail on June 21.

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Richard Griffiths' (1947-2013) Uncle Monty in Withnail and I has achieved cult status - at least in Great Britain.  People would stop Richard in the street and recite passages of dialogue from the film to him.  Monty is an overtly gay establishment queen who takes great interest in his nephew's friend, Paul McGann.  He is the perfect foil for the two self-destructive reprobates.   On the BBC Radio show, Desert Island Discs, Richard mentioned that as scripted he was supposed to appear nude in one scene where he was making advances to McGann.  He told the director that with his body that would be asking too much of the audience so instead he came up with the idea of wearing a dressing gown then back to the camera would flash McGann who's horrified look would tell the audience everything that they needed to know.

When I watched a few clips on youtube I noticed that Richard may have been channeling a bit of Terry-Thomas with some of his elastic mouth movements.

I met with Richard a few months before he passed away and told him how much I enjoyed his Uncle Monty.  He said, "Ah Monty ... a man of great integrity."  I was too shy to press him on that to explain what he meant.

TCM is showing Withnail on June 21.

 

I saw Richard on stage many times, from his days with the RSC (as Bottom in A Midsummer Night's Dream; as the King of Navarre in Love's Labour's Lost; and as George Lewis in Once in a Lifetime); and, later in his career, as Captain Shotover in Heartbreak House and as Hector in The History Boys. I once sat next to him at the Almeida Theatre, but I never had the pleasure of meeting him, though I have met his agent. Just this week, I had to look at a video of an interview with Richard for a project I'm working on. His erudition matched his greatness as an actor.

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I saw Richard on stage many times, from his days with the RSC (as Bottom in A Midsummer Night's Dream; as the King of Navarre in Love's Labour's Lost; and as George Lewis in Once in a Lifetime); and, later in his career, as Captain Shotover in Heartbreak House and as Hector in The History Boys. I once sat next to him at the Almeida Theatre, but I never had the pleasure of meeting him, though I have met his agent. Just this week, I had to look at a video of an interview with Richard for a project I'm working on. His erudition matched his greatness as an actor.

 

I saw Richard on stage in the Strand with Danny DeVito in a revival of The Sunshine Boys just a week after working with him - again.  Sadly, it was to be his last stage role.

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The 1987 Venice Film Festival winners were:

 

Best Actors

Hugh Grant and James Wilby, Maurice*

Bernard Giraudeau, L’Homme Volle*

Gian Maria Volonte, A Boy From Calabria*

 

Best Actresses

Soo-yeong Kang, Surrogate Mother*

Kelly McGillis, Made In Heaven*

Melita Jurisic, The Tale of Ruby Rose*

 

—————————————————————————————————

 

The 1987 San Sebastian Film Festival winners were…

 

Best Actor

Imanol Arias, El Lute: Run for Your Life*

 

Best Actress

Victoria Abril, El Lute: Run for Your Life*

 

——————————————————————————————

 

The 1987 Moscow International Film Festival winners were …

 

Best Actor

Anthony Hopkins, 84 Charing Cross Road*

 

Best Actress

Dorottya Udvaros, Love, Mother*

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Here's a bit about a few of my nominees:

 

Robocop is a darkly hilarious science fiction satire about a near-future America where we begin privatizing police work to massive corporations. Among the cutthroat executives at Omni Consumer Products (OCP), it's survival of the fittest, and landing the lucrative contract to take over the Detroit Police Department is a sure shot up the corporate ladder. Bob Morton (Miguel Ferrer) fosters the RoboCop program, where a clinically dead policeman is brought back to life as a cybernetic superman, more machine than human, and under the complete control of OCP. Ferrer plays the weasley Morton to perfection, a coke-snorting, shark-suited sleaze who doesn't care who he hurts to come out on top. Unfortunately for Morton, another OCP executive, Dick Jones (Ronny Cox), is even more underhanded. Jones keeps criminal gang leader Clarence Boddicker (Kurtwood Smith) on his payroll, and Boddicker has no qualms with murdering cops or anyone else in his way. Those most familiar with Smith from his long-running TV role on That 70's Show will see a whole different side to him here, as he shoots and curses his away across the screen. He and Ferrer shared a single scene together that was memorable enough to generate a popular internet meme a few years ago, but it's too profane to repeat here!

 

Here they both are on a foreign poster from the film:

robocop.jpg

 

 

Hellraiser is based on author Clive Barker's novella "The Hellbound Heart", and it concerns an ornate puzzle box that, when opened, summons a cadre of hellish creatures known as the Cenobites who proceed to torture and kill the summoner. Barker directed this film version, and the stand-out performance to my mind is Claire Higgins as Julia Cotton, the second wife of Larry Cotton (Andrew Robinson). She's miserable and unhappy with the responsible yet dull Larry, and she reminisces on the affair she had with Larry's reprobate brother Frank (Sean Chapman). She learns that the long-missing Frank was actually killed in their house, and through a series of events, has recently been resurrected in their attic, although in a gruesome, incomplete form. Frank tells Julia that the only way he can be made whole again is through regular infusions of blood, and so Julia begins luring unsuspecting men home to become victims of Frank's vampiric thirst. Julia is unquestionably a villain in the film, but the character is presented with enough nuance and deftness of presentation that she ends up the most fully-fleshed character in the film.

 

persimg12642.jpg

 

 

A Chinese Ghost Story is a wild horror/romance/action/fantasy/comedy...in other words, a unique blend of many genres. Leslie Cheung stars as a debt collector who travels to remote areas of the country to complete his jobs. On one such trip he runs into a beautiful young woman (Joey Wong), and the two fall in love, even if they both seem uneasy. She disappears the next day, and Cheung realizes she must be a ghost. She, in fact, is a ghost, and under the cruel control of a Tree Demon (Lau Siu-ming). Cheung seeks out legendary ghost hunter Yin (Wu Ma) to help defeat the Tree Demon and set Wong free. Ma was a screen legend in Hong Kong by this time, having appeared in films since the mid-1960's. This is perhaps his most famous role in the West, and he's funny and appealing. He made over 200 movies in his career before passing away in 2014 at the age of 71.

 

ChineseGhostStory-WuMa_6f58d03e85b276338

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Here are some performances from 1987 that will be recognized in subsequent years …

 

Max von Sydow will be nominated for the Best Actor Oscar and the National Society of Film Critics Best Actor Award in 1988 for Pelle the Conqueror (1987).

 

Alec Guinness will win the Los Angeles Film Critics Best Supporting Actor Award and be nominated for the Best Supporting Actor Oscar, the Golden Globe, the New York Film Critics and the National Society of Film Critics Best Supporting Actor Award in 1988 for Little Dorrit (1987).

 

Miriam Margoyles will be nominated for the Los Angeles Film Critics Best Supporting Actress Award in 1988 for Little Dorrit (1987).

 

Judy Davis will win the National Society of Film Critics Best Actress Award in 1988 for High Tide (1987).

 

Michael Douglas will be nominated for the BAFTA Best Actor Award in 1988 for Fatal Attraction (1987).

 

Robin Williams will be nominated for the BAFTA Best Actor Award in 1988 for Good Morning, Vietnam (1987).

 

Maggie Smith will win the BAFTA Best Actress Award in 1988 for The Lonely Passion of Judith Hearne (1987).

 

Stephane Audran will be nominated for the BAFTA Best Actress Award in 1988 for Babette’s Feast (1987).

 

Cher will be nominated for the BAFTA Best Actress Award in 1988 for Moonstruck (1987).

 

Peter O’Toole will be nominated for the BAFTA Best Supporting Actor Award in 1988 for The Last Emperor (1987).

 

Joss Ackland will be nominated for the BAFTA Best Supporting Actor Award in 1988 for White Mischief (1987).

 

Anne Archer will be nominated for the BAFTA Best Supporting Actress Award in 1988 for Fatal Attraction (1987).

 

Olympia Dukakis will be nominated for the BAFTA Best Supporting Actress Award in 1988 for Moonstruck (1987).

 

Jodie Foster will win the Independent Spirit Best Actress Award in 1988 for Five Corners (1987).

 

Meg Ryan will be nominated for the Independent Spirit Best Actress Award in 1988 for Promised Land (1987).

 

John Turturro will be nominated for the Independent Spirit Best Supporting Actor Award in 1988 for Five Corners (1987).

 

Holly Hunter will win the Berlin Film Festival Best Actress Award in 1988 for Broadcast News (1987).

 

Fanny Ardant won Italy’s Nastro d’Argento Best Foreign Actress Award in 86/87  for The Family (1987).

 

Ottavia Piccolo won Italy’s Nastro d’Argento Best Supporting Actress Award in 86/87  for The Family (1987).

 

Vittorio Gassman won Italy’s David di Donatello Best Actor Award in 86/87 for The Family (1987).

 

Liv Ullmann won Italy’s David di Donatello Best Actress Award in 86/87 for Farewell Moscow (1987).

 

Lina Sastri won Italy’s David di Donatello Best Actress Award in 86/87 for The Inquiry (1987).

 

Gordon Pinsent won Canada’s Genie Best Actor Award in 1986 for John and the Missus (1987).

 

Judy Davis won the Australian Film Institute’s Best Actress Award in 1986 for Kangaroo (1987).

 

Tina Bursill will win the Australian Film Institute’s Best Supporting Actress Award in 1988 for Jilted (1987).

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I want to say more about my 1986 Best Actor choice, Erland Josephson in The Sacrifice.  The last of Tarkovsky's seven movies, it gains special weight since Tarkovsky died shortly after it was completed.  (Apparently Tarkovsky didn't know he was dying until after it was completed.)  Two of his movies are based on science fiction novels.  His first movie is a war movie, and the fourth is a portrait of his childhood which could be described as The Tree of Life for those who thought The Tree of Life was too audience friendly.  That leaves three movies:  Andrei Rublev, Nostalghia, and The Sacrifice.  At the climax of each movie is an act of faith, done with stunning long takes and tracking shots.  In the first Nikolai Burlyayev must craft a giant church bell, which he does even though it is revealed he does not actually know how to do it.  In the second Oleg Yankovsky must carry a lighted candle back and forth an empty pool to save the world.  And in the third Erland Josephson burns down his entire house after successfully getting God to save the world from a nuclear holocaust.

 

Andrei%2BRublev%2B17.jpg

 

Wigon-12.jpg

 

tarkovsky-the-sacrifice.jpeg

 

It is very easy to imagine such a gesture falling flat.  One reason it doesn't is the stringency and integrity of Tarkovsky's style.  A second reason is that one feels the whole weight of Russian history is behind these measures.  One reason why Nostalghia works and On the Beach, for example, does not is that the experience of total war is so much more real for Tarkovsky than it is for Americans (let alone Stanley Kramer).  And third, the metaphors are larger than and do not require religious belief.  Burlyayev's acts, for example, is not simply an example of faith in a horrible world.  It shows the creativity of ordinary, indeed working people, in an atmosphere more likely to crush him.  This is a metaphor obviously relevant to 20th century Russia but not only there.

 

sacrifice-2.jpg

 

Which leads us to Josephson's performance.  What does he provide to the table.  Having rewatched it earlier today one sees his considerable intelligence, the way he talks about ordinary matters in his character's life, as well as more complex serious issues.  He discusses these with dignity, calmly and reasonably.  It's not that he's not emotional or sympathetic, it's that he doesn't make any obvious play to our sympathies.  So when, halfway through the movie, he begs God to save the world and is willing to give everything up to do it,  This is not an easy thing to do, but one cannot doubt his good faith in doing so.

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France’s Cesar Awards for 1987 were …

 

Best Actor

Richard Bohringer, The Grand Highway 

 

Best Actress

Anemone, The Grand Highway

 

Best Supporting Actor

Jeanne-Claude Brialy, Les Innocents

 

Best Supporting Actress

Dominique Lavanant, Agent Trouble

 

—————————————————————————————

 

Sweden’s Guldbagge Awards for 1987 were…

 

Best Actor

Max von Sydow, Pelle the Conqueror

 

Best Actress

Lene Brondum, Hip Hip Hurrah!

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Italy’s 86/87 Nastro d’Argento Film Awards for 1987 included …

 

Best Foreign Actress

Fanny Ardant, The Family

 

Italy’s 87/88 Nastro d’Argento Film Awards for 1987 were …

 

Best Actor

Marcello Mastroianni, Dark Eyes

 

Best Foreign Actor

Michael Douglas, Wall Street

 

Best Actress

Ornella Muti,  Me and My Sister

 

Best Foreign Actress

Cher,  Moonstruck

 

Best Supporting Actor

Enzo Cannavale, December 32 (88)

 

Best Supporting Actress

Elena Sofia Ricci, Me and My Sister

 

——————————————————————————————

 

Italy’s 86/87 David di Donatello Awards for 1987 included …

 

Best Actor

Vittorio Gassman, The Family

 

Best Actress

Liv Ullmann, Farewell Moscow

 

Best Supporting Actress

Lina Sastri, The Inquiry

 

Italy’s 87/88 David di Donatello Awards for 1987 were …

 

Best Actor

Marcello Mastroianni, Dark Eyes

 

Best Foreign Actor

Michael Douglas, Wall Street

 

Best Actress

Elena Safonova,  Dark Eyes

 

Best Foreign Actress

Cher,  Moonstruck

 

Best Supporting Actor

Peter O’Toole, The Last Emperor

 

Best Supporting Actress

Elena Sofia Ricci, Me and My Sister

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The Canadian Genie Awards for 1987 were …

 

Best Actor

Roger Lebel, Un Zoo la Nuit*

 

Best Actress

Sheila McCarthy, I’ve Heard the Mermaids Singing*

 

Best Supporting Actor

Germain Houde, Un Zoo la Nuit*

 

Best Supporting Actress

Paule Baillargeon, I’ve Heard the Mermaids Singing*

 

——————————————————————————————

 

The Australian Film Institute Awards for 1987 were …

 

Best Actor

Leo McKern, Travelling North*

 

Best Actress

Judy Davis, High Tide* 

 

Best Supporting Actor

Ben Mendelsohn, The Year My Voice Broke*

 

Best Supporting Actresses

Jan Adele, High Tide*

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