kingrat Posted June 18, 2016 Share Posted June 18, 2016 Bogie, does Gun Crazy count as 1949 or 1950? Link to comment Share on other sites More sharing options...
Bogie56 Posted June 19, 2016 Author Share Posted June 19, 2016 Bogie, does Gun Crazy count as 1949 or 1950? Very good catch, kingrat. I originally had it as 1949 mainly based on Leonard Maltin and the copyright on an old video box. I think Peary probably took the year from that too. But he didn't have the benefit of the imdb and wikipedia which have an actual release date of January 20, 1950. So, who is to argue with that one. 1950 it is. 1 Link to comment Share on other sites More sharing options...
Bogie56 Posted June 19, 2016 Author Share Posted June 19, 2016 The Golden Globe Awards for 1949 were … Best Actor Broderick Crawford, All the King’s Men* Richard Todd, The Hasty Heart Best Actress Olivia de Havilland, The Heiress* Deborah Kerr, Edward, My Son Best Supporting Actor James Whitmore, Battleground* David Brian, Intruder In the Dust Best Supporting Actress Mercedes McCambridge, All the King’s Men* Miriam Hopkins, The Heiress —————————————————————————————— The National Board of Review Awards for 1949 were… Best Actor Ralph Richardson, The Fallen Idol (48) and The Heiress. Best Actress (none awarded) Link to comment Share on other sites More sharing options...
Bogie56 Posted June 19, 2016 Author Share Posted June 19, 2016 Here are my choices of the 84 films I've seen from 1949 for… Best Supporting Actor of 1949 1. ALEC GUINNESS (the D'Ascoyne Family: “the Duke” - Duke D’Ascoyne/”the Banker” - Ascoyne D’Ascoyne Sr./”the Parson” - Reverend Lord Henry D’Ascoyne/”the General” - General Lord Rufus D’Ascoyne/”the Admiral” - Admiral Lord Horatio D’Ascoyne/”young Ascoyne D’Ascoyne” - Ascoyne D’Ascoyne Jr./”young Henry” - Henry D’Ascoyne/”Lady Agatha” - Lady Agatha D’Ascoyne), Kind Hearts and Coronets 2. RALPH RICHARDSON (Dr. Austin Sloper), The Heiress 3. ORSON WELLES (Harry Lime), The Third Man 4. DEAN JAGGER (Major Harvey Stovall), Twelve O'Clock High 5. ARTHUR KENNEDY (Connie Kelly), Champion 6. TREVOR HOWARD (Major Calloway/”Callahan”), The Third Man 7. GENE LOCKHART (‘the Mayor”), The Inspector General 8. CLAUDE RAINS (Howard Justin), The Passionate Friends 9. TOM EWELL (Warren Francis Attinger), Adam's Rib 10. WALTER SLEZAK (Yakov), The Inspector General and ... GEORGE TOBIAS (Tiny), The Set-Up RALPH DUMKE (“Tiny” Duffy), All the King’s Men FINLAY CURRIE (Uncle Jim), The History of Mr. Polly MERVYN JOHNS (Harry Sempkin), Edward, My Son WALLACE FORD (Gus), The Set-Up RONALD SQUIRE (Oscar Cresswell), The Rocking Horse Winner BASIL RUYSDAEL (Judge Walker), Pinky BERNARD LEE (Sgt. Paine), The Third Man JAMES WHITMORE (Sgt. 1st Class, Kinnie), Battleground 4 Link to comment Share on other sites More sharing options...
CoraSmith Posted June 20, 2016 Share Posted June 20, 2016 Olivia de Havilland, who starred in The Heiress in 1949, is going to turn 100 on July 1st. It's not given to many to reach that age in good health. Congratulations to her! 5 Link to comment Share on other sites More sharing options...
Bogie56 Posted June 20, 2016 Author Share Posted June 20, 2016 The 1949 Venice Film Festival winners were: Best Actor Joseph Cotten, Portrait of Jennie (48) Best Actress Olivia de Havilland, The Snake Pit (48) ————————————————————————————————— The Cannes Film Festival Awards for 1949 were… Best Actor Edward G. Robinson, House of Strangers Best Actress Isa Miranda, The Walls of Malapagna 1 Link to comment Share on other sites More sharing options...
Bogie56 Posted June 20, 2016 Author Share Posted June 20, 2016 Here are my choices of the 84 films I've seen from 1949 for… Best Actress of 1949 1. OLIVIA DE HAVILLAND (Catherine Sloper), The Heiress 2. EDITH EVANS (Merri), The Last Days of Dolwyn 3. JENNIFER JONES (Emma Ruhr Bovary), Madame Bovary 4. ANN SOTHERN (Rita Phipps), A Letter to Three Wives 5. KATHARINE HEPBURN (Amanda “Pinkie” Bonner), Adam's Rib 6. ANN TODD (Mary Justin), The Passionate Friends 7. BARBARA BEL GEDDES (Leonora Eames), Caught 8. LINDA DARNELL (Lora May Finney Hollingsway), A Letter to Three Wives 9. SUSAN HAYWARD (Eloise Winters), My Foolish Heart 10. JEANNE CRAIN (Deborah Bishop), A Letter to Three Wives and ... ALIDA VALLI (Anna Schmidt/”Anna Smith”), The Third Man JEANNE CRAIN (Patricia “Pinky” Johnson), Pinky LORETTA YOUNG (Sister Margaret), Come to the Stable PATRICIA NEAL (Sister Margaret Parker), The Hasty Heart 4 Link to comment Share on other sites More sharing options...
kingrat Posted June 21, 2016 Share Posted June 21, 2016 The 1949 Venice Film Festival chose Henri-Georges Clouzot's Manon as best film. It is now little known, but when I saw this recently I was simply blown away. It's the missing link between Le Corbeau (1943) and The Wages of Fear (1953). The classic French novel has been updated to the immediate post-war period; Robert (Michel Auclair) first meets Manon (Cecile Aubry) when the local villagers are about to shave her head for fraternizing with the Nazis, and we are actually introduced to the pair when they are discovered aboard a ship that is illegally transporting Jewish refugees to Palestine. Cecile Aubry is young, blonde, petite, flat-chested, the kind of young woman most men would feel protective toward, not looking at all like the kind of woman a man needs protection from. Had she been the right age at the time Lolita and Baby Doll were made, Cecile Aubry would have been perfect for the parts. Hypocritical villagers, desertion from the army, a thriving black market and prostitution business, this is the background against which the love affair between Robert and Manon plays itself out. Serge Reggiani, who gets top billing, is outstanding in the supporting role of Manon's venal playboy brother who is raking in the dough on the black market. Gabrielle Dorziat is a hoot as the snooty madam of an upscale bordello. If this sounds like film noir, even darker than almost all Hollywood noirs, that is correct, and Clouzot has saved a sucker punch, darker still, for the climax of the story, along with an unforgettable final image of Manon. It's time for Criterion to bring out an edition of Manon, which is at least the equal of all the Clouzot films I've seen but the incomparable Wages of Fear. 2 Link to comment Share on other sites More sharing options...
LawrenceA Posted June 21, 2016 Share Posted June 21, 2016 Thanks for the write-up on Manon, king. I wasn't really familiar with it at all until you listed it among your picks. Link to comment Share on other sites More sharing options...
Bogie56 Posted June 21, 2016 Author Share Posted June 21, 2016 Japan’s Mainichi Awards for 1949 were … Best Actor Takashi Shimura, Stray Dog and The Quiet Duel Best Actress Setsuko Hara, Late Spring and The Green Mountains and Here’s to the Girls Best Supporting Actress Michiyo Kogure, The Green Mountains 3 Link to comment Share on other sites More sharing options...
Bogie56 Posted June 21, 2016 Author Share Posted June 21, 2016 Here are my choices of the 84 films I've seen from 1949 for… Best Actor of 1949 1. BRODERICK CRAWFORD (Willie Stark), All the King's Men 2. KIRK DOUGLAS (Midge Kelly), Champion 3. GREGORY PECK (General Frank Savage), Twelve O'Clock High 4. SPENCER TRACY (Adam “Pinky” Bonner), Adam's Rib 5. JOHN WAYNE (Sgt. John M. Stryker), Sands of Iwo Jima 6. JOSEPH COTTEN (Holly Martins), The Third Man 7. JAMES EDWARDS (Private Peter Moss), Home of the Brave 8. JACQUES TATI (Francois), Jour de Fete 9. JOHN MILLS (Alfred Polly), The History of Mr. Polly 10. ROBERT RYAN (Bill "Stoker" Thompson), The Set-Up and... MONTGOMERY CLIFT (Morris Townsend), The Heiress DANNY KAYE (Georgi), The Inspector General DAVID FARRAR (Sammy Rice), The Small Back Room JOHN IRELAND (Jack Burden), All the King's Men DENNIS PRICE (Louis D'Ascoyne Mazzini, 10th Duke of Chalfont/”Septimus Wilkinson, Bishop of Matibiland”), Kind Hearts and Coronets ALAN LADD (Jay Gatsby/"Jimmy Gatts"), The Great Gatsby TREVOR HOWARD (Stephen Stratton), The Passionate Friends CARY GRANT (Captain Henri Rochard, French Economic Mission/”Florence”), I Was a Male War Bride KIRK DOUGLAS (George Phipps), A Letter to Three Wives ERROL FLYNN (Soames Forsyte), That Forsyte Woman SPENCER TRACY (Lord Arnold Boult), Edward, My Son RICHARD TODD (Cpl. Lachlan “Lachie” MacLachlan), The Hasty Heart 4 Link to comment Share on other sites More sharing options...
LawrenceA Posted June 21, 2016 Share Posted June 21, 2016 Here are the 1949 films I haven't seen: Abandoned Alias Nick Beal The Barkleys of Broadway Beyond the Forest Bitter Rice Colorado Terrirtory Conspirator East Side, West Side Easy Living The Fan Flamingo Road The Great Gatsby The Green Mountains Here's to the Girls The History of Mr. Polly Home of the Brave Intruder In the Dust Jour de Fete The Last Days of Dolwyn Ma and Pa Kettle Madame Bovary Manon Obsession The Queen of Spades The Rocking Horse Winner The Silence of the Sea The Small Black Room Top o' the Morning The Walls of Malapagna The Window I have taped: Black Magic Caught Criss Cross The Passionate Friends That Forsyte Woman Link to comment Share on other sites More sharing options...
Bogie56 Posted June 21, 2016 Author Share Posted June 21, 2016 Here are the 1949 films I haven't seen: The History of Mr. Polly Home of the Brave Jour de Fete The Last Days of Dolwyn Larry there are a few on your list that are certainly worth the effort of tracking down. Home of the Brave should be on TCM in August during James Edward day. The History of Mr. Polly by H.G. Wells is one of those delightful little British gems with outstanding performances. I caught Jour de Fete with an audience which helps enormously with comedy. I think it is in most Jacques Tati box sets. The Last Days of Dolwyn by Emlyn Williams features a great Welsh cast and has a young Richard Burton with his own accent. 2 Link to comment Share on other sites More sharing options...
speedracer5 Posted June 21, 2016 Share Posted June 21, 2016 Here are the 1949 films I haven't seen: Abandoned Alias Nick Beal The Barkleys of Broadway Beyond the Forest Bitter Rice Colorado Terrirtory Conspirator East Side, West Side Easy Living The Fan Flamingo Road The Great Gatsby The Green Mountains Here's to the Girls The History of Mr. Polly Home of the Brave Intruder In the Dust Jour de Fete The Last Days of Dolwyn Ma and Pa Kettle Madame Bovary Manon Obsession The Queen of Spades The Rocking Horse Winner The Silence of the Sea The Small Black Room Top o' the Morning The Walls of Malapagna The Window I have taped: Black Magic Caught Criss Cross The Passionate Friends That Forsyte Woman The Barkleys of Broadway is a musical with Fred Astaire and Ginger Rogers. They reunited ten years after their last film, The Story of Vernon and Irene Castle. Originally MGM wanted to re-team Astaire with Judy Garland after the success of Easter Parade, but Garland was having too many problems and either dropped out (or was fired) and Rogers was brought in to replace her. It's a fun film. In this film, Astaire and Rogers play a successful husband and wife dance team. However, Rogers resents feeling overshadowed by Astaire and hints that she's not entirely happy with their current arrangement. She ends up meeting a flirtatious playwright who wants to star her in his dramatic play. Wanting to try this different endeavor, Rogers leaves her act with Astaire and works on trying to make it as a serious actress. The rest of the film is Oscar Levant (who produces many of Astaire and Rogers' routines) trying to reunite the couple. There are a lot of great musical numbers in this film, one of which involves Astaire dancing with a bunch of animated shoes. I also like the "Bouncin' the Blues" number that Astaire and Rogers do. Levant does a fantastic rendition of "The Sabre Dance" on the piano too. I really want to see Beyond the Forest. I understand that it is (was?) on You Tube. Typically I don't like having to stream movies, because sometimes my internet connection is stupid, but I may need to start up the You Tube app on the PS4 and try to see this film. 2 Link to comment Share on other sites More sharing options...
TomJH Posted June 21, 2016 Share Posted June 21, 2016 Here are my choices of the 84 films I've seen from 1949 for… Best Actor of 1949 1. BRODERICK CRAWFORD (Willie Stark), All the King's Men 2. KIRK DOUGLAS (Midge Kelly), Champion 3. GREGORY PECK (General Frank Savage), Twelve O'Clock High 4. SPENCER TRACY (Adam “Pinky” Bonner), Adam's Rib 5. JOHN WAYNE (Sgt. John M. Stryker), Sands of Iwo Jima 6. JOSEPH COTTEN (Holly Martins), The Third Man 7. JAMES EDWARDS (Private Peter Moss), Home of the Brave 8. JACQUES TATI (Francois), Jour de Fete 9. JOHN MILLS (Alfred Polly), The History of Mr. Polly 10. ROBERT RYAN (Bill "Stoker" Thompson), The Set-Up and... MONTGOMERY CLIFT (Morris Townsend), The Heiress DANNY KAYE (Georgi), The Inspector General DAVID FARRAR (Sammy Rice), The Small Back Room JOHN IRELAND (Jack Burden), All the King's Men DENNIS PRICE (Louis D'Ascoyne Mazzini, 10th Duke of Chalfont/”Septimus Wilkinson, Bishop of Matibiland”), Kind Hearts and Coronets ALAN LADD (Jay Gatsby/"Jimmy Gatts"), The Great Gatsby TREVOR HOWARD (Stephen Stratton), The Passionate Friends CARY GRANT (Captain Henri Rochard, French Economic Mission/”Florence”), I Was a Male War Bride KIRK DOUGLAS (George Phipps), A Letter to Three Wives ERROL FLYNN (Soames Forsyte), That Forsyte Woman SPENCER TRACY (Lord Arnold Boult), Edward, My Son RICHARD TODD (Cpl. Lachlan “Lachie” MacLachlan), The Hasty Heart Time to see White Heat again, Bogie. 1 Link to comment Share on other sites More sharing options...
TomJH Posted June 21, 2016 Share Posted June 21, 2016 Here are the 1949 films I haven't seen: Alias Nick Beal Alias Nick Beal is an intriguing variation on the Faust theme, with visual overtones of film noir. Thomas Mitchell plays an honest district attorney tempted with the state governorship by a mysterious character ( a minion of the Devil?) who emerges from the fog, wanting to act as a political advisor to him. Calling himself Nick Beal he is able to accurately anticipate events that have yet to occur. He also has the unnerving ability to appear and suddenly disappear from rooms Ray Milland is effectively cast against type as the smug, silken smooth but cold blooded Beal. In one particularly chilling scene he coaxes Audrey Totter on her dialogue in an upcoming conversation she will have with Mitchell. Beal further tells her what Mitchell will say and a few minutes later Totter is spooked when Mitchell meets her and says, word for word, the exact dialogue that had Beal had said he would speak. 2 Link to comment Share on other sites More sharing options...
kingrat Posted June 21, 2016 Share Posted June 21, 2016 I'd like to see The History of Mr. Polly, The Queen of Spades, and The Small Back Room, not to mention The Walls of Malapaga, a Rene Clement film which is hard to find. It was well regarded when it first was released. It's difficult to find most of Clement's early films, but Les Maudits turned out to be a dark gem, Knave of Hearts (Monsieur Ripois) is a dry champagne comedy about a man incapable of fidelity, and This Angry Age, seen on YouTube in a mostly B&W, panned and scanned version of a widescreen color film, is a strong film despite these limitations. The Window is a version of "The Boy Who Cried Wolf." No one believes he saw a murder except the murderer. Colorado Territory is a western version of High Sierra, also directed by Raoul Walsh. Some like it better than the original, though I wouldn't go that far. Flamingo Road is the kind of melodrama Joan Crawford fans usually love. When the carny goes out of business, Joan tries to go respectable in a small town. Sydney Greenstreet as a corrupt villain adds to the fun. The Fan is a version of Oscar Wilde's Lady Windermere's Fan. Otto Preminger accentuates the melodrama rather than the comedy, and to me the film works if you can accept it on those terms. The Great Gatsby is a reasonably good version of Fitzgerald's novel, acceptably if not brilliantly directed by Elliot Nugent. Alan Ladd is an effective Gatsby, here portrayed as a former Prohibition bootlegger/gangster. A strong cast, although Betty Field seems a bit miscast as Daisy. Intruder in the Dust is one of the best films Clarence Brown ever directed. This Southern-born director does a great job of turning a minor Faulkner novel into a solid film. Claude Jarman, Jr. and David Brian work together to prove that Juano Hernandez did not commit a murder. Perhaps the best role Hernandez ever had, and he knows just what to do with it. I love films about Resistance/Occupation/Collaboration, so Jean-Pierre Melville's Le Silence de la Mer is definitely to my taste. A German officer is billeted in a French house, but the occupants protest by refusing to speak to him. Despite, or because of, their silence, he can't help talking to them. 3 Link to comment Share on other sites More sharing options...
Bogie56 Posted June 22, 2016 Author Share Posted June 22, 2016 Here are the films from 1949 that were mentioned that I have not seen as yet. Abandoned with Raymond Burr, Will Kurlova and Marjorie Rambeau Any Number Can Play with Mary Astor The Barkleys of Broadway with Fred Astaire and Oscar Levant Beyond the Forest with Bette Davis Bitter Rice with Silvano Magnano, Vittorio Gassman and Doris Dowling Black Magic with Orson Welles The Bribe with Ava Gardner and Vincent Price Colorado Territory with Virginia Mayo Down to the Sea In Ships with Dean Stockwell and Lionel Barrymore The Fan with Jeanne Crain The Green Mountains with Setsuko Hara and Michiyo Kogure Here’s to the Girls with Michiyo Kogure The Hidden Room/Obsession with Robert Newton and Naunton Wayne House of Strangers with Edward G. Robinson Intruder In the Dust with David Brian and Juano Hernanedez Manon with Michel Auclair, Cecile Aubry, Serge Reggiani and Gabrielle Dorziat Miss Grant Takes Richmond with Lucille Ball and James Gelason The Queen of Spades with Edith Evans The Quiet Duel with Takashi Shimura and Toshiro Mifune The Silence of the Sea with Howard Vernon Thieves’ Highway with Richard Conte, Lee J. Cobb, Hope Emerson and Jack Oakie Too Late For Tears with Lizabeth Scott, Dan Duryea and Valentina Cortese The Walls of Malapagna with Isa Miranda And I would like to see these again … Late Spring for Chishu Ryu and Setsuko Hara Prince of Foxes for Everett Sloane We Were Strangers for Gilbert Roland White Heat for James Cagney and Margaret Wycherly Link to comment Share on other sites More sharing options...
LawrenceA Posted June 22, 2016 Share Posted June 22, 2016 Here are the films from 1949 that were mentioned that I have not seen as yet. Any Number Can Play with Mary Astor The Bribe with Ava Gardner and Vincent Price Down to the Sea In Ships with Dean Stockwell and Lionel Barrymore House of Strangers with Edward G. Robinson Miss Grant Takes Richmond with Lucille Ball and James Gelason The Quiet Duel with Takashi Shimura and Toshiro Mifune Thieves’ Highway with Richard Conte, Lee J. Cobb, Hope Emerson and Jack Oakie Too Late For Tears with Lizabeth Scott, Dan Duryea and Valentina Cortese Bogie, I've seen these out of your choices, and there's some really good ones here. If I had to pick, I'd say Thieves' Highway was my favorite. Too Late for Tears and The Bribe are both enjoyable noirs. The Quiet Duel manages to be interesting despite the dry subject matter (a doctor infected with syphilis in a lab accident struggles with the social stigma, as well as searching for a cure). Down to the Sea in Ships was a better-than-expected variation on Captains Courageous. 1 Link to comment Share on other sites More sharing options...
TomJH Posted June 22, 2016 Share Posted June 22, 2016 I've got a question for fans of The Third Man. We all remember Harry Lime's introduction in the film, that moment in which the light from a bedroom window falls upon the face of a man standing in the shadows of a doorway. But my question: why was Lime there? He was a careful, calculating individual, having fooled the police, as well as his girl (Anna) and visiting friend (Holly) that he was dead. So why did he take a chance on discovery by standing in that doorway near Anna's apartment, where Holly spotted him? That act, in fact, will eventually lead to his downfall since Holly will go to the police with the information that he is still alive, and they will dig up his coffin to find another body. Or are we not supposed to think about it, but, instead, appreciate one of the great moments of the movies when we first see Orson Welles's face, with that cryptic small half smile? However, from a logical viewpoint, Lime's act makes no sense to me. Can it be that he simply wanted a glimpse of Anna in her window? Later, when talking to Holly on that lift by the ferris wheel he would nonchalantly draw a heart with her name in it on the glass and draw an arrow through it. Self centred swine that he was in so many ways, it's possible that he still had some feelings for her. Just a guess on my part, since I can't come up with any other explanation. 2 Link to comment Share on other sites More sharing options...
Bogie56 Posted June 22, 2016 Author Share Posted June 22, 2016 I accepted it 100%, Tom. It was Harry taking a bow in front of his friend. An arrogance and desire to show off that is a tragic flaw. Harry is also fond of Holly and probably yearns for a bit of home kinship which is another flaw that leads to his undoing. He's not the perfect criminal by any means. Returning to see Anna is another flaw. 2 Link to comment Share on other sites More sharing options...
TomJH Posted June 22, 2016 Share Posted June 22, 2016 You may be right, Bogie, though, to be honest, I thought that Holly's spotting Harry because of that light was an accident that Lime didn't anticipate. Certainly, though, his smile showed that he was unruffled by it. Perhaps he was going to reveal himself anyway, and that light appealed to his vanity as the spotlight literally fell upon him for a moment. Harry was, after all, more than a bit of an actor. Harry probably wouldn't have known that the police had already exposed him as a blackmarket murderer to Holly so probably didn't expect his old friend to go to the cops with the information. In that respect, it does make some sense, though, for such a calculating character, he was certainly taking a big gamble. ' As you say, though, you could call that the showoff egotist side in Lime that would lead to his own downfall. Perhaps, though, there was also a touch of sentimentality in his act, as well. The ambiguity of Welles's characterization adds to its fascination. 1 Link to comment Share on other sites More sharing options...
speedracer5 Posted June 22, 2016 Share Posted June 22, 2016 Speaking of The Third Man, has anyone listened to Orson Welles' radio show about the Harry Lime character? I've heard one episode because it is part of an Orson Welles radio show compilation that I own (on cassette!), but I'd be curious to hear more episodes. Link to comment Share on other sites More sharing options...
Bogie56 Posted June 22, 2016 Author Share Posted June 22, 2016 I thought we might as well get going with the recap of the 1940's. Comments about 1949 are still welcome though. After I have posted our winners in each of the five categories for the years in the 1940's you are invited to post your selection for the best performance of the decade for actor, actress, supporting actor, supporting actress and juvenile. In a few days time I'll then post a tally of those choices. 1 Link to comment Share on other sites More sharing options...
Bogie56 Posted June 22, 2016 Author Share Posted June 22, 2016 Here we go. Here is the tally of our winners of the 1940’s. All had one vote unless indicated with (). Best Juvenile Performance 1940 Virginia Weidler, The Philadelphia Story (2) Billy Lee, The Biscuit Eater Sabu, The Thief of Bagdad Larry Nunn, Strike Up the Band 1941 Roddy McDowell, How Green Was My Valley (4) 1942 Margaret O’Brien, Journey For Margaret 1943 Roddy McDowell, Lassie Come Home (2) Peggy Ann Garner, Jane Eyre (2) 1944 Elizabeth Taylor, National Velvet (3) Margaret O’Brien, Meet Me In St. Louis (3) Luciano De Ambrosis, The Children Are Watching Us 1945 Peggy Ann Garner, A Tree Grows In Brooklyn (2) Joan Carrol, The Bells of St. Mary’s Ann Blyth, Mildred Pierce Darryl Hickman, Leave Her to Heaven Sharyn Moffett, The Body Snatcher 1946 Natalie Wood, Tomorrow Is Forever (2) Rinaldo Smodini, Shoeshine Claude Jarman, Jr., The Yearling Patti Brady, Never Say Goodbye Anthony Wager, Great Expectations\ 1947 Natalie Wood, Miracle on 34th Street (4) Natalie Wood, The Ghost and Mrs. Muir Natalie Wood, Driftwood Margaret O’Brien, The Unfinished Dance 1948 Bobby Henrey, The Fallen Idol (2) Enzo Staiola, Bicycle Thieves (2) Ivan Jandl, The Search 1949 Dean Stockwell, Down to the Sea In Ships Bobby Driscoll, The Window Margaret O’Brien, The Secret Garden John Howard Davies, The Rocking Horse Winner 1 Link to comment Share on other sites More sharing options...
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