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Your Favourite Performances from 1929 to present are...


Bogie56
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Actor

Jacques Tati, Mr. Hulot's Holiday
Fred Astaire, The Band Wagon
Chishu Ryu, Tokyo story
Yves Montand, The Wages of Fear
Charles Boyer, The Earrings of Madame De

Runner-ups:  William Holden (Stalag 13), James Stewart (The Naked Spur), Richard Widwark (Pickup on South Street), James Mason (Julius Caesar), Burt Lancaster (From Here to Eternity),  Edmond O'Brien (The Bigamist), Arturo de Cordova (El),

Actress

Danielle Darrieux, The Earrings of Madame De..
Cyd Charisse, The Band Wagon
Marilyn Monroe, Gentlemen Prefer Blondes
Chieko Higashiyama, Tokyo Story
Jane Russell, Gentlemen Prefer Blondes

Runner-ups:  Audrey Hepburn (Roman Holiday), Harriet Andersson (Summer with Monika), Ida Lupino, Joan Fontaine (The Bigamist), Michiyo Kogure, Ayako Wakao (A Geisha), Lauren Bacall (How to Marry a Millionaire)

Supporting Actor

Charles Vanel, The Wages of Fear
Jack Buchanan, The Band Wagon

Oscar Levant, The Band Wagon
Vittorio de Sica, The Earrings of Madame De
Marlon Brando, Julius Caesar

Runner-ups:  Eitaro Ozawa (Ugetsu), Robert Ryan (The Naked Spur), Frank Sinatra (From Here to Eternity), Charles Coburn (Gentlemen Prefer Blondes), William Powell (How to Marry a Millionaire), Robert Strauss (Stalag 13), Charles Laughton (Young Bess)

Supporting Actress

Nanette Fabray, The Band Wagon
Setsuko Hara, Tokyo Story

Thelma Ritter, Pickup on South Street
Ann Miller, Kiss me Kate
Kinuyo Tanaka, Ugetsu

Runner-ups:  Mitsuko Mito (Ugetsu),



Not seen:  The Robe, The Moon is Blue, Mogambo, Torch Song, Hondo.

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Thanks for reminding me that The Juggler, a little-known Kirk Douglas film, is definitely worth seeing.

 

Somehow I forgot to include Deborah Kerr and Vittorio De Sica, and that has now been remedied.

 

Swithin, thank you for remembering The Cruel Sea, another fine film with some of the usual suspects who have done the British WWII film proud over and over again.

 

A plug for one of my two or three favorite Ingmar Bergman films: the depressingly bland British title Sawdust and Tinsel has won out over the exploitative American title The Naked Night. A more accurate translation would apparently be something like Sunset of a Clown or The Jester's Evening, much better titles. In any event, Sawdust and Tinsel ("Bleah!" as Snoopy would have said) is a terrific film, not least because of the sexy young Harriet Andersson. Just try taking your eyes off her.

 

A traveling show which would scarcely make the D-List is about to fold. Harriet looks for another job, but has to escape the wiles of a predatory, if effete, actor (Hasse Ekman). Ake Gronberg, the main man of the show, wants to give it all up and return to the wife (Annika Tretow) he abandoned years ago. In a devastating scene, so well written, directed, and acted, she calmly tells him why the loneliness and pain of living without him is better than living with him. Anders Ek, as the clown, enlivens every moment he's on screen.

 

 

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The New York Film Critics Circle Awards for 1953 were:

 

Best Actor

Burt Lancaster, From Here to Eternity*

John Gielgud, Julius Caesar

William Holden, Stalag 17

 

Best Actress

Audrey Hepburn, Roman Holiday*

Ava Gardner, Mogambo

 

—————————————————————————————————

 

The National Board of Review Awards for 1953 were…

 

Best Actor

James Mason, Face to Face (52), The Desert Rats, Julius Caesar and The Man Between*

 

Best Actress

Jean Simmons, Young Bess and The Actress*

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ACTOR:
1. Montgomery Clift - From Here to Eternity
2. Marlon Brando - The Wild One

3. Burt Lancaster - From Here to Eternity

4. Gregory Peck - Roman Holiday
5. Fernandel - Le Boulanger de Valorgue
6. William Holden - Stalag 17

7. Glenn Ford - The Big Heat

8. James Mason - Julius Caesar
9. Fred Astaire - The Band Wagon
10. Montgomery Clift - I Confess
 
ACTRESS:
1. Audrey Hepburn - Roman Holiday
2. Deborah Kerr - From Here to Eternity
3. Marilyn Monroe - Gentlemen Prefer Blondes
4. Gina Lollobrigida - Bread, Love and Dreams
5. Simone Signoret - Thérèse Raquin
6. Kathryn Grayson - Kiss Me Kate
7. Rita Hayworth - Miss Sadie Thompson
8. Harriet Andersson - Summer with Monika

9. Betty Grable - How to Marry a Millionaire

10. Cyd Charisse - The Band Wagon

 
SUPPORTING ACTOR:
1. Frank Sinatra - From Here to Eternity
2. Marlon Brando - Julius Caesar
3. Louis Calhern - Julius Caesar
4. Karl Malden - I Confess
5. Otto Preminger - Stalag 17
6. Ernest Borgnine - From Here to Eternity
7. Robert Keith - The Wild One
8. Lee Marvin - The Big Heat
 
SUPPORTING ACTRESS:
1. Donna Reed - From Here to Eternity
2. Ann Miller - Kiss Me Kate
3. Thelma Ritter - Pickup on South Street

4. Gloria Grahame - The Big Heat

5. Grace Kelly - Mogambo

6. Deborah Kerr - Julius Caesar
7. Betta St. John - Dream Wife
8. Jocelyn Brando - The Big Heat

BEST JUVENILE PERFORMANCE: Jimmy Hunt - Invaders from Mars
BEST EXTRA: Bess Flowers - Calamity Jane
BEST ANIMAL PERFORMANCE: Baby Elephant in Mogambo
BEST CROSS-DRESSED PERFORMANCE: Ed Wood - Glen or Glenda
BEST ORIGINAL SCORE: From Here to Eternity (George Duning)
BEST ORIGINAL SONG: That's Amore (Dean Martin in The Caddy)
BEST NON-ORIGINAL SONG: Diamonds Are a Girl's Best Friend (Marilyn Monroe in Gentlemen Prefer Blondes)
BEST ORIGINAL QUOTE: "Prisons are bulging with dummies who wonder how they got there." (The Big Heat) 
BEST NON-ORIGINAL QUOTE: "Friends, Romans, countrymen, lend me your ears!." (Julius Caesar)
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Actor

 

Jacques Tati, Mr. Hulot's Holiday

 

I had completely forgotten about this charming Tati masterpiece. Thanks for the reminder, skimpole.

 

This film's sly, subtle comedy charms continue to enchant me. This is my favourite Tati film (not many to choose from, unfortunately).

 

mr-hulots-holiday-1953.jpg?w=700

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Synergy of the Year:

 

 

Marilyn and Jane in Gentlemen Prefer Blondes.

 

Just two little girls from Little Rock - who didn't try to upstage one another.

 

Although I love those ladies (and of course Hawks), I'm not a fan of the movie. These are the ladies I prefer, from the original Broadway production (though I only know it from the recording):

 

il_340x270.599237854_8xvy.jpg

 

Yvonne Adair and Carol Channing

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Errol Flynn's last good swashbuckler, in fact, his last good film, was THE MASTER OF BALLANTRAE, filmed on location in Scotland and Sicily on Warners funds, and released in 1953.

 

Flynn looks older and the light hearted elan that he had once brought to his roles was now more of a memory. However, he was still in reasonable physical shape, was more than credible in the action scenes (even though frequently doubled) and brought considerable dramatic conviction to his role. The screenplay makes references to his character, Jamie Durie, being "black hearted" but really presents him in fairly standard Flynn heroic mode.

 

The film was largely a distortion of Robert Louis Stevenson's novel (some might call its screenplay a complete mutilation, in fact) but, on a conventional adventure level, the film still satisfies. A large part of the reason for this is the often stunning photography of legendary cinematographer Jack Cardiff, whose Technicolor visuals make the production a constant pleasure to the eye.

 

The briskly moving film, directed by Hollywood veteran William Keighley, also benefits from a superior supporting cast of British actors, with Roger Livesey a standout as Flynn's rakish Irish compatriot. Livesey is such an engaging rogue in this film (bringing some much appreciated humour to a number of his scenes) that I gave his performance a mention among my honourable mentions in the Best Supporting Actor category.

 

There's a scene towards the end in which Flynn and Livesey are in a prison cell together, their characters facing execution with the dawn.

 

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As they stare out their cell window together Livesey puts great feeling into some wonderful dialogue:

 

"There's almost a lift in the sky out there, and the minutes will be racing for it. Not much time to remember all the girls you've known, all the laughter you've heard, all the gold you've spent and all the plans you had to spend it on.

 

Ahhh, the places we've not seen, Jamie! The things that lie about the world, the fun of it!"

 

Flynn responds with a wistful smile to dialogue that sounds like a siren call to the actor's own life.

 

Another member of the supporting cast is Gillian Lynne, cast in the small but flashy role of a tempestuous dancer, who exchanges some flirtatious dialogue and glances with Flynn in the film.

 

The following is from a 2014 interview that Dame Gillian gave about the making of the film. Flynn's career would go off the rails soon after the release of Master, and never be the same again. It's nice to read this account by the actress/dancer on the experience of working with and knowing the Hollywood legend during this time because she has nothing but charming memories of him.

 

Dame Gillian travelled to Sicily in 1953 to film The Master Of Ballantrae. In the credits Gillian Lynne’s part is listed as “Marianne, a dancer favoured by Captain Mendoza” but it wasn’t long before it became clear that she was favoured by the Hollywood legend who had the leading role, one Errol Flynn.

 

Asked how their affair came about, she says: “It was very difficult for it not to come about! He was a gorgeous man and he was very witty, very funny and well educated actually. It wasn’t all about sex, it was all about fun. We liked each other.

 

“I would never have been chosen for the role if he hadn’t liked me because they were looking for a blonde woman with big boobs and then they saw me dancing at the Palladium. I was thin with tiny boobs and dark hair but I was sexy. I’m a sexy dancer. Most dancers are sexy. We had a lot of quite steamy scenes, nothing in the bedroom, thank God. All out in the sun.”

 

Their on-set fling lasted for two months, with the couple enjoying drinks in the bar of Palermo’s exclusive Villa Igiea and taking boat trips up and down the Sicilian coast.

 

vlcsnap-2016-07-17-09h46m47s439_zpscy1zh

 

For those interested, The Master of Ballantrae occasionally pops up on TCM.

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The film also benefits from a superior supporting cast of British actors, with Roger Livesey a standout as Flynn's rakish Irish compatriot. Livesey is such an engaging rogue in this film that I gave his performance a mention among my honourable mentions in the Best Supporting Actor category.

 

Another member of the supporting cast is Gillian Lynne, cast in the small but flashy role of a tempestuous dancer, who exchanges some flirtatious dialogue and glances with Flynn in the film.

 

Fascinating, Tom. I haven't seen the film but will look for it. Roger Livesey is a fine actor. I particularly love his performance as the Duke of St. Bungay in the TV miniseries The Pallisers, in which he played the Duke of St. Bungay.  

 

I had no idea Gillian Lynne was in the film! I worked with her once, about ten years ago. She became a major choreographer, best known for her choreography of the Andrew Lloyd Webber musical Cats, which earned her a fortune.

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Here are my choices of the 96 films I've seen from 1953 for…

 

Best Supporting Actress of 1953

 

1.  DONNA REED (Alma Burke/"Lorene"), From Here To Eternity

2.  THELMA RITTER (Moe Williams), Pickup on South Street

3.  GLORIA GRAHAME (Debby Marsh), The Big Heat

4.  HARUKO SUGIMURA (Shige Kanecko), Tokyo Story

5.  TERESA WRIGHT (Annie Jones), The Actress

 

6.  GINA LOLLOBRIGIDA (Maria Dannreuther), Beat the Devil

7.  ZSA ZSA GABOR (Rosalie), Lili

8.  HILDEGARD KNEF (Bettina Mallison), The Man Between

9.  GRACE KELLY (Linda Nordley), Mogambo

10 .MARJORIE RAMBEAU (Mrs. Stewart), Torch Song

 

and ...

 

KAY KENDALL (Rosalind Peters), Genevieve

SETSUKO HARA (Noriko Hirayama), Tokyo Story

EDIE MARTIN (Emily), The Titfield Thunderbolt

DOLLY HAAS (Alma Keller), I Confess

VERA CLOUZOT (Linda), The Wages of Fear

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Until a few years ago, hadn't seen THE WAGES OF FEAR since college, and in these cases you always wonder if you'll still love a film as much as on first viewing. The version I had seen was cut for American audiences, dropping, I believe, some of the unfavorable portrayal of the American oil company and some of the homosexual implications. I remembered loving the almost unbearable nail-biting suspense of the scenes when the trucks make their perilous journey with their cargo of nitroglycerine. Every bend in the road means potential disaster, and you know Clouzot is ruthless enough to kill off any of the four drivers. I remembered, too, the cosmic pessimism and existential angst, which, in this situation, seemed totally justified.

None of that had changed. What was new to me was an admiration for the opening part of the film, which at the same time 1) seemed even better than neorealism, with an amazing documentary sense of a real world in which the story takes place and 2) had an editing rhythm which took my breath away, as if this had been storyboarded just like Hitchcock. I don't recall another film which manages that paradoxical feat. I also admire the completely polyglot world of the film, with, at a minimum, English, French, Spanish, and Italian dialogue in various scenes. Mario (Yves Montand) speaks a little Italian; Luigi (Folco Lulli) speaks a little French; Jo (Charles Vanel) speaks a little English; Bill O' Brien, the oil company boss (William Tubbs), tries a little French, and so on. This adds layers of texture as well as realism.

I recalled that Jo was implicitly gay, but Clouzot's version goes considerably beyond what the American censors could stomach. At the beginning of the film Mario shares a room with Luigi, who cooks and cleans for him in a quasi-spousal way, like Thomas Mitchell looking after Cary Grant in ONLY ANGELS HAVE WINGS. (Maybe it's unfair to make this analogy, since Hawks' film looks like backlot hokum next to Clouzot.) Mario leaves Luigi for Jo because he thinks Jo may be the key to a way out. Jo and Luigi square off in the bar, western-style, over Mario--I'm not sure I've seen another film with a barfight where two men fight over another man--and Jo uses his power to ruin Mario's date with the pretty Linda (Vera Clouzot). Mario and Luigi clearly prefer women, but they're almost in a prison setting; Jo seems to hate women; and there's this remarkable exchange between Luigi and the Dutchman, Bimba (Peter van Eyck):

 

Luigi: "You like women?"

Bimba: "No."

 

You can't imagine that exchange in an American film of 1953.

 

If I've concentrated on the first half of the film, that's because the visceral appeal of the second half needs less commentary. The acting, cinematography, and editing are at such a high level. Yves Montand, Charles Vanel, and Folco Lulli couldn't be more believable in the three key roles.

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Favorite Acting Performances of 1953

 

1)* Setsuko Hara *- - Tokyo Story

 

2) Véra Clouzot--Le Salaire de la Peur

3) Audrey Hepburn - - Roman Holiday

4) Marilyn Monroe - - Niagara

5) Danielle Darieux- - The Earrings of Madame de... (tie)

5) Anne Baxter - - The Blue Gardenia

 

Actor

 

1)* Yves Montand*--Le Salaire de la Peur

 

2) Chishū Ryū-- Tokyo Story

3) Gregory Peck - - Roman Holiday

4) Glenn Ford-- The Big Heat

5) Richard Widmark - - Pickup on South Street

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Favorite Supporting Acting Performances of 1953

 

Actress

 

1)*Haruko Sugimura-- Tokyo Story

 

2) Thelma Ritter - - Pickup on South Street

3) Chieko Higashiyama-- Tokyo Story

4) Gloria Grahame - - The Big Heat

5) Jocelyn Brando-- The Big Heat

 

Actor

 

1)* Vittorio De Sica-- The Earrings of Madame de...

 

2) Eddie Albert - - Roman Holiday

3) Lee Marvin - - The Big Heat

4) Charles Coburn - - Gentlemen Prefer Blondes

5) George Winslow - - Gentlemen Prefer Blondes

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The Best Performances in a Musical

 

Tap Dance solo, male-- Fred Astaire - - The Bandwagon,

"A Shine on your Shoes"

(Ably assisted by Leroy Daniels)

 

 

Tap Dance solo, female-- Ann Miller- Small Town Girl,

"I've Gotta Hear That Beat"

 

 

Pas de Deux-- Fred Astaire and Cyd Charisse - - The Bandwagon,

"Dancing in the Dark"

 

Outstanding Production Number-- Jack Cole-- Gentlemen Prefer Blondes,

"Diamonds Are a Girl's Best Friend" ( featuring Marilyn Monroe)

 

 

Outstanding Bizarre Performance-- Bobby Van - - Small Town Girl - -

"Take Me to Broadway"

 

 

Outstanding Ballet-- Michael Kidd - The Bandwagon, "The Girl Hunt Ballet",

( featuring Fred Astaire and Cyd Charisse)

 

 

Best Director of a Musical - - Vincente Minnelli The Bandwagon

Best Choreographer of a Musical-- Michael Kidd - - The Bandwagon

 

Honorable Mention - - Busby Berkeley, Director of the Musical Numbers,

Small Town Girl

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Here are my choices of the 96 films I've seen from 1953 for…

 

Best Supporting Actor of 1953

 

1.  MARLON BRANDO (Marc Antony), Julius Caesar

2.  FOLCO LULLI (Luigi/”Pepito”), The Wages of Fear

3.  EDDIE ALBERT (Irving Radovich), Roman Holiday

4.  PETER VAN EYCK (Bimba), The Wages of Fear

5.  ERNEST BORGNINE (Staff Sgt. James R. "Fatso" Judson), From Here To Eternity

 

6.  ROBERT MORLEY (Petersen), Beat the Devil

7.  EMILE MEYER (Rufe Ryker), Shane

8.  ROBERT STRAUSS (Stanislas “Animal” Kuzawa/“Stosh"), Stalag 17

9.  PETER FINCH (Father Rank), The Heart of the Matter

10. HARVEY LEMBECK (Harry Shapiro), Stalag 17

 

and...

 

JACK PALANCE (Jack Wilson), Shane

EDWARD UNDERDOWN (Harry Chelm), Beat the Devil

O.E. HASSE (Otto Keller), I Confess

ROLAND LESSAFRE (Riton, le matelot maitre-chanteur), Therese Raquin

ISAO YAMAGATA (Lord Wataru Watanabe), Gate of Hell

FRANK SINATRA (Private Angelo Maggio), From Here To Eternity

JEAN-PIERRE AUMONT (Marc/Marcus "the magnificent"), Lili

PETER GRAVES (Price), Stalag 17

VITTORIO DE SICA (Baron Fabrizio Donati), The Earrings of Madame de...

HUGH GRIFFITH (Dan Taylor), The Titfield Thunderbolt

JAMES ROBERTSON JUSTICE (King Henry VIII of England), The Sword and the Rose

LEE MARVIN (Vince Stone), The Big Heat

IVOR BARNARD (Major Jack Ross), Beat the Devil

ALEXANDER D’ARCY (Rudolph), Man on a Tightrope

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I seem to have been the only one to mention The Sun Shines Bright in the 1953 lists. It was John Ford's personal favorite among his films. I think it's the best film of 1953, with a great leading performance by Charles Winninger.

 

Set in the post-bellum South, it's a problematic though glorious film. One important aspect of it deals with Stepin Fetchit, who plays his usual stereotype. But in The Sun Shines Bright, he has one moment that defines the film and perhaps his whole career.

 

A naive young black character (played by Elzie Emanuel), with the unfortunate name of U.S. Grant Woodford, is in court. He has a banjo and is asked to play a song. He has worked for Yankees. Here's an analysis of the scene, from the critic who wrote for the film's DVD release:

 

In an early scene the judge asks the young man to demonstrate his prowess on the banjo by playing a military song — and the teenager responds with a rousing rendition of the Union anthem “Marching Through Georgia.” The scene, though played for comedy, remains the most gripping sequence in “The Sun Shines Bright” and one of the most revealing passages in all of Ford’s work. As he hears the first bars of the hated march, a look of shock and fear crosses Fetchit’s face, and he breaks his usual studied shuffle to dash to the boy’s side.

 

Looking the boy in the eyes, a black man communicating with a black man, Fetchit desperately struggles to communicate just how inappropriate the choice of music is — at least if the two men intend to live through the day — and manages to persuade U. S. to segue into “Dixie.”

 

The scene lasts only a couple of seconds — a brief moment in which the curtain drops, and Ford allows a glimpse of the greater reality that lies behind the stereotypes. In this time and place to shuck and jive is the only available survival strategy. The lynch mob awaits those who let the mask slip.

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The BAFTA winners for 1953 were ….

 

Best Actor (British)

John Gielgud, Julius Caesar

Jack Hawkins, The Cruel Sea

Kenneth More, Genevieve

Trevor Howard, The Heart of the Matter

Duncan Macrae, The (Little) Kidnappers

 

Best Actor (Foreign)

Marlon Brando, Julius Caesar

Spencer Tracy, The Actress

Claude Laydu, Diary of a Country Priest (51)

Marcel Mouloudji, We Are All Murderers

Eddie Albert, Roman Holiday

Gregory Peck, Roman Holiday

Van Heflin, Shane

 

Best Actress (British)

Audrey Hepburn, Roman Holiday

Celia Johnson, The Captain’s Paradise

 

Best Actress (Foreign)

Leslie Caron, Lili

Shirley Booth, Come Back Little Sheba (52)

Maria Schell, The Heart of the Matter

Marie Powers, The Medium (51)

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1953

 

Winners in BOLD

 

(This is definitely the year of Marilyn Monroe)

 

BEST PICTURE

 

The Band Wagon

Beat the Devil

The Bigamist

The Blue Gardenia

From Here to Eternity

Gentlemen Prefer Blondes

How to Marry a Millionaire

I Confess

The Master of Ballantrae

The Moon is Blue

Niagara

Peter Pan

Pick Up on South Street

Roman Holiday

 

BEST ACTOR

 

Fred Astaire, The Band Wagon

Humphrey Bogart, Beat the Devil

Edmond O'Brien, The Bigamist

Richard Conte, The Blue Gardenia

Montgomery Clift, From Here to Eternity

Burt Lancaster, From Here to Eternity

Montgomery Clift, I Confess

William Holden, The Moon is Blue

David Niven, The Moon is Blue

Joseph Cotten, Niagara

Richard Widmark, Pick Up on South Street

Gregory Peck, Roman Holiday

Errol Flynn, The Master of Ballantrae 

Hans Conreid, Peter Pan

Bobby Driscoll, Peter Pan

Clark Gable, Mogambo

 

BEST ACTRESS

 

Cyd Charisse, The Band Wagon

Jennifer Jones, Beat the Devil

Ida Lupino, The Bigamist

Joan Fontaine, The Bigamist

Anne Baxter, The Blue Gardenia

Deborah Kerr, From Here to Eternity

Jane Russell, Gentlemen Prefer Blondes

Marilyn Monroe, Gentlemen Prefer Blondes

Marilyn Monroe, How to Marry a Millionaire

Lauren Bacall, How to Marry a Millionaire

Betty Grable, How to Marry a Millionaire

Anne Baxter, I Confess

Marilyn Monroe, Niagara

Jean Peters, Niagara

Jean Peters, Pick Up on South Street

Audrey Hepburn, Roman Holiday

Ava Gardner, Mogambo

 

BEST SUPPORTING ACTOR

 

Oscar Levant, The Band Wagon

Peter Lorre, Beat the Devil

Frank Sinatra, From Here to Eternity

Ernest Borgnine, From Here to Eternity

Charles Coburn, Gentlemen Prefer Blondes

Eddie Albert, Roman Holiday

 

BEST SUPPORTING ACTRESS

 

Nanette Fabray, The Band Wagon

Gina Lollobrigida, Beat the Devil 

Ann Sothern, The Blue Gardenia

Donna Reed, From Here to Eternity

Thelma Ritter, Pick Up on South Street

 

BEST MUSICAL NUMBER

 

***TIE***

 

"Shine On Your Shoes" Fred Astaire, The Band Wagon

 

"Diamonds Are a Girl's Best Friend," Marilyn Monroe, Gentlemen Prefer Blondes

 

WORST MUSICAL NUMBER

 

"Triplets" The Band Wagon.  I hate this number.  It ranks #2 on my list of most hated musical numbers.  It only trails "Heavenly Music" in Summer Stock.

 

BEST SONG

 

"Re-Enlistment Blues," the soldiers in From Here to Eternity

 

FUNNIEST KID

 

George Winslow, portraying Henry Spofford III, Gentlemen Prefer Blondes.

 

GEORGE TO MARILYN MONROE:

 

"The second is, you've got a lot of animal magnetism." 

 

(His voice reminds me a lot of Charlie Brown's for whatever reason.

 

FUNNIEST LINE

 

In How to Marry a Millionaire:

 

FRED CLARK TO BETTY GRABLE: "Do you know how many females were at my house when I left tonight?"

 

GRABLE: "No, I can't say that I do."

 

CLARK: "Seven. My wife... her sister who's divorced and I don't blame the guy for a second... their mother, who must be 110 if she's a day...an aunt from North Attleborough, Massachusetts, and three more whose names I didn't even catch!" 

 

MOST HEARTBREAKING SCENE

 

***TIE***

 

In Pickup on South Street, when Moe comes home to find Joey in her apartment and the resulting action.  

 

Montgomery Clift playing "Taps" the morning after best friend Frank Sinatra is killed in From Here to Eternity

 

MOST CHARMING CHARACTER

 

Audrey Hepburn's portrayal of Princess Ann in Roman Holiday.

 

BEST SYNERGY

 

The trio of Audrey Hepburn, Gregory Peck and Eddie Albert in Roman Holiday.

 

MOST ROMANTIC SCENE

 

The famous beach scene between Deborah Kerr and Burt Lancaster in From Here to Eternity

 

MOVIE THAT SHOULD HAVE BEEN GOOD BUT WAS BORING

 

Mogambo.  I liked Gable and Gardner, but this remake of Red Dust pales in comparison to the Harlow/Gable original.

 

THE KUDOS AWARD

 

Goes to Clark Gable in Mogambo for playing the same role 20 years later in the remake and still making it work.

 

MOST RACIST SCENE

 

The scene with the red-skinned Native Americans in Peter Pan.  Whew boy.  

 

THE WANNABE AWARD

 

Goes to Maggie McNamara in The Moon is Blue for her attempts to copy-cat Audrey Hepburn.  She's cute, but completely lacks Hepburn's charm. 

 

SPEEDRACER'S TAKEAWAY FROM "FROM HERE TO ETERNITY"

 

Sure the beach scene is sexy, but why do so many people try to re-enact it? You've got bathing suits and sand.  You've got dirty salt water rushing over your body while you're trying to make out with your re-enactment partner.  Can you imagine all the crevices the sand and salt would end up?! Yikes! I'll re-enact Gregory Peck and Audrey Hepburn's "Roman Holiday," thank you! 

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Here are Danny Peary’s Alternate Oscar choices for 1953.  Winners in bold.  

 

Best Actor

Montgomery Clift, From Here to Eternity*

Alan Ladd, Shane

Burt Lancaster, From Here to Eternity

John Wayne, Hondo

Charles Winninger, The Sun Shines Bright

 

Best Actress

Gloria Grahame, The Big Heat*

Doris Day, Calamity Jane

Audrey Hepburn, Roman Holiday

Marilyn Monroe, Gentlemen Prefer Blondes

Geraldine Page, Hondo

Jane Russell, Gentlemen Prefer Blondes

 

 

And here are Michael Gerbert’s Golden Armchair choices for 1953:

 

Best Actor

Montgomery Clift, From Here to Eternity*

 

Best Actress

Thelma Ritter, Pickup on South Street*

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Here are my choices of the 96 films I've seen from 1953 for…

 

Best Actress of 1953

 

1.  AUDREY HEPBURN (Princess Anne/"Anya Smith"/"Smitty"), Roman Holiday

2.  DEBORAH KERR (Karen Holmes), From Here To Eternity

3.  LESLIE CARON (Lillette "Lili" Daurier), Lili

4.  HARRIET ANDERSSON (Monika), Summer With Monika

5.  JENNIFER JONES (Gwendolyn Chelm), Beat the Devil

 

6.  MARILYN MONROE (Lorelei Lee), Gentlemen Prefer Blondes

7.  DANIELLE DARRIEUX (Comtesse Louise de...), The Earrings of Madame de...

8.  AVA GARDNER (Eloise Y. Kelly), Mogambo

9.  GINA LOLLOBRIGIDA (Maria De Ritis/”La Bersagliera”), Bread, Love and Dreams

10. JEAN PETERS (Candy), Pickup on South Street

 

and ...

 

MARIA SCHELL (Helen Rolt), The Heart of the Matter

GERALDINE PAGE (Angie Lowe), Hondo

MARILYN MONROE (Rose Loomis), Niagra

JEAN SIMMONS (Diana), The Robe

JEAN SIMMONS (Ruth Gordon Jones), The Actress

JEAN PETERS (Polly Cutler), Niagra

DORIS DAY (Calam “Calamity” Jane), Calamity Jane

SIMONE SIGNORET (Therese Dubois Raquin), Therese Raquin

JENNIFER JONES (Mary Forbes), Terminal Station/Indiscretion of an American Wife

DELIA GARCES (Gloria Milalta), El

MACHIKO KYO (Lady Kesa), Gate of Hell

 
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1953 - It seems that The Wages of Fear overwhelms this year a little, but it's decent otherwise; and it's basically a six-way tie for Supporting Actor. This is probably also the best year Hans Conried ever had in films, including some pretty good synergy with an inanimate(?) object.
 

Actor

Ake Gronberg - Sawdust and Tinsel***
Charles Vanel - The Wages of Fear
Richard Widmark - Pickup on South Street
Jack Palance - Man in the Attic
Robert Ryan - The Naked Spur
Spencer Tracy - The Actress
Hans Conried - The Twonky
James Stewart - The Naked Spur
Fredric March - Man on a Tightrope
 
Actress

Jennifer Jones - Beat the Devil***
Harriet Andersson - Sawdust and Tinsel
Jean Peters - Pickup on South Street
 
Supporting Actor

Lee Marvin - The Wild One***
Otto Preminger - Stalag 17
Lee Marvin - The Big Heat
Hans Conried - The 5,000 Fingers of Dr. T
Edward Underdown - Beat the Devil
Robert Strauss - Stalag 17
Jack Palance - Shane
Elisha Cook, Jr. - Shane
Charles Lung - Siren of Bagdad [don't go out of your way to find this one!]
 
Supporting Actress
 
Thelma Ritter - Pickup on South Street***
Vera Clouzot - The Wages of Fear
Gloria Graham - The Big Heat

Carolyn Jones - House of Wax

 

...but if there is a Synergy winner this year it is no doubt held by the four picturesque bad guys in Beat the Devil; two of whom I don't think I've ever seen in anything else, but they must have been cast for what a great looking team they made all put together.

 

Helvick-Scene2.jpg

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The 1953 Cannes Film Festival winners were…

 

Best Actor

Charles Vanel, The Wages of Fear 

 

Best Actress

Shirley Booth, Come Back Little Sheba (52)

 

—————————————————————————————

 

The 1953 Venice Film Festival winners were:

 

Best Actor

Henri Vilbert, Absolution Without Conviction 

 

Best Actress

Lili Palmer, The Four Poster (52)

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Here are my choices of the 96 films I've seen from 1953 for…

 

Best Actor of 1953

 

1.  CHARLES VANEL (Jo/”Mr. Jo”), The Wages of Fear

2.  WILLIAM HOLDEN (Sgt. J.J. Sefton), Stalag 17

3.  ARTURO DE CORDOVA (Francisco Galvan de Montemayor), El

4.  BURT LANCASTER (1st Sgt. Milton Warden), From Here To Eternity

5.  GREGORY PECK (Joe Bradley), Roman Holiday

 

6.  MONTGOMERY CLIFT (Private Robert E. Lee Prewitt/“Prew”), From Here To Eternity

7.  YVES MONTAND (Mario), The Wages of Fear

8.  CHARLES BOYER (General Andre de...), The Earrings of Madame de...

9.  JAMES MASON (Marcus Brutus), Julius Caesar

10. CLIFTON WEBB (Richard Ward Sturges), Titanic

 

and ...

 

JOSEPH COTTEN (George Loomis), Niagra

JACK HAWKINS (Lieutenant-Commander George Ericson,RNR/later Commander), The Cruel Sea

SPENCER TRACY (Clinton Jones), The Actress

MONTGOMERY CLIFT (Abbe Michael William Logan), I Confess

FREDRIC MARCH (Karel Chernyk), Man on a Tightrope

JOHN WAYNE (Hondo Lane), Hondo

JACQUES TATI (Monsieur Hulot), Monsieur Hulot's Holiday

DUNCAN MACRAE (James MacKenzie), The Little Kidnappers

ALAN LADD (Shane), Shane

FRED ASTAIRE (Tony Hunter), The Band Wagon

FRANCO FABRIZI (Fausto Moretti), I Vitelloni

VITTORIO DE SICA (Marshall Antonio Carotenuto), Bread, Love and Dreams

KAZUO HASEGAWA (Sir Morito Endo), Gate of Hell

MONTGOMERY CLIFT (Giovanni Doria), Terminal Station/Indiscretion of an American Wife

RAF VALLONE (Laurent LeClaire), Therese Raquin

MEL FERRER (Paul Berthalet/"Paul Bartol"), Lili

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