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Bogie56
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Notes on a few 1955 films:

 

Few filmmakers make a debut as dazzling as Welles with Citizen Kane, but Satyajit Ray certainly comes close with Pather Panchali. Inspired by Rossellini, but far surpassing him in the fidelity to ordinary life and without his ideological concerns, and at the same time so perfectly storyboarded that each shot looks like perfection.

 

Death of a Cyclist is an excellent Spanish noir, which TCM has shown and may well show again. Lucia Bose is particularly notable in the leading role.

 

June Allyson would not ordinarily come close to making my top five for Best Actress, but she and Jose Ferrer are both top-notch in The Shrike. He's a theater director who ends up in a mental institution. June Allyson, as usual, plays a 1950s perfect wife, but has she been undermining him all along? A critique of the 50s as well as a well-made melodrama.

 

Marianne de ma jeunesse (Marianne of My Youth) is yet another outstanding film from Julien Duvivier. If you like Cocteau, this is especially recommended. A young man of 18 from Argentina arrives at a boys' school in the mountains. In a chateau, said to be haunted, at the other end of the lake, he meets and falls for a mysterious young woman (Marianne Hold). Duvivier catches the perfect blend of realism and fable. He also made a German version, Marianne meine Jugendliebe, which launched the career of Horst Buchholz.

 

Cast a Dark Shadow is obviously based on a play, but that doesn't seem to matter, given the great cast and firm direction from Lewis Gilbert. Dirk Bogarde plays a young man bent on marrying for money, with little concern for how long his wife survives. Mona Washbourne is the much older woman he has married; his attentions later turn to Margaret Lockwood; and then Kay Walsh turns up on the scene. All four are terrific.

 

Possibly the best directed scene in any 1955 scene is the biggest scene of East of Eden, when Cal (James Dean) confronts his mother Cathy (Jo Van Fleet) at her office in the brothel. If you look at the lighting and camera placement in each shot, you'll see how it changes with every emotional change (every "beat," as actors would say) of the scene. In the first shot we see Cathy and her mirrored image, with Cal only a small image in a mirror as he enters the room. At the one moment of the scene where Cathy comes close to maternal feelings for Cal, she is finally in as much light as he is. This doesn't last, however. Dean and Van Fleet are both great in the scene, and this is where she earned her Oscar, but the direction and lighting do their part to assist.

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The Seven Year Itch is too much associated with one scene - the white dress above the subway grate. There are some other interesting aspects to it.

 

Walter Matthau auditioned for the male lead, but they gave it to Tom Ewell, who already played the part on Broadway. Marilyn Monroe had trouble remembering her lines, but it's hard to imagine anyone else playing the unnamed Girl. 

 

The title refers to the desire a married man can feel to look at other women after several years of monogamy. [spoilerS]In George Axelrod's play Richard Sherman has an actual affair with the Girl. In the film this was impossible because of the Hays Code. Billy Wilder wanted a hairpin to be found in Richard's bed, but even that wasn't allowed. The story still works: a married man is on the verge of cheating, but in the end decides to go back to his wife. However Billy Wilder has used Freudian symbolism to create some innuendo. Richard's finger gets stuck in a champaign bottle, and the Girl's toe in the faucet.

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The Seven Year Itch is too much associated with one scene - the white dress above the subway grate. There are some other interesting aspects to it.

 

Walter Matthau auditioned for the male lead, but they gave it to Tom Ewell, who already played the part on Broadway. Marilyn Monroe had trouble remembering her lines, but it's hard to imagine anyone else playing the unnamed Girl. 

 

The title refers to the desire a married man can feel to look at other women after several years of monogamy. [spoilerS]In George Axelrod's play Richard Sherman has an actual affair with the Girl. In the film this was impossible because of the Hays Code. Billy Wilder wanted a hairpin to be found in Richard's bed, but even that wasn't allowed. The story still works: a married man is on the verge of cheating, but in the end decides to go back to his wife. However Billy Wilder has used some Freudian symbolism to create some innuendo. Richard's finger gets stuck in a champaign bottle, and the Girl's toe in the faucet.

 

It's definitely a movie of its time, but The Seven Year Itch was my favorite Monroe comedy.

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Here are Danny Peary’s Alternate Oscar choices for 1955.  Winners in bold.  


 


Best Actor


James Dean, Rebel Without a Cause*


James Cagney, Mister Roberts


James Dean, East of Eden


Henry Fonda, Mister Roberts


Robert Mitchum, Night of the Hunter


 


Best Actress


Anna Magnani, The Rose Tattoo*


Bette Davis, The Virgin Queen


Julie Harris, East of Eden


Susan Hayward, I’ll Cry Tomorrow


 


 


And here are Michael Gerbert’s Golden Armchair choices for 1955:


 


Best Actor


James Dean, East of Eden*


 


Best Actress


Katharine Hepburn, Summertime*

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Here are my choices of the 104 films I've seen from 1955 for…

 

Best Actress of 1955

 

1.  ANNA MAGNANI ("Baronessa" Serafina Delle Rose), The Rose Tattoo

2.  SUSAN HAYWARD (Lillian Roth) I'll Cry Tomorrow

3.  KATIE JOHNSON (Mrs. Louisa Alexandra Wilberforce/”Mrs. Lopsided”), The Ladykillers

4.  KATHARINE HEPBURN (Jane Hudson), Summertime

5.  EVA DAHLBECK (Desiree Armfeldt), Smiles of a Summer Night

 

6.  KARUNA BANERJEE (Sarbajaya Roy, the mother), Pather Panchali

7.  JULIE HARRIS (Sally Bowles), I Am a Camera

8.  JENNIFER JONES (Dr. Han Suyin), Love Is a Many Splendored Thing

9.  MARILYN MONROE (“the Girl”), The Seven Year Itch

10. VERA CLOUZOT (Christina DeLassalle), Les Diaboliques

 

and...

 

JULIE HARRIS (Abra Bacon), East of Eden

MARTHA SCOTT (Eleanor ‘Ellie’ Hilliard), The Desperate Hours

SIMONE SIGNORET (Nicole Horner), Les Diaboliques

BETTE DAVIS (Queen Elizabeth I), The Virgin Queen

DORIS DAY (Ruth Etting), Love Me or Leave Me

ULLA JACOBSSON (Anne Egerman), Smiles of a Summer Night

KIM NOVAK (Madge Owens), Picnic

MACHIKO KYO (Princess Yang Kwei Fei), Princess Yang Kwei Fei

MARTINE CAROL (Lola Montes/Countess de Landsfeld), Lola Montes

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The 1955 Cannes Film Festival winners were…

 

Best Actor

Spencer Tracy, Bad Day at Black Rock 

 

Best Actor & Actress

the entire cast of, A Big Family/Bolshaya Semya (54)

 

—————————————————————————————

 

The 1955 Venice Film Festival winners were:

 

Best Actors

Curd Jurgens, Heroes and Sinners and The Devil’s General.  and …

Kenneth More, The Deep Blue Sea

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Here are my choices of the 104 films I've seen from 1955 for…

 

Best Actor of 1955

 

1.  LAURENCE OLIVIER (Richard, Duke of Gloucester/King Richard III), Richard III

2.  ERNEST BORGNINE (Marty Pilletti), Marty

3.  SPENCER TRACY (John J. Macreedy), Bad Day at Black Rock

4.  JAMES DEAN (Cal Trask), East of Eden

5.  JAMES CAGNEY (Martin "the Gimp" Snyder), Love Me or Leave Me

 

6.  JAMES DEAN (Jim Stark), Rebel Without a Cause

7.  FREDRIC MARCH (Daniel C. Hilliard/"Claude Wally"), The Desperate Hours

8.  ALEC GUINNESS (“Professor Marcus”/”Doc”), The Ladykillers +

9.  MICHAEL REDGRAVE  (Air Marshal Hardie), The Night My Number Came Up

10. HUMPHREY BOGART (Glenn Griffin/"Mr. James"), The Desperate Hours

 

and ...

 

FRANK SINATRA (Frankie ‘Dealer’ Machine), The Man With the Golden Arm

TOM EWELL (Richard Sherman), The Seven Year Itch

DANNY KAYE (Hubert Hawkins/"The Black Fox"/"the incomparable Giacamo"), The Court Jester

RICHARD TODD (Reverend Peter Marshall), A Man Called Peter

WILLIAM HOLDEN (Mark Elliott), Love Is a Many Splendored Thing

MARLON BRANDO (Sky Masterson), Guys and Dolls

JEAN SERVAIS (Tony le Stephanois), Rififi

RAYMOND MASSEY (Capt. John Brown), Seven Angry Men

BRODERICK CRAWFORD (Augusto), Il Bidone

EDMUND GWENN (Capt. Albert Wiles), The Trouble With Harry

 

+ A bit of trivia: Apparently Guinness' Professor Marcus is a caricature of theatre critic, Kenneth Tynan

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Italy’s Film Industry Awards, the David di Donatello Awards were first handed out in 1956 honouring films and performances from 1955.  Here are their winners …

 

Best Actor

Vittorio De Sica, Scandal In Sorrento

 

Best Actress

Gina Lollobrigida, Beautiful But Dangerous

 
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The Golden Globe Awards for 1955 were …

 

Best Actor in a Drama

Ernest Borgnine, Marty*

 

Best Actress in a Drama

Anna Magnani, The Rose Tattoo*

 

Best Actor in a Comedy or Musical

Tom Ewell, The Seven Year Itch*

 

Best Actress in a Comedy or Musical

Jean Simmons, Guys and Dolls*

 

Best Supporting Actor

Arthur Kennedy, Trial*

 

Best Supporting Actress

Marisa Pavan, The Rose Tattoo*

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Japan’s Blue Ribbon Awards for 1955 were …

 

Best Actor

Hisaya Morishige, Meoto Zenzai

 

Best Actress

Chikage Awashima, Meoto Zenzai

 

Best Supporting Actor

Daisuke Kato, Bloody Spear on Mount Fuji and Koko Ni Izumi Ari

 

Best Supporting Actress

Isuzu Yamada, Adolescence

 

—————————————————————————————

 

Japan’s Mainichi Awards for 1955 were …

 

Best Actor

Hisaya Morishige, Meoto Zenzai, House of Many Pleasures, Policeman’s Diary and Jinsei Tombo Gaeri

 

Best Actress

Hideko Takamine, Floating Clouds

 

Best Supporting Actor

Keiju Kobayashi, Koko Ni Izumi Ari

 

Best Supporting Actress

Sachiko Hidari, Ofukuro and Jinsei Tombo Gaeri

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Here are the films from 1955 that were mentioned that I have not seen as yet. 

 

Adolescence with Isuzu Yamada

The Bespoke Overcoat with Alfie Bass

Bloody Spear on Mount Fuji with Daisuke Kato

Cast a Dark Shadow with Dirk Bogarde, Margaret Lockwood, Kay Walsh and Mona Washbourne

Daddy Long Legs with Leslie Caron

The Deep Blue Sea with Kenneth More

The Devil’s General with Curd Jurgens

Floating Clouds with Hideko Takamine

Heroes and Sinners with Curd Jurgens

House of Many Pleasures with Hisaya Morishige

I Died a Thousand Times with Jack Palance

Jinsei Tombo Gaeri with Hisaya Morishige and Sachiko Hidari

Koko Ni Izumi Ari with Daisuke Kato and Keiju Kobayashi

The Long Gray Line with Tyrone Power and Maureen O’Hara

Marianne de ma Jeuness with Marianne Hold (this was made in French and German versions and Hold was in both)

Meoto Zenzai with Hisaya Morishige and Chickage Awashima

Ofukuro with Sachiko Hidari

Ordet with Henrik Malberg, Preben Lerdoff Rye, Emil Haas Christensen, Cay Kristiansen and Birgitte Federspiel

The Phenix City Story with Edward Andrews

Policeman’s Diary with Hisaya Morishige

The Prisoner with Alec Guinness and Jack Hawkins

The Shrike with Jose Ferrer and June Allyson

Sissi with Romy Schneider

The Tender Trap with Frank Sinatra, Debbie Reynolds, David Wayne and Celeste Holm

Touch and Go with Margaret Johnson

The View From Pompey’s Head with Marjorie Rambeau

 

And I would like to see these again …

 

Davy Crockett, King of the Wild Frontier for Buddy Ebsen

Hell on Frisco Bay for Edward G. Robinson

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Here are the films from 1955 that were mentioned that I have not seen as yet. 

 

I Died a Thousand Times with Jack Palance

The Long Gray Line with Tyrone Power and Maureen O’Hara

Ordet with Henrik Malberg, Preben Lerdoff Rye, Emil Haas Christensen, Cay Kristiansen and Birgitte Federspiel

The Phenix City Story with Edward Andrews

 

These are the few that I've seen. I Died a Thousand Times is the widescreen, Technicolor remake of High Sierra. It doesn't rise to the excellence of that earlier film, but it was much better than I expected, and Palance gives one of his better, more relatable performances. The supporting cast includes Shelley Winters, Lee Marvin, Lon Chaney Jr, Earl Holliman, and the debut of Dennis Hopper.

 

The Long Gray Line was written about by Swithin recently, so you know about that one.

 

Ordet was in my top ten films of the year. If you know Carl Theodor Dreyer's style, you know what to expect. It's not for everyone. I thought it was powerful, and even haunting in places.

 

The Phenix City Story is also on my top ten list. Many people blast the opening, newsreel-like 15 minutes or so. After that, though, the film becomes a brutal, noir-ish true crime story that really shocked and/or offended audiences with its nasty violence for the time. 

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Here are the 1955 films I have not seen:

 

Adolescence 

Beautiful But Dangerous

The Bespoke Overcoat

Bloody Spear on Mount Fuji

Carrington V.C./Court Martial

Cast a Dark Shadow

The Court Jester

The Criminal Life of Archibaldo de la Cruz

Daddy Long Legs

Davy Crockett: King of the Wild Frontier

Death of a Cyclist

The Deep Blue Sea

The Devil's General

Dreams

Floating Clouds

Good Morning, Miss Dove

Hell On Frisco Bay

Heroes and Sinners

House of Many Pleasures

I Am a Camera

Il Bidone

It's a Dog's Life

It's Always Fair Weather

Jinsei Tombo Gaeri

A Kid for Two Farthings

Koko Ni Izumi Ari

A Man Called Peter

Marianne de ma Jeunesse

Meoto Zenzai

My Sister Eileen

The Night My Number Came Up

Ofukuro

Oklahoma!

Policeman's Diary

Princess Yang Kwei Fei

The Prisoner

Queen Bee

The Rains of Ranchipur

Scandal in Sorrento

The Shrike

Sincerely Yours

Sissi

Tennessee's Partner

Touch and Go

Unchained

The View from Pompey's Head

The Virgin Queen

 

 

I have taped/acquired these but have not yet watched:

 

The End of the Affair

Mr. Arkadin

The Tender Trap

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And I would like to see these again …

 

Hell on Frisco Bay for Edward G. Robinson

 

Hell on Frisco Bay is a deliberate throwback by Warner Brothers to the gangster flicks that had made the studio popular in the '30s. There are no great surprises in the story here but it is a slick, proficient tough guy drama, featuring a stoic Alan Ladd as an ex-cop just released from prison for a murder he didn't commit out to find the man who did it. His suspicions naturally fall upon Edward G. Robinson, head of a local Frisco mob.

 

Robinson, as a sort of aging Johnny Rocco, is dynamic in his scenes, dominating each one in which he appears. He is hard edged and ruthless, even resorting to having a family member knocked off when he becomes a bother to him. Robinson is also allowed to add a touch of sadism to his character, remorselessly poking fun at an underling for a facial tic.

 

The supporting cast is strong, including Joanne Dru as Ladd's ex, Paul Stewart as a sympathetic gangster and Fay Wray as a former Hollywood star, now Stewart's girlfriend, who dislikes and then despises Robinson.

 

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Here are the 1955 films I have not seen:

 

I Am a Camera

 

 

If I had to pick one to recommend, Lawrence it might be I am a Camera.  The under-used and appreciated, Julie Harris is great as usual but it is probably most interesting to see as the original non-musical version of Cabaret (1972).  All of which you probably know! I wonder if this appears on TCM?

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Hets ("The Word") is a Danish drama based on a play by Kaj Munk. Like in Day of Wrath Carl Theodor Dreyer addresses the theme of religious fanatism. It's about a father and his three sons, each with a different view on religion. The most interesting is the middle son Johannes (Preben Lerdorff Rye), who believes he's Jesus. It has philosophical depth, good dialogues and a beautiful black and white cinematography.

 

Sissi must be one of the most romantic movies ever. The trilogy is always on Dutch and German TV in the Christmas period. It used to be hugely popular in Europe, but to a modern movie audience it looks slow and old-fashioned. It's a romanticized account of the life of Empress Elisabeth of Austria, the wife of Franz Joseph I. Before her marriage she was a carefree Bavarian child, then she got submerged in an environment of luxury, etiquette and politics. A lot of the shooting was done on historical places like the Schönbrunn Palace in Vienna. Romy Schneider tried for the rest of her career to get rid of that soft and docile Sissi image by taking on completely different roles, but to many people she will always be remembered as this aristocratic sweetheart.

 

Daddy Long Legs is another dance musical with Fred Astaire. He plays an American millionaire who anonymously finances the education of a French orphan girl. For Leslie Caron, who worked as a ballerina until she was discovered by Gene Kelly, they had to create a character who could speak English with a French accent. Fred Astaire was very fit for a 56-year old. It's a fun watch, but it lacks originality.

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It’s time for 1956.  We will be on 1956 for one week so plenty of time for everyone to respond.

 

Here are Oscar’s choices for 1956.  Winners in bold. 

 

Best Actor

 

Yul Brynner, The King and I*

James Dean, Giant

Kirk Douglas, Lust For Life

Rock Hudson, Giant

Laurence Olivier, Richard III  (55)

 

Best Actress

 

Ingrid Bergman, Anastasia*

Carroll Baker, Baby Doll

Katharine Hepburn, The Rainmaker

Nancy Kelly, The Bad Seed

Deborah Kerr, The King and I

 

Best Supporting Actor

 

Anthony Quinn, Lust For Life*

Don Murray, Bus Stop  +

Anthony Perkins, Friendly Persuasion

Mickey Rooney, The Bold and the Brave

Robert Stack, Written on the Wind

 

Best Supporting Actress

 

Dorothy Malone, Written on the Wind*  

Mildred Dunnock, Baby Doll

Eileen Heckart, The Bad Seed

Mercedes McCambridge, Giant

Patty McCormack, The Bad Seed

 

+ I think Don Murray belongs in the leading actor category for Bus Stop.  He may have ended up in the supporting category because he was a relatively new star.  But his role in Bus Stop is the central one.

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The New York Film Critics Circle Awards for 1956 were:

 

Best Actor

Kirk Douglas, Lust For Life*

Yul Brynner, The King and I, Anastasia, The Ten Commandments

Laurence Oliver Richard III (55)

 

Best Actress

Ingrid Bergman, Anastasia*

Deborah Kerr, The King and I, Tea and Sympathy

 

—————————————————————————————————

 

The National Board of Review Awards for 1956 were…

 

Best Actor

Yul Brynner, The King and I, Anastasia, The Ten Commandments*

 

Best Actress

Dorothy McGuire, Friendly Persuasion*

 

Best Supporting Actor

Richard Basehart, Moby Dick*

 

Best Supporting Actress

Debbie Reynolds, The Catered Affair*

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1956

 

I had trouble filling out the Best Actress category this time around. In the men's category, you'll notice my pick for Entertainer of the Year, despite his not winning.

 

BEST ACTOR

John Wayne  The Searchers****

Yul Brynner  The King & I

James Mason  Bigger Than Life

Kirk Douglas  Lust for Life

Yul Brynner  The Ten Commandments

Rock Hudson  Giant

Shoji Yasui  The Burmese Harp

Roger Duchesne  Bob le flambeur

Yul Brynner  Anastasia

Henry Fonda  The Wrong Man

James Dean  Giant

 

BEST ACTRESS

Elizabeth Taylor  Giant****

Deborah Kerr  The King & I

Ingrid Bergman  Anastasia

Anne Francis  Forbidden Planet

Vera Miles  The Wrong Man

 

BEST SUPPORTING ACTOR

Timothy Carey  The Killing****

Rod Steiger  Jubal

Hank Worden  The Searchers

Walter Pidgeon  Forbidden Planet

Robert Stack  Written On the Wind

Anthony Quinn  Lust for Life

Koji Tsuruta  Samurai 3: Duel at Ganryu Island

Edward G. Robinson  The Ten Commandments

Earl Holliman  Forbidden Planet

Dennis Hopper  Giant

 

BEST SUPPORTING ACTRESS

Marie Windsor  The Killing****

Elsa Cardenas  Giant

Olive Carey  The Searchers

Dorothy Malone  Written On the Wind

Nina Foch  The Ten Commandments

Eileen Heckart  The Bad Seed

Rita Moreno  The King & I

 

BEST JUVENILE PERFORMANCE

Patty McCormack  The Bad Seed****

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Here are my choices of the 94 films I've seen from 1956 for…

 

Best Supporting Actress of 1956

 

1.  DOROTHY MALONE (Marylee Hadley), Written on the Wind

2.  HARUKO SUGIMURA (Someka), Flowing

3.  BRENDA DE BANZIE (Mrs. Lucy Drayton), The Man Who Knew Too Much

4.  EILEEN HECKART (Ma Barbella), Somebody Up There Likes Me

5.  MARJORIE MAIN (“Widow” Hudspeth), Friendly Persuasion

 

6.  JAN STERLING (Beth Willis), The Harder They Fall

7.  MILDRED DUNNOCK (Aunt Rose Comfort), Baby Doll

8.  PATTY MCCORMACK (Rhona Penmark), The Bad Seed

9.  ANN HARDING (Mrs. Hopkins), The Man In the Gray Flannel Suit

10. HELEN HAYES (the Dowager Empress Maria Feodorovona of Russia),  Anastasia

 

and ...

 

ELIZABETH WILSON (Marge Fleming), Patterns

JOANNE WOODWARD (Dorothy ‘Dorie’ Kingship), A Kiss Before Dying

MARIE WINDSOR (Sherry Peatty), The Killing

BEATRICE STRAIGHT (Nancy Staples), Patterns

MARTITA HUNT (Baroness Elena von Livenbaum), Anastasia

EILEEN HECKART (Hortense Daigle), The Bad Seed

SYLVA KOSCINA (Guilia Marcocci), The Railroad Man

VERA MILES (Laurie Jorgensen), The Searchers

MERCEDES MCCAMBRIDGE (Luz Benedict), Giant

EILEEN HECKART (Vera), Bus Stop

OLIVE CAREY (Mrs. Jorgensen), The Searchers

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Here are my choices of the 94 films I've seen from 1956 for…

 

Best Supporting Actor of 1956

 

1.  ANTHONY QUINN (Paul Gauguin), Lust for Life

2.  WALTER PIDGEON (Col. Edward W. Hall, Sr.), The Rack

3.  ROD STEIGER (Nick Benko), The Harder They Fall

4.  ED BEGLEY (William “Bill” Briggs), Patterns

5.  LEO GENN (Starbuck), Moby Dick

 

6.  ELISHA COOK, JR. (George Peatty), The Killing

7.  ANTHONY PERKINS (Josh Birdwell), Friendly Persuasion

8.  ARTHUR O'CONNELL (Virgil Blessing), Bus Stop

9.  HARRY ANDREWS (Stubb), Moby Dick

10. TREVOR HOWARD (Mr. Browne), Run For the Sun

 

and ...

 

MICKEY ROONEY (Willy Dooley), The Bold and the Brave

SAL MINEO (Romolo), Somebody Up There Likes Me

ROBERT STACK (Kyle Hadley), Written on the Wind

JAMES DONALD (Theo Van Gogh), Lust For Life

EVERETT SLOANE (Walter Ramsey), Patterns

PETER FINCH (Captain Hans Langsdorff, the Admiral Graf Spee), The Battle of the River Plate

SARO URZI (Gigi Liverani), The Railroad Man

AKIM TAMIROFF (Boris Chernov), Anastasia

WARD BOND (Capt. Rev. Samuel Johnson Clayton), The Searchers

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My performance picks for 1956:

 

BEST ACTOR

 

John Wayne, THE SEARCHERS

Yul Brynner, THE KING AND I

Kirk Douglas, LUST FOR LIFE

James Mason, BIGGER THAN LIFE

Don Murray, BUS STOP

 

Honourable Mention: Gary Cooper in Friendly Persuasion, Humphrey Bogart in The Harder They Fall, Robert Taylor in The Last Hunt, Paul Newman in Somebody Up There Likes Me, Yul Brynner in The Ten Commandments.

 

BEST ACTRESS

 

Dorothy McGuire, FRIENDLY PERSUASION

Marilyn Monroe, BUS STOP

Ingrid Bergman, ANASTASIA

Deborah Kerr, THE KING AND I

Vera Miles, THE WRONG MAN

 

BEST SUPPORTING ACTOR

 

Anthony Quinn, LUST FOR LIFE

Anthony Perkins, FRIENDLY PERSUASION

Rod Steiger, THE HARDER THEY FALL

Eddie Albert, ATTACK

Ward Bond, THE SEARCHERS

 

Honourable Mention: Elisha Cook Jr. in The Killing, Arthur O'Connell in Bus Stop, Robert Middleton in Friendly Persuasion.

 

BEST SUPPORTING ACTRESS

 

Marjorie Main, FRIENDLY PERSUASION

Dorothy Malone, WRITTEN ON THE WIND

Eileen Heckart, THE BAD SEED

Celeste Holm, HIGH SOCIETY

Brenda De Banzie, THE MAN WHO KNEW TOO MUCH

 

Honourable Mention: Marie Windsor in The Killing.

 

Best Juvenile Performance

 

Patty McCormack in The Bad Seed

 

From The Sublime to the Ridiculous Award

 

John Wayne in The Searchers and The Conqueror

 

Bizarro of the Year Award

 

Timothy Carey in The Killing

 

Actor of the Year Award

 

Yul Brynner, for The King and I, The Ten Commandments and Anastasia

 

tumblr_mtv5z3p9nC1qakh43o2_500.gif

 

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1956 Favorites


Best Actor

 
Yul Brynner (The King and I)
Kirk Douglas (Lust for Life)
Kevin McCarthy (Invasion of the Body Snatchers)
Alastair Sim (The Green Man)
James Stewart (The Man Who Knew Too Much)


Best Actress
 
Carroll Baker (Baby Doll)
Ingrid Bergman (Anastasia)
Doris Day (The Man Who Knew Too Much)
Ava Gardner (Bhowani Junction)
Deborah Kerr (Tea and Sympathy; The King and I)
 
Best Supporting Actor
 
Cecil Parker (23 Paces to Baker Street)
Walter Pidgeon (Forbidden Planet)
Anthony Quinn (Lust for Life)
Eli Wallach (Baby Doll)
John Williams (The Solid Gold Cadillac)
 
Best Supporting Actress

Karuna Banerjee (Aparajito)
Brenda de Banzie (The Man Who Knew Too Much)
Helen Hayes (Anastasia)
Peggy Mount (Sailor Beware)
Neva Patterson (The Solid Gold Cadillac)
 
Best Musical Scenes
 
“Why Hides the Sun?” (The Man Who Knew Too Much) — One of the most brilliant uses of music in any film, ever!
“Que Sera Sera” (The Man Who Knew Too Much)
"Storm Clouds Cantata" by Arthur Benjamin; conducted by Bernard Herrmann (The Man Who Knew Too Much)
“You’ll Never Walk Alone” sung by Claramae Turner (Carousel)
“Hungarian Rhapsody” Trio (The Green Man)
 
Best Line
 
"Years from now when you talk about this — and you will — be kind.” (Tea and Sympathy)
 
 
green-man-the-trio-makes-eyes-at-the-kna
 
The amazing ladies playing the trio in The Green Man.
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