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Your Favourite Performances from 1929 to present are...


Bogie56
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Dr. Strangelove aside, my favourite Peter Sellers film characterization is Union Shop Steward, Fred Kite in I'm All Right Jack (1959).  The film brilliantly pokes fun at union/management wars in Britain without taking sides.  

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Kite is a buffoonish radical left-wing unionist who will take "his men" out on strike at the plant without the slightest hesitation.  Management has replaced the Nazis as the 'enemy.'  Enter the classic English twit, Stanley Windrush played by Ian Carmichael who's efficiency at his new plant job threatens to embarrass the rest of the men and up production demand.  Kite has no choice but to take 'the brothers' out on strike.  And in this crazy world, any local strike could lead to a nation-wide general sympathy strike.

To further complicate matters, Windrush has taken a bed-sitting room in Kite's home and Fred's wife (Irene Handl) and sex-pot daughter, Cynthia (Liz Fraser) have become quite fond of him.  Cynthia also works at the plant - as a spindle polisher!

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1959 was a great year for westerns: Day of the Outlaw, Ride Lonesome, The Hanging Tree, Warlock, These Thousand Hills. I also consider They Came to Cordura a western. Gary Cooper gives two of best performances in The Hanging Tree and They Came to Cordura. Burl Ives is stupendous in Day of the Outlaw, an intelligent, partially sympathetic villain who gets one of the greatest entrances in any movie. Andre de Toth's direction of this winter-bound western is brilliant, and Robert Ryan, as usual, is first-rate. Ride Lonesome is one of my two favorite Budd Boetticher films. Don Murray was never better than as the initially innocent cowboy in These Thousand Hills, and Lee Remick, no surprise, is outstanding as a warm-hearted floozy.

 

As for the darkly interesting Warlock, this is probably Edward Dmytryk's best 1950s film, and where else do you get to see Anthony Quinn with a crush on Henry Fonda? Add Richard Widmark and Dorothy Malone, and you have an excellent cast. Warlock is the name of a town, by the way. The color cinematography by Joe MacDonald is almost beyond praise. We're used to the brown-toned overkill of the 1970s which I call "Sepia Sludge"--see Heaven's Gate, McCabe and Mrs. Miller among many others--or today's overkill with colored filters, but MacDonald uses a brown-forward palette but with touches of other colors. Almost every shot is an exquisite composition with the use of these color accents, yet the cinematography never calls attention to itself.

 

On a continent far away: my award for Best Cast for 1959 would go to The Nun's Story, but a close contender comes from France, Marie-Octobre. Although this isn't one of Julien Duvivier's best 1950s films, it's still a good story with a fabulous cast headed by Danielle Darrieux, Serge Reggiani, Bernard Blier, and Lino Ventura. Someone betrayed a resistance group to the Nazis, and the surviving members are assembled, Agatha Christie style, at the elegant home of the woman known during the Resistance as Marie-Octobre (Darrieux). An obvious suspect is Blier, known to have been a fascist before the war, but suspicion goes back and forth as more of the story is revealed. As one imdb reviewer noted, the film would have been even better with extensive flashbacks to the war era. The producers probably spent all their money on the cast, however. This film is available online, and I definitely recommend it.

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Here are Danny Peary’s Alternate Oscar choices for 1959.  Winners in bold.  

 

Best Actor

Jack Lemmon, Some Like It Hot*

Tony Curtis, Some Like It Hot

Cary Grant, North by Northwest

Dean Martin, Rio Bravo

Paul Muni, The Last Angry Man

John Wayne, Rio Bravo

 

Best Actress

Marilyn Monroe, Some Like It Hot*

Angie Dickinson, Rio Bravo

Audrey Hepburn, The Nun’s Story

Lee Remick, Anatomy of a Murder

Eva Marie Saint, North by Northwest

Simone Signoret, Room at the Top (58/59)

 

 

And here are Michael Gerbert’s Golden Armchair choices for 1959:

 

Best Actor

Jack Lemmon, Some Like It Hot*

 

Best Actress

Marilyn Monroe, Some Like It Hot*

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I've been trying to decide on my picks for performances of the decade, and it's turning out to be more difficult than in previous decades. I didn't have a problem choosing Best Actor or Best Supporting Actress; to me, those two had clear winners. But the remaining three categories are proving troublesome.

 

It's really coming down to that old argument between performances that are your favorite, and those may be more technically proficient. My choice for Best Actress is narrowed to two choices, where as my Best Supporting Actor has one that I would pick as my favorite, but it isn't the most nuanced, if you know what I mean. And with the Best Juvenile, there are 5 clear front runners: 2 of them are wonderfully naturalistic, with nary an artificial moment. But the remaining three are more moving, and mean more to me personally, even if they have moments of "Hollywood kid acting".

 

So any help in making a decision would be appreciated. I don't want anyone to pick the actual performance, but should I lean more toward personal favorites, or more relatively objective technical accomplishment? 

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I'm afraid I can't help, Lawrence.  My choices are a blend of those two factors but somehow the answer is usually obvious to me.

 

I'll settle on personal favorites, then. That's what makes everyone's choices more interesting, anyway. 

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kingrat, thanks for the writeup on 1959 westerns. I've never seen Day of the Outlaw but I see that it's on You Tube so I will now take a look at it.

 

Ride Lonesome and The Hanging Tree are both favourites of mine. In fact, the Cooper film is one of my favourite westerns of the decade, a dark, moody tale with wonderful work by the cast and a sense of atmosphere in that little gold mining camp. The last outstanding performance of Coop's career, in my opinion, but everyone is good in that film.

 

By the way, a couple of rare Cooper films are coming on TCM in October - LILAC TIME, with Colleen Moore, a 1928 silent, and THE NAKED EDGE, his last film, a suspenser made in England, a little reminiscent of Hitchcock's Suspicion though not a quarter as good. Coop had the cancer that would take him when he made this film and his appearance, unfortunately, is pretty tired.

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Kay, there is no rule against being brief.  If you would like to give us a winner or two and perhaps a runner-up we would be most interested and will include it in our tally.

 

Okay, but now I've thoroughly made it sound like I've given this whole year the royal shaft, hah. I didn't mean to. I certainly wouldn't list something that wasn't list-worthy. Heaven forbids.

 

Meager list of 1959 favorites:

 

Actor
 

Jack Lemmon - Some Like It Hot***

Burt Lancaster - The Devil's Disciple
Cary Grant - North by Northwest

Vincent Price - The Tingler

Dick Miller - A Bucket of Blood

Zacharia Mgabi - Come Back, Africa (documentary) [this may not count, as he plays a fictionalized version of himself, but his portrayal is moving, and I recommended it as a rare slice of life in South Africa during apartheid.]

 
Actress

Katsuko Wakasugi - The Ghost of Yotsuya***

Supporting Actor

 
Fred Astaire - On the Beach***
 
Supporting Actress

Katherine Hepburn - Suddenly, Last Summer*****

Jessie Royce Landis - North by Northwest
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The Golden Globe Awards for 1959 were …

 

Best Actor in a Drama

Anthony Franciosca, Career*

Richard Burton, Look Back In Anger

Charlton Heston, Ben-Hur

Fredric March, Middle of the Night

Joseph Schildkraut, The Diary of Anne Frank

 

Best Actress in a Drama

Elizabeth Taylor, Suddenly, Last Summer*

Audrey Hepburn, The Nun’s Story

Katharine Hepburn, Suddenly, Last Summer

Lee Remick, Anatomy of a Murder

Simone Signoret, Room at the Top (58/59)

 

Best Actor in a Comedy or Musical

Jack Lemmon, Some Like It Hot*

Clark Gable, But Not For Me

Cary Grant, Operation Petticoat

Dean Martin, Who Was That Lady? (60)

Sidney Poitier, Porgy and Bess

 

Best Actress in a Comedy or Musical

Marilyn Monroe, Some Like It Hot*

Dorothy Dandridge, Porgy and Bess

Doris Day, Pillow Talk

Shirley MacLaine, Ask Any Girl

Lili Palmer, But Not For Me

 

Best Supporting Actor

Stephen Boyd, Ben-Hur*

Fred Astaire, On the Beach

Tony Randall, Pillow Talk

Robert Vaughn, The Young Philadelphians

Joseph N. Welch, Anatomy of a Murder

 

Best Supporting Actress

Susan Kohner, Imitation of Life*

Juanita Moore, Imitation of Life

Shelley Winters, The Diary of Anne Frank

Edith Evans, The Nun’s Story

Estelle Hemsley, Take a Giant Step

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Maybe this is a good time for a note about Career. I'll bet some people would look at Anthony Franciosa receiving the Golden Globe and say, "Wait a minute. Isn't that the guy who wasn't so hot in Film X (say, The Naked Maja)?" When Jean Simmons has to choose between him and Paul Douglas in This Could Be the Night, I want to holler out, "Monty, I'll trade both of them for whatever's behind Door #3."

 

And yet Franciosa's award for Career isn't unreasonable, though he wouldn't have been my top choice. This film, based on a Broadway play by James Lee, is almost unknown, but is available online. Franciosa plays an aspiring actor who leaves his sweet wife behind in the Midwest to go to New York. He meets with little success, but does get cast in an off-Broadway play directed by Dean Martin, a go-getter both personally and professionally. Martin is interested in a lovely but kooky gal with a drinking problem (Shirley MacLaine), mainly because her father is a top Broadway producer. Franciosa finds a sympathetic friend in his agent (Carolyn Jones), formerly an unsuccessful actress.

 

All four stars give memorable performances. Nobody plays kooky gals like Shirley MacLaine. Carolyn Jones is enough like her in type to make me wonder if she would have played some of MacLaine's roles had Shirley decided on another career. Carolyn Jones has the larger role in this film, and she makes every glance, every intonation count. Though he probably didn't know it at the time, Dean Martin is at the height of his movie career--he's really good in Some Came Running, Rio Bravo, and Career. Martin is so good as a villain in Career that it's unfortunate he didn't get the opportunity to play more of them.

 

Career actually mentions blacklisting. When Franciosa almost gets his big break, it's taken away because he has been linked with Communists. Dean Martin admits that he joined the party, purely because he thought it would help his career.

 

As for Franciosa, when he's playing a talented actor who can't quite make it to the top, how can he not think he's playing his own life? He's passionate and believable, and not over the top. This is as solid as his work in A Hatful of Rain.

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The San Sebastian Film Festival is one of the world’s oldest having started in 1953.  Sorry I missed posting it until now.  I’ve discovered it often has interesting choices for its acting awards. It takes a few years to get going and become a bit more international in scope.  Here is a recap of the previous awards and those that were handed out in 1959.

 

Best Actor 1953

Francisco Rabel, There Is a Path to the Right

Best Actress 1953

Julia Martinez, There Is a Path to the Right

Best Actor 1954

Enrique Diosdado, North Wind

Best Actress 1954

Marisa de Leza, La Patrulla

none awarded in 1955

Best Actor 1956

Alberto Closas, Todos Somas Necesarios

Best Foreign Actor 1956

O.E. Hasse, Canaris (54)

Best Foreign Actress 1956

Luisa Della Doce, The Railroad Man

Best Actor 1957

Charles Vanel, Burning Fuse

Best Actress 1957

Giulietta Masina, Nights of Cabiria

Best Actors 1958

Kirk Douglas, The Vikings

James Stewart, Vertigo

Best Actress 1958

Jacqueline Sassard, March’s Child

Best Actor 1959

Adolfo Marsallach, Leap to Fame

Best Actress 1959

Audrey Hepburn, The Nun’s Story

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The 1959 Berlin International Film Festival winners were…

 

Best Actor

Jean Gabin, The Magnificent Tramp

 

Best Actress

Shirley MacLaine, Ask Any Girl

 

——————————————————————————————

 

The 1959 Cannes Film Festival winners were…

 

Best Actors

Dean Stockwell, Bradford Dillman and Orson Welles, Compulsion

 

Best Actress

Simone Signoret, Room at the Top (58/59)

 

—————————————————————————————

 

The Moscow International Film Festival began in August of 1959.  It is held every two years until 2000 when it becomes an annual event.  It is interesting to see when it becomes more international in scope and which years it chooses to award films from Soviet satellite countries.  Its 1959 winners were …

 

Best Actor

Wienczyslaw Glinski, Bronislaw Pawlik and Aleksander Sewruk, Orzel/The Eagle

 

Best Actress

Pureviin Tsevelsuren, Ardyn Elch/A Messenger of the People

 

—————————————————————————————

 

The 1959 Venice Film Festival winners were:

 

Best Actors

James Stewart, Anatomy of a Murder

 

Best Actress

Madeleine Robinson, A Double Tour

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What if there were a 1950s film that showed women working successfully in administration, medicine, teaching, and even as Resistance fighters against the Nazis? The catch, of course, is that all of these women are nuns, for I'm talking about The Nun's Story. If you want to study the problems that a CEO faces, take a good look at Edith Evans' scenes. What a cast: nine of the actors had been or would be nominated for Oscars--Audrey Hepburn, Peter Finch, Dean Jagger, Edith Evans, Peggy Ashcroft, Mildred Dunnock, Beatrice Straight, Patricia Collinge, and Barbara O'Neil. For good measure let's add Colleen Dewhurst, Ruth White, and Rosalie Crutchley. Audrey Hepburn, probably the greatest fashion plate in movie history, has to wear a nun's habit, and this wonderfully charming actress can't use any of her charm. For many of her admirers, this is her greatest achievement, the one that forces her to dig deeply within herself.

 

Robert Anderson (a friend of our movie buddy Swithin) made the outstanding adaptation from Kathryn Hulme's novel. Fred Zinnemann drew on his roots in documentary in the opening section, which shows the process by which a young woman at that time became a nun. Non-Catholics may find this part of the film horrifying. The Nun's Story gains immeasurably from being shot on location; from now on, all of Zinnemann's films would be made in countries other than the United States.

 

By now Zinnemann is being to receive his due as a director. Martin Scorsese has written warmly about his admiration for The Nun's Story. What seems clear to me on re-watchings is that with Zinnemann's characteristic objectivity, each small piece of the picture is in perfect relationship with every other piece of the mosaic. Nothing is scanted or overemphasized. This pays enormous dividends in the romantic tension between Sister Luke and Dr. Fortunati; these feelings are acknowledged, at least silently, but we're a long way from the melodrama of The Sins of Rachel Cade. The complex shot where the doctor first encounters Sister Luke on his way to something more important is perfection, and so is the editing of the last scene between the two, as Sister Luke leaves on the train. The final scene of the film, which has been copied by other directors, is justly famous.

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1959 

 

Winner in BOLD

 

BEST PICTURE

 

Donald in Mathmagic Land (cartoon)

The Gazebo

Gidget

A Hole in the Head

North By Northwest

On the Beach

Operation Petticoat

Pillow Talk

Sleeping Beauty

Some Like it Hot

Suddenly, Last Summer

A Summer Place

The Wasp Woman

 

BEST ACTOR

 

Donald Duck, Donald in Mathmagic Land

Glenn Ford, The Gazebo

Cliff Robertson, Gidget

James Darren, Gidget

Frank Sinatra, A Hole in the Head

Cary Grant, North by Northwest

Gregory Peck, On the Beach

Cary Grant, Operation Petticoat

Tony Curtis, Operation Petticoat

Rock Hudson, Pillow Talk

Jack Lemmon, Some Like it Hot

Tony Curtis, Some Like it Hot

Montgomery Clift, Suddenly, Last Summer

Troy Donahue, A Summer Place

 

BEST ACTRESS

 

Debbie Reynolds, The Gazebo

Sandra Dee, Gidget

Eva Marie Saint, North by Northwest

Ava Gardner, On the Beach

Doris Day, Pillow Talk

Eleanor Audley, voice of Maleficent in Sleeping Beauty

Marilyn Monroe, Some Like it Hot

Elizabeth Taylor, Suddenly, Last Summer

Sandra Dee, A Summer Place

Susan Cabot, The Wasp Woman

 

BEST SUPPORTING ACTOR

 

Carl Reiner, The Gazebo

Edward G. Robinson, A Hole in the Head

James Mason, North by Northwest

Fred Astaire, On the Beach

Anthony Perkins, On the Beach

Tony Randall, Pillow Talk

Joe E. Brown, Some Like it Hot

Mike Mazurki, Some Like it Hot

Arthur Kennedy, A Summer Place

Richard Egan, A Summer Place

 

BEST SUPPORTING ACTRESS

 

Thelma Ritter, A Hole in the Head

Eleanor Parker, A Hole in the Head

Carolyn Jones, A Hole in the Head

Thelma Ritter, Pillow Talk

Beverly Willis, Some Like it Hot

Joan Shawlee, Some Like it Hot

Katharine Hepburn, Suddenly, Last Summer

Dorothy McGuire, A Summer Place

Constance Ford, A Summer Place

 

BEST QUOTES IN "SOME LIKE IT HOT"

 

DOLORES:

 

First you hear... "Have you heard the one about the one-legged jockey?" and Later... "So the one-legged jockey says: 'don't worry 'bout me baby, I ride side saddle!'"

 

JERRY/DAPHNE:

 

"No crackers in bed!" 

 

"You tore off one of my chests!" 

 

"I smoke! I smoke all the time" 

 

"I'm a boy. I'm a boy. I wish I were dead." 

 

MIKE MAZURKI:

 

"Buttermilk."

 

"My mashie!" 

 

MR. OSGOOD

 

"Nobody's perfect." 

 

...there are so many more great quotes from that film. The whole script is gold.

 

FUNNIEST IMPRESSION

 

Tony Curtis impersonating Cary Grant in Some Like it Hot.  "Nobody talks like that!" 

 

BEST SMACKDOWN

 

In A Summer Place, Constance Ford (Helen Jorgenson) expresses yet another prejudice against some group of people and husband Richard Egan (Ken Jorgenson) says:

 

Helen Jorgenson: [really angry now] No decent girl lets a boy kiss and maul her the very first night they meet! I suppose it's your Swedish blood in her. I've read about how the Swedes bathe together and... and have trial marriages and free love. I've read all about that. Anything goes.

Ken Jorgenson: [angry and disgusted] So, now you hate the Swedes. How many outlets for your hate do you have, Helen? We haven't been able to find a new house because of your multiplicity of them. We can't buy near a school because you hate kids. They make noise. And there can't be any Jews or Catholics on the block, either. And, oh, yes, it can't be anywhere near the Polish or Italian sections. And, of course, Negroes have to be avoided at all costs. Now, let's see: No Jews, no Catholics, no Italians, no Poles, no children. No Negroes. Do I have the list right, so far? And now, you've added Swedes. And, oh, yes, you won't use a Chinese laundry because you distrust Orientals. And you think the British are snobbish, the Russians fearful, the French immoral, the Germans brutal, and all Latin Americans lazy. What's your plan? To cut humanity out? Are you anti-people and anti-life? Must you suffocate every natural instinct in our daughter, too? Must you label young love-making as cheap and wanton and indecent? Must you persist in making sex, itself, a filthy word?

 

MOST DISTURBING SCENE

 

Constance Ford forcing daughter Sandra Dee to submit to an invasive physical examination to see if she's still a virgin in A Summer Place.

 

BEST THEME SONG

 

"The Theme From A Summer Place," From A Summer Place (duh!) 

 

BEST OPENING CREDITS

 

The credits from North by Northwest

 

WORST EXTRA

 

The little boy at the Mt. Rushmore cafeteria who covers his ears right before Eva Marie Saint "shoots" Cary Grant in North by Northwest.

 

BEST INNUENDO

 

The train into the tunnel scene at he conclusion of North By Northwest

 

MOST UNFAIRLY MALIGNED FILM ON THE TCM BOARDS

 

North By Northwest.  It's shown often because it's a damn good movie.

 

MOST SURPRISING DRAMATIC PERFORMANCE

 

Fred Astaire as the scientist in On the Beach who is tracking the radiation fallout.  

 

SADDEST MOVIE

 

On the Beach.  The ending of the film is tragic.  The entire film, even if there are happy moments, like Ava Gardner and Gregory Peck falling for each other at the dance, is completely bittersweet.  You know from the get go, that there is going to be no happy ending for these characters.

 

STRANGEST MOVIE

 

Hands down, Suddenly Last Summer.  What a bizarre movie.  Yet, I enjoy watching it.

 

BEST BATHING SUIT

 

Elizabeth Taylor's white one-piece bathing suit in Suddenly Last Summer.

 

BEST BODY

 

Wasp Woman after she transforms into an actual "Wasp Woman" due to having consumed too much of the wasp serum.  A woman's body with a wasp head? Hilarious.

 

HOTTEST CHARACTER

 

Prince Phillip in Sleeping Beauty.  For a cartoon character, he's smokin' hot. 

 

PLOT THAT COULD HAVE BEEN AVOIDED WITH ONE SIMPLE STEP:

 

In Sleeping Beauty:

 

Just invite Maleficent to the freaking party.  Then she wouldn't have cast the spell on your baby. 

 

BEST MOVIE ABOUT ONE OF MY LEAST FAVORITE TOPICS

 

About Math: Donald in Mathmagic Land

 

BEST MOVIE ABOUT ONE OF MY MOST FAVORITE TOPICS

 

Teen Beach Movies: Gidget

 

SPEEDRACER'S TAKEAWAY FROM "GIDGET"

 

Why is Gidget so hot for Big Kahuna? Moondoggie is way cuter, and he sings!

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Here are some performances from 1959 that will be recognized in subsequent years …

 

Italy’s David di Donatello Awards are given out in the summer which makes for split years.  Anna Magnani won the Best Actress Award in 58/59 for And the Wild Wild Women (1959).  Charlton Heston won the Best Foreign Actor Award for Ben-Hur (1959).

 

George Hamilton will be nominated for the BAFTA Best Foreign Actor Award in 1960 for Crime and Punishment, USA (1959).

 

Vladimir Ivashov will be nominated for the BAFTA Best Foreign Actor Award in 1961 for Ballad of a Soldier (1959).

 

Emmanuelle Riva will be nominated for the BAFTA Best Foreign Actress Award in 1960 for Hiroshima, Mon Amour (1959).

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Italy’s David di Donatello Awards for 1959 were …

 

Best Actor

Vittorio Gassman and Alberto Sordi, The Great War

 

Best Foreign Actor

Cary Grant, North by Northwest

 

Best Foreign Actress

Audrey Hepburn, The Nun’s Story*

 
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Japan’s Blue Ribbon Awards for 1959 were …

 

Best Actor

Hiroyuki Nagato, My Second Brother

 

Best Actress

Tanie Kitabayashi, Kiki to Isamu

 

Best Supporting Actor

Shoichi Ozawa, My Second Brother

 

Best Supporting Actress

Michiyo Aratama, The Human Condition I, The Human Condition II and I Want to be a Shellfish

 

—————————————————————————————

 

Japan’s Mainichi Awards for 1959 were …

 

Best Actor

Eiji Funakoshi, Fires on the Plain

 

Best Actress

Tanie Kitabayashi, Kiki to Isamu

 

Best Supporting Actor

Jukichi Uno, Ningen no Kabe

 

Best Supporting Actress

Kazuko Yoshiyuki, My Second Brother

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Notes on some 1959 films:

 

Middle of the Night is an older man/younger woman drama, but possibly more interesting for what it can't quite say. The characters in Paddy Chayefsky's Marty could be openly Italian, but the family in Middle of the Night can't quite say they are Jewish. (We had an extensive discussion about this a few years back.) Fredric March says he came to this country from Russia as a boy, and he works in the garment trade on Seventh Avenue. Those in the know will understand that this means he is Jewish. March, of course, seems WASP to the core--too bad Edward G. Robinson couldn't reprise his stage role--and his family seems mixed Jewish and gentile. The best performance, to my mind, comes from Joan Copeland as one of March's daughters. Copeland, who is Arthur Miller's sister, could have come from one of Woody Allen's films. She's smart, prickly, neurotic, but not bad-hearted, especially when her husband (Martin Balsam, in one of his good performances) forces her to confront herself. She brings a specific New York energy to a film that can really use it. Joan Copeland's career was more in the theater and on the daytime soaps, where she made an excellent villain or complicated heroine.

 

I just love Kon Ichikawa's Odd Obsession (Kagi, which means "the key"), a champagne cocktail of a film. An aging man has trouble satisfying his younger wife (Machiko Kyo). Jealousy seems to arouse him, however, so he arranges for the boyfriend of his daughter to pay attention to his wife. What could possibly go wrong? My favorite scene has the older man, in full traditional kimono, watching TV where a sexy young woman in a leotard is leading an exercise class. This is probably not available on DVD; I saw it on VHS.

 

The Journey is probably Anatole Litvak's most personal film. Born in Kiev, he worked in Germany, then France, then again escaping the Nazis he got to the United States. After making Decision Before Dawn in the ruins of Germany he moved back to Paris permanently. I had considered Litvak as a capable, if not outstanding, director of vehicles for star actresses: Bette Davis in All This and Heaven Too. Barbara Stanwyck in Sorry, Wrong Number, Ingrid Bergman in Anastasia and Goodbye Again, etc. However, The Snake Pit, The Long Night, Decision Before Dawn, and The Journey suggest a still better director.

 

The Journey is set in Hungary in 1956, as the Soviets have moved in to put down the anti-Communist rebellion. A group of tourists wants to get out of the country, but the airport is closed down. They are bused toward the Austrian border, but a Soviet officer (Yul Brynner) has the power to decide their fate. Deborah Kerr plays a married English aristocrat who is desperate to get her lover (Jason Robards, Jr.) out of the country. Although he has forged papers, he's really a Hungarian revolutionary wanted by the Soviets. He's been wounded, which makes matters even more difficult. To complicate matters further, Brynner falls for Kerr in a big way. They have just as good romantic chemistry here as in The King and I.

 

E.G. Marshall and Anne Jackson add a great deal of spice as an American couple; she's pregnant and close to term. Ronny Howard plays their young son. Anouk Aimee is a Hungarian revolutionary; Robert Morley, not camping it up for once, is an English journalist. Most of the film was shot in Austria, and actors speak their own languages. I'm not sure why The Journey has been so overlooked; a couple of posters recommended it to me, and I liked it as much as they did.

 

 

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Here are the films from 1959 that were mentioned that I have not seen as yet. 

 

And the Wild Wild Women with Anna Magnani and Giulietta Masina

Ask Any Girl with Shirley MacLaine

But Not For Me with Clark Gable and Lili Palmer

Come Dance With Me with Brigitte Bardot

The Cow and I with Fernandel

Crime and Punishment, USA with George Hamilton

The Crimson Kimono with James Shigeta

Day of the Outlaw with Robert Ryan and Burl Ives

The Devil’s Disciple with Laurence Olivier and Burt Lancaster

A Double Tour with Madeleine Robinson

The Great War with Vittorio Gassman and Alberto Sordi

The Hanging Tree with Gary Cooper, Maria Schell, Karl Malden and George C. Scott

A Hole In the Head with Frank Sinatra, Edward G. Robinson, Thelma Ritter, Eleanor Parker and Carolyn Jones

The Human Condition I with Michiyo Aratama

The Human Condition II with Michiyo Aratama

I Want to be a Shellfish with Michiyo Aratama

Kiku to Isamu with Tanie Kitabayashi

Leap to Fame with Adolfo Marsillach

Libel with Dirk Bogarde

The Magnificent Tramp with Jean Gabin

Marie-Octobre with Serge Reggiani, Danielle Darrieux, Bertrand Blier and Lino Ventura

A Messenger of the People with Purevin Tsevelsuren

Middle of the Night with Fredric March and Joan Copeland

My Second Brother with Hiroyuki Nagato, Shoichi Ozawa and Kazuko Yoshiyuki

Ningen no Kabe with Jukichi Uno

No Trees In the Street with Sylvia Syms

Odds Against Tomorrow with Ed Begley

Orzel with Wienczyslaw Glinski, Bronislaw Pawlik and Aleksander Sewruk

Porgy and Bess with Sidney Poitier, Dorothy Dandridge and Sammy Davis, Jr.

Take a Giant Step with Estelle Hemsley

These Thousand Hills with Lee Remick

They Came to Cordura with Gary Cooper

Yesterday’s Enemy with Stanley Baker and Gordon Jackson

 

And I would like to see these again …

 

Operation Petticoat for Cary Grant and Tony Curtis

A Summer Place for Troy Donahue, Sandra Dee and Arthur Kennedy

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Here are the films from 1959 that were mentioned that I have not seen as yet. 

 

The Devil’s Disciple with Laurence Olivier and Burt Lancaster

The Hanging Tree with Gary Cooper, Maria Schell, Karl Malden and George C. Scott

A Hole In the Head with Frank Sinatra, Edward G. Robinson, Thelma Ritter, Eleanor Parker and Carolyn Jones

Odds Against Tomorrow with Ed Begley

They Came to Cordura with Gary Cooper

 

I've seen these 5. I would recommend The Hanging Tree and Odds Against Tomorrow the most highly.

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Here are the 1959 movies I have not seen:

 

And the Wild, Wild Women

Ardyn Elch

Ask Any Girl

The Bridal Path

But Not for Me

Career

Carry On Nurse

Carry On Teacher

Come Back, Africa

Come Dance With Me!

The Cow and I

Crime & Punishment, USA

The Crimson Kimono

Day of the Outlaw** (I have this one taped)

A Double Tour

Expresso Bongo

The Gazebo

General Della Rovere

The Ghost of Yotsuya

Gidget

The Great War

The Human Condition

I Want to Be a Shellfish

Kiki to Isuma

Leap to Fame

Letter Never Sent

Libel

L'il Abner

The Magnificent Tramp

Marie-Octobre

Middle of the Night

My Second Brother

Nella citta l'inferno

Ningen no Kabe

No Trees In the Street

Operation Petticoat

Orzel

Our Man In Havana

Porgy and Bess

Sapphire

Take a Giant Step

These Thousand Hills

A Touch of Larceny

The World of Apu** (I have this one taped)

Yesterday's Enemy

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