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Your Favourite Performances from 1929 to present are...


Bogie56
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1961 - I haven't seen a lot from this year, though there's a handful of very good foreign films dominating the modest heap...

 

Actor
 
Gunnar Bjornstrand - Through a Glass Darkly*****
Martin Stephens - The Innocents (juvenile*)
Vincent Price - The Pit and the Pendulum
Toshiro Mifune - Yojimbo
Ralph Meeker - Something Wild
 
Actress
 
Harriet Andersson - Through a Glass Darkly***
Silvia Pinal - Viridiana
Deborah Kerr - The Innocents
Carroll Baker - Something Wild
 
Supporting Actor

Takashi Shimura - Yojimbo***
Fernando Rey - Viridiana
Tatsuya Nakadai - Yojimbo
Daisuke Kato - Yojimbo
Henry Hull - Master of the World
 

Supporting Actress

Isuzu Yamada - Yojimbo***
Karen Balkin - The Children's Hour (juvenile)
Ineko Arima - Zero Focus

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Here are the films from 1961 that were mentioned that I have not seen as yet. 

 

Accattone with Franco Citti

The Age of Marriage with Ayako Wakao

Arega Minato no hi da with So Yamamura

Bachelor In Paradise with Bob Hope

The Best of Enemies with Alberto Sordi

The Catch with Rentaro Mikuni

A Cold Wind in August with Lola Albright

Come September with Rock Hudson, Gina Lollobrigida and Sandra Dee

A Difficult Life with Lea Massari

Flower Drum Song with Miyoshi Umeki

Goodbye Again with Anthony Perkins

The Greengage Summer with Susannah York and Kenneth More

Hadakakko with Rentaro Mikuni

Haitoku no Mesu with Hiruzu Takachiho

Happiness of Us Alone with Hideo Takamine

The Human Condition Part 3 with Tatsuya Nakadai

Immortal Love with Tatsuya Nakadai and Hideo Takamine

The Important Man with Toshiro Mifune

Leon Morin, Pretre with Jean-Paul Belmondo

Mad Dog Coll with John Davis Chandler

A Majority of One with Rosalind Russell and Alec Guinness

Marriage Circle with Suchitra Sen

No Love For Johnnie with Peter Finch

Onna wa Nido Unameru with Ayako Wakao

Peduang with Bambang Hernanto

A Revolutionary Family with Lan Yu

Something Wild with Ralph Meeker and Carroll Baker

Thou Shall Not Kill with Suzanne Flon

A Wife Confesses with Ayako Wakao

The Young Savages with Shelley Winters

 

And I would like to see these again …

 

The Parent Trap for Hayley Mills, Hayley Mills, Brian Keith, Maureen O’Hara, Charles Ruggles, Joanna Barnes and Una Merkel

Underworld USA for Beatrice Kay

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Here are the films from 1961 that were mentioned that I have not seen as yet. 

 

Flower Drum Song with Miyoshi Umeki

Mad Dog Coll with John Davis Chandler

A Majority of One with Rosalind Russell and Alec Guinness

The Young Savages with Shelley Winters

 

These are the only ones I've seen. A Majority of One is okay as far as low-key romances go, with nice performances from the veteran leads. Flower Drum Song's appeal is determined by your tolerance of musicals of the sort. The Young Savages was also decent, a more serious, clinical look at JD's. It features John Davis Chandler, who also happens to star in Mad Dog Coll, a low-budget take on the notorious gangster. Chandler often played sleazy creeps in 60's and 70's films, but this was his biggest role. Pay attention at the beginning for a quick appearance by Gene Hackman, in his film debut, as a uniform cop. It isn't a great movie, but I probably enjoyed it more than the other three above.

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Here are the 1961 films I have not seen (****denotes films I have taped but not watched):

 

Accatone

The Age of Marriage

Arega Minato no hi da 

The Assassin

Babes In Toyland

Bachelor In Paradise

The Best of Enemies

The Catch

A Cold Wind In August

Come September

A Difficult Life

The End of Summer

Flight of the Lost Balloon

Goodbye Again

The Greengage Summer

Greyfriar's Bobby

Hadakakko

Haitoku no Mesu

Happiness of Us Alone

The Hoodlum Priest

The Human Condition

Il Posto

Immortal Love

The Important Man

Last Year at Marienbad

Leon Morin, Pretre

Lover Come Back

Marriage Circle

Murder, She Said

The Naked Edge

No Love for Johnnie

Onna wa Nido Inameru

The Parent Trap

Pedjuang

The Pleasure of His Company

A Revolutionary Family

Something Wild

Such a Long Absence 

A Taste of Honey****

Thou Shall Not Kill

Two Loves

Underworld USA****

Whistle Down the Wind

A Wife Confesses

A Woman Is a Woman

Zero Focus

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Whistle Down the Wind, based on the novel by Mary Hayley Bell (wife of John Mills, mother of Hayley Mills), tells the story of three children who believe that the escaped convict hiding in their barn is Jesus. Hayley Mills has said that Alan Bates was "the most beautiful Jesus ever." Filming in rural Lancashire is a plus; this helps the story be more believable. Along with professional child actors, like Hayley Mills, some of the local children were cast, most notably little Alan Barnes as her younger brother Charlie. Music by Malcolm Arnold and fine cinematography. Bryan Forbes, in his first job as a director, does a great job of pulling all these elements together and finding exactly the right tone.

 

When Whistle Down the Wind was shown at the 2011 TCM festival, I thought it would soon be appearing on TCM, which has not been the case. It is available on YouTube, however.

 

My other favorite from 1961 is IL POSTO (The Job; released in America as The Sound of Trumpets, but now generally known by its Italian title). Available from Criterion. TCM has shown it as well. This is a simple tale of a young man from a small town who passes a civil service exam and gets a job in the big city. Ermanno Olmi applies Antonioni-inspired visuals to this gentle comedy, and surprisingly this works.

 

Both Swithin and I like The Greengage Summer (USA title: Loss of Innocence), based on a novel by Rumer Godden. A young girl on the verge of womanhood (Susannah York) falls for a charming con man (Kenneth More). The story develops along predictable enough lines, but the process of getting there is what's important. Both Susannah York and Kenneth More give strong performances.

 

No Love for Johnnie is a political film from Britain starring Peter Finch in one of his best roles as a politician who faces corruption is both his personal and political lives. TCM has shown this, though only once in the last five or six years. A friend saw this on the big screen at a recent film festival and raved about it.

 

If you enjoy Margaret Rutherford, you'll probably like Murder She Said (and the subsequent Miss Marple films she did). She's not much like Agatha Christie's Miss Marple, but she's a lot of fun.

 

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anthing w/ mcqeen or Bronson

 

Steve was in only one film in 1961,  a comedy The Honeymoon Machine.   I haven't seen this film.  It has Jim Hutton and Paula Prentiss who were a sound comic team,  so I wonder how Steve faired in this farce.

 

Bronson was in two films but as a supporting actor in minor roles.

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Here are the 1961 films I have not seen

 

The Naked Edge

 

I mentioned on this thread a couple of weeks ago that TCM had both Lilac Time, a rare silent with Gary Cooper, as well as The Naked Edge, the actor's last film, scheduled to come on in October. Both films have now disappeared from the schedule. Most frustrating.

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Here are the 1961 films I have not seen (****denotes films I have taped but not watched):

 

Babes In Toyland

The End of Summer

Flight of the Lost Balloon

Greyfriar's Bobby

The Hoodlum Priest

Il Posto

Last Year at Marienbad

Lover Come Back

Murder, She Said

The Parent Trap

The Pleasure of His Company

Such a Long Absence 

A Taste of Honey****

Two Loves

Underworld USA****

Whistle Down the Wind

A Woman Is a Woman

Zero Focus

 

I've seen the one's you have listed above.  Lawrence, you probably have enough British titles to put together a mini-kitchen sink festival.  A Taste of Honey is quite a good Tony Richardson film and it features my choice for best supporting actress of the year, Dora Bryan who plays Rita Tushingham's irresponsible mother.

Greyfriar's Bobby is a film that I really liked as a kid and I had the chance to see it again a fews years ago.  Sure, it's a Disney animal picture with all its predictable fair but it does have a really good performance by Alex Mackenzie as Auld Jock, the dog's first owner.  Many actors would have made a meal out of this bit-part of an aged dying man but Mackenzie manages to straddle the fine line perfectly.

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Before we hit 1962 I would like to mention that I am going with the November 1962 UK release date for The L-Shaped Room and not 1963 Oscar contention date.  We are not judging films according to when they were released solely in Los Angeles.

 
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It’s time for 1962.  We will be on 1962 for one week so plenty of time for everyone to respond.

 

Here are Oscar’s choices for 1962.  Winners in bold. 

 

Best Actor

 

Gregory Peck, To Kill a Mockingbird* 

Burt Lancaster, Bird Man of Alcatraz

Jack Lemmon, Days of Wine and Roses

Marcello Mastroianni, Divorce - Italian Style (61)

Peter O’Toole, Lawrence of Arabia

 

Best Actress

 

Anne Bancroft, The Miracle Worker* 

Bette Davis, What Ever Happened to Baby Jane?

Katharine Hepburn, Long Day’s Journey Into Night

Geraldine Page, Sweet Bird of Youth

Lee Remick, Days of Wine and Roses

 

Best Supporting Actor

 

Ed Begley, Sweet Bird of Youth*

Victor Buono, What Ever Happened to Baby Jane?

Telly Savalas, Bird Man of Alcatraz

Omar Sharif, Lawrence of Arabia

Terence Stamp, Billy Budd  

 

Best Supporting Actress

 

Patty Duke, The Miracle Worker*  

Mary Badham, To Kill a Mockingbird

Shirley Knight, Sweet Bird of Youth

Angela Lansbury, The Manchurian Candidate

Thelma Ritter, Bird Man of Alcatraz

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Leading vs. Supporting Categories in 1962 …

 

I think there is no question that Terence Stamp rightfully belongs in the lead actor category for Billy Budd.  This is clearly a case of putting a newcomer in the support category.

I think Patty Duke’s supporting Oscar nomination was also the result of being a newcomer and a juvenile.  Her role in The Miracle Worker is a co-lead.

It’s been a while since I’ve seen Long Day’s Journey Into Night.  I have both Dean Stockwell and Jason Robards, Jr. in the supporting category though I know this is a very long movie.

 
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Here are my choices of the 97 films I've seen from 1962 for…

 

Best Supporting Actress of 1962

 

1.  SHELLEY WINTERS (Charlotte Haze Humbert), Lolita

2.  ANGELA LANSBURY (Mrs. Iselin/”Mrs. Shaw”), The Manchurian Candidate

3.  CICELY COURTNEIDGE (Mavis), The L-Shaped Room

4.  AVIS BUNNAGE (Doris Jeffries), The L-Shaped Room

5.  THELMA RITTER (Mrs. Elizabeth McCartney Stroud), Birdman of Alcatraz

 

6.  SHIRLEY KNIGHT (Heavenly Finley), Sweet Bird of Youth

7.  LILI PALMER (Frau Marianne Mollendorf), The Counterfeit Traitor

8.  COLLIN WILCOX (Mayella Violet Ewell), To Kill a Mockingbird

9.  ‘LOUISE’ SYLVIE (‘Granny’), Family Diary

10.  PATRICIA PHOENIX (Sonia), The L-Shaped Room

 

and ...

 

JULIE HARRIS (Grace Miller), Requiem for a Heavyweight

BETTY FIELD (Mrs. Stella Johnson Stroud), Birdman of Alcatraz

MARY BADHAM (Jean Louise Finch/"Scout"), To Kill a Mockingbird

MADELEINE SHERWOOD (Miss Lucy), Sweet Bird of Youth

GINA ROWLANDS (Jerri Bondi), Lonely Are the Brave

ROSEMARY MURPHY (“Meo” Maudie Atkinson), To Kill a Mockingbird

LORI MARTIN (Nancy Bowden), Cape Fear

VIRNA LISI (Francesca Ferrari), Eve/Eva

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Here are my choices of the 97 films I've seen from 1962 for…

 

Best Supporting Actor of 1962

 

1.  OMAR SHARIF (Sherif Ali Ibn El Kharish), Lawrence of Arabia

2.  ROBERT RYAN (John Claggart, Master d’Arms, Royal Navy), Billy Budd

3.  JACKIE GLEASON (Maish Rennick), Requiem for a Heavyweight

4.  ANTHONY QUINN (Auda Abu Tayi), Lawrence of Arabia

5.  ED BEGLEY ("Boss" Thomas J. Finley), Sweet Bird of Youth

 

6.  DEAN STOCKWELL (Edmund Tyrone), Long Day's Journey Into Night

7.  MICKEY ROONEY (Army), Requiem for a Heavyweight

8.  TELLY SAVALAS (Feto Gomez), Birdman of Alcatraz

9.  PETER SELLERS (Clare Quilty/Dr. Zempf), Lolita

10. LEE MONTAGUE (Squeak, “Assistant to Mr. Claggart”), Billy Budd

 

and ...

 

JASON ROBARDS, JR., (James “Jamie” Tyrone, Jr.), Long Day's Journey Into Night

KARL MALDEN (Warden Harvey Shoemaker), Birdman of Alcatraz

VICTOR BUONO (Edwin Flagg), What Ever Happened to Baby Jane?

CHARLES BICKFORD (Ellis Arnesen), Days of Wine and Roses

EDGAR BUCHANAN (Judge Tolliver), Ride the High Country

VICTOR JORY (Captain Arthur Keller), The Miracle Worker

ARTHUR KENNEDY (Jackson Bentley), Lawrence of Arabia

JACK HAWKINS (General Edmund Henry Hynman Allenby), Lawrence of Arabia

PAUL ROGERS (Phillip Seymour, 1st Lieutenant, Royal Navy), Billy Budd

CLAUDE RAINS (Mr. Dryden), Lawrence of Arabia

BROCK PETERS (Johnny), The L-Shaped Room

LEE MARVIN (Liberty Valance), The Man Who Shot Liberty Valance

MELVYN DOUGLAS (The Dansker, Sailmaker), Billy Budd

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1962

 

A few words about my choices: the winner in the Best Supporting Actress category will probably be my choice of the decade, as very few performances have affected me on such a visceral level as this. I couldn't stand the actress for years afterward because she was so successfully hateful in this film. I also apologize for the length of my Best Actor choices. This turned out to be one of the best years in the decade for lead actor performances, in my opinion.

 

BEST ACTOR

Robert Mitchum  Cape Fear****

Tatsuya Nakadai  Harakiri

Peter O'Toole  Lawrence of Arabia

Laurence Harvey  The Manchurian Candidate

Gregory Peck  To Kill a Mockingbird

Tom Courtenay  The Loneliness of the Long Distance Runner

Shintaro Katsu  The Tale of Zatoichi

William Shatner  The Intruder

Alberto Sordi  Mafioso

James Mason  Lolita

Terence Stamp  Billy Budd

Ralph Richardson  Long Day's Journey Into Night

Marlon Brando  Mutiny On the Bounty

Jack Lemmon  Days of Wine and Roses

Oskar Werner  Jules and Jim

Robert Preston  The Music Man

Sean Connery  Dr. No

Burt Lancaster  Birdman of Alcatraz

Timothy Carey  The World's Greatest Sinner

 

BEST ACTRESS

Anne Bancroft  The Miracle Worker****

Leslie Caron  The L-Shaped Room

Joan Crawford  What Ever Happened to Baby Jane?

Bette Davis  What Ever Happened to Baby Jane?

Katharine Hepburn  Long Day's Journey Into Night

Lee Remick  Days of Wine and Roses

Anna Karina  My Life to Live/Vivre sa Vie

Jeanne Moreau  Jules and Jim

Corinne Marchand  Cleo from 5 to 7

 

BEST SUPPORTING ACTOR

Peter Sellers  Lolita****

Lee Marvin  The Man Who Shot Liberty Valance

Anthony Quinn  Lawrence of Arabia

Omar Sharif  Lawrence of Arabia

Tetsuro Tamba  Harakiri

Victor Buono  What Ever Happened to Baby Jane?

Telly Savalas  Birdman of Alcatraz

Jack Klugman  Days of Wine and Roses

 

BEST SUPPORTING ACTRESS

Angela Lansbury  The Manchurian Candidate****

Shelley Winters  Lolita

Jeanne Cooper  The Intruder

Thelma Ritter  Birdman of Alcatraz

Setsuko Hara  Chushingura

Kathleen Byron  Burn, Witch, Burn!

Mildred Dunnock  Sweet Bird of Youth

 

BEST JUVENILE PERFORMANCE

Patty Duke  The Miracle Worker****

 

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1962 is probably my favourite film year of the decade. Some truly great performances this year, with my top five nominations as best actor all ranking among my very favourite performances ever. When it came to my final pick for best actor, it was almost a toss of the coin between my top two picks. Either one of those performances would have been my winner if they had occurred in any of a number of other years this decade.

 

BEST ACTOR

 

Gregory Peck, TO KILL A MOCKINGBIRD

Peter O'Toole, LAWRENCE OF ARABIA

James Mason, LOLITA

Kirk Douglas, LONELY ARE THE BRAVE

Robert Mitchum, CAPE FEAR

 

Honourable Mention: James Stewart in Man Who Shot Liberty Valance, Burt Lancaster in Birdman of Alcatraz, Jack Lemmon in Days of Wine and Roses, Frank Sinatra in Manchurian Candidate, Charles Laughton in Advise and Consent, Ralph Richardson in Long Day's Journey Into Night, Marlon Brando in Mutiny on the Bounty, Joel McCrea in Ride the High Country, Randolph Scott in Ride the High Country.

 

BEST ACTRESS

 

Anne Bancroft, THE MIRACLE WORKER

Lee Remick, DAYS OF WINE AND ROSES

Geraldine Page, SWEET BIRD OF YOUTH

Bette Davis, WHATEVER HAPPENED TO BABY JANE?

Katharine Hepburn, LONG DAY'S JOURNEY INTO NIGHT

 

Honourable Mention: Joan Crawford in Whatever Happened to Baby Jane?

 

BEST SUPPORTING ACTOR

 

Omar Sharif, LAWRENCE OF ARABIA

Walter Matthau, LONELY ARE THE BRAVE

Robert Ryan, BILLY BUDD

Victor Buono, WHATEVER HAPPENED TO BABY JANE?

Mickey Rooney, REQUIEM FOR A HEAVYWEIGHT

 

Honourable Mention: James Anderson in To Kill A Mockingbird, Telly Savales in Birdman of Alcatraz, Jackie Gleason in Requiem for a Heavyweight, Charles Bickford in Days of Wine and Roses, Karl Malden in Birdman of Alcatraz, Lee Marvin in Man Who Shot Liberty Valance, Jason Robards in Long Day's Journey Into Night, Trevor Howard in Mutiny on the Bounty, George Kennedy in Lonely Are the Brave.

 

BEST SUPPORTING ACTRESS

 

Angela Lansbury, THE MANCHURIAN CANDIDATE

Shelley Winters, LOLITA

Collin Wilcox, TO KILL A MOCKINGBIRD

Gena Rowlands, LONELY ARE THE BRAVE

Thema Ritter, BIRDMAN OF ALCATRAZ

 

Honourable Mention: Betty Field in Birdman of Alcatraz.

 

Best Juvenile Performance of the Year

 

Patty Duke, The Miracle Worker

 

Bizarro Performance of the Year

 

Peter Sellers, Lolita

 

Most Touching Relationship Between Man and Animal

 

Kirk Douglas and Whiskey the Horse in Lonely Are the Brave

 

Ham Soaked With Whiskey Award

 

Edmond O'Brien in The Man Who Shot Liberty Valance

 

("Play it like Tommy Mitchell would," I can hear John Ford whispering to him)

 

Special Duo Award For Years of Film Experience Which Brought An Aging Grace And Dignity To The Screen

 

1819067946.jpg

 

Randolph Scott and Joel McCrea in Ride the High Country

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Bizarro Performance of the Year

 

Peter Sellers, Lolita

 

 

I take it, then, that you have not seen The World's Greatest Sinner?

 

tumblr_lka7uspGLB1qac9iz.jpg

head_carey_sinner.jpg

 

 

I'm not saying Sellers wasn't weird in Lolita (he was, but I loved it!), but unbridled Timothy Carey is in another league!  :D

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Nor had I heard of it, Lawrence. I take it that Timothy Carey is not a boy next door type in it.

 

Well, you've probably seen him in other films, and he's often strange in those. Now imagine if he not only starred, but wrote and directed the movie, too, so there was no one to reign him in. TCM showed it at least once on TCM Underground. I really wish they would again, because it's not very easy to get a hold of.

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Well, you've probably seen him in other films, and he's often strange in those. Now imagine if he not only starred, but wrote and directed the movie, too, so there was no one to reign him in. TCM showed it at least once on TCM Underground. I really wish they would again, because it's not very easy to get a hold of.

 

Yes, I have seen Carey in his Kubrick films. Thanks for the notification. I'll have to keep a leery eye open for it.

 

I looked up Carey on Wiki. This was news to me about him on the Paths of Glory set:

 

One of his most recognized early roles was in the Stanley Kubrick film The Killing (1956),[1] in which he portrayed a gunman hired to shoot a racehorse as a diversion from a racetrack robbery-in-progress. Because of the impression Carey made in this small part, Kubrick cast him in the World War I drama Paths of Glory (1957),[1] as one of three soldiers accused of cowardice. During the filming of Paths of Glory, Carey was reportedly disruptive and tried to draw more attention to his character during the filming. Due to this behavior, a scene in which Carey and the other actors were served a duck dinner as a final meal before execution required 57 takes to complete. Carey then faked his own kidnapping to reap personal publicity, which prompted Kubrick and producer James B. Harris to fire him. As a result of this incident, the film does not depict the three condemned soldiers during the battle scene, and a double was used during a scene in which a priest hears Carey's character's confession. The scene was filmed with the double's back to the camera.

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During the filming of Paths of Glory, Carey was reportedly disruptive and tried to draw more attention to his character during the filming. Due to this behavior, a scene in which Carey and the other actors were served a duck dinner as a final meal before execution required 57 takes to complete. Carey then faked his own kidnapping to reap personal publicity, which prompted Kubrick and producer James B. Harris to fire him. As a result of this incident, the film does not depict the three condemned soldiers during the battle scene, and a double was used during a scene in which a priest hears Carey's character's confession. The scene was filmed with the double's back to the camera.

 

paths.gif

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1962 Favorites

There’s an unusually high number of favorite songs in (mostly) non-musical movies.
 
Best Actor
 
Tom Courtenay (The Loneliness of the Long Distance Runner)
Burt Lancaster (Birdman of Alcatraz)
Peter O’Toole (Lawrence of Arabia)
Gregory Peck (To Kill a Mockingbird)
Raf Vallone (A View from the Bridge)
 
Best Actress
 
Anne Bancroft (The Miracle Worker)
Leslie Caron (The L-Shaped Room)
Bette Davis (Whatever Happened to Baby Jane?)
Katharine Hepburn (Long Day’s Journey Into Night)
Rosalind Russell (Gypsy)
 
Best Supporting Actor
 
Wilfrid Brambell (In Search of the Castaways)
Karl Malden (Gypsy)
Don Murray (Advise and Consent)
Robert Ryan (Billy Budd)
Omar Sharif (Lawrence of Arabia)
 
Best Supporting Actress
 
Cicely Courtneidge (The L-Shaped Room)
Patty Duke (The Miracle Worker)
Julie Harris (Requiem for a Heavyweight)
Thora Hird (A Kind of Loving)
Pert Kelton (The Music Man)
Angela Lansbury (The Manchurian Candidate)
 
Southern Ham Award (Tie)
 
Ed Begley (Sweet Bird of Youth)
Charles Laughton (Advise and Consent)
 
Best Over-the-Top Performance by a Supporting Actor in the Most Drawn-Out Death Scene Ever
 
Leslie Daniel (The Brain that Wouldn’t Die)
 
Best Musical Scenes
 
“Castaway, Castaway” sung by Hayley Mills (In Search of the Castaways)
“I’ve Written a Letter to Daddy” sung by Bette Davis (Whatever Happened to Baby Jane?)
“Jerusalem” (The Loneliness of the Long Distance Runner)
“More” (Mondo Cane)
“Take Me Back to Dear Old Blighty” sung by Cicely Courtneidge (The L-Shaped Room)
“What Was Your Names in the States?” sung by Debbie Reynolds (How the West Was Won)
“You Gotta Get a Gimmick” (Gypsy)
 
The great Cis Courtneidge singing “Take Me Back to Dear Old Blighty:"
 
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